Royal Festival Hall

In his new piano concerto Thomas Ades’s inspiration has completely dried up

2 November 2019 9:00 am

There’s nothing like a good piano concerto and, sad to relate, Thomas Adès’s long-awaited first proper attempt at the genre…

Why did Parry's Judith vanish?

13 April 2019 9:00 am

‘When a man takes it upon himself to write an oratorio — perhaps the most gratuitous exploit open to a…

Garsington makes as good a case as you can for Strauss's frothy Capriccio

9 June 2018 9:00 am

‘Is there an end [to this opera] that is not trivial?’ asks the Countess in her final bars of Richard…

How does David Matthews get away with writing symphonies with tunes in them?

19 May 2018 9:00 am

‘All fish in flood and fowl of flight/ Be mirthful now and make melody’ writes the poet William Dunbar in…

Gorgeous but exhausting: Jurowski/LPO at Royal Festival Hall reviewed

9 December 2017 9:00 am

To get a flavour of Joseph Marx’s An Autumn Symphony, picture the confectionery counter in a grand Viennese café. Beneath…

The finest Wotan around: Latvian bass-baritone Egils Silins

I still have no idea what the LPO’s Belief and Beyond Belief season was about

6 May 2017 9:00 am

The London Philharmonic Orchestra’s ‘Belief and Beyond Belief’ season is drawing to a close, without making it in any degree…

Time to retire: pianist Maurizio Pollini at the Royal Festival Hall in March 2016

Maurizio Pollini needs to retire

25 March 2017 9:00 am

There’s a moment in the finale of Beethoven’s Appassionata sonata when the frenzied piano writing turns unexpectedly jolly. The late…

Not many concerts should be as devastating as this: Philharmonia Orchestra/Nelsons reviewed

28 January 2017 9:00 am

It used to be said that Bruckner composed the same symphony nine times, whereas, thanks to the comparative frequency of…

Vocal authority: Mandla Mndebele as Mandela and Siphamandla Yakupa as Winnie in ‘Mandela Trilogy’

For a good man, Nelson Mandela has inspired a lot of really bad art – here’s some more

10 September 2016 9:00 am

They say that the devil gets all the best tunes, and on the basis of this week’s opera-going it would…

Shattering - despite the lack of staging: Czech Phil’s Jenufa reviewed

30 April 2016 9:00 am

Janacek’s Jenufa, his first great opera, had a one-night stand at the Royal Festival Hall last Monday, courtesy of the…

Was Barenboim happy hiding inside a provincial orchestra from Venezuela?

23 January 2016 9:00 am

Daniel Barenboim back at the Festival Hall! Cue The Grand March of the Musical Luvvies Across Hungerford Bridge, a bustling…

Please let's have more musicals like this Kiss Me, Kate at Opera North

10 October 2015 9:00 am

Opera North’s new production of Cole Porter’s masterwork Kiss Me, Kate has been so widely and justly praised that I…

Why Daniel Barenboim should be the next head of the Berlin Phil

18 April 2015 9:00 am

Daniel Barenboim is back in town: the South Bank is mounting a ‘Barenboim Project 2015’ in which he’s playing the…

An artistic crime is committed at the Royal Festival Hall

31 January 2015 9:00 am

In one of the more peculiar concerts that I have been to at the Royal Festival Hall, Vladimir Jurowski conducted…

Franco Fagioli: a controversial Idamante in ‘Idomeneo’ at the Royal Opera House

Royal Opera’s Idomeneo: get seats but make sure they’re facing away from the stage

15 November 2014 9:00 am

Mozart’s first great opera, Idomeneo, is not often performed, and perhaps it’s better that way. It should be seen as…