RSC

Lee Evans in Pinter Three. Photo: Marc Brenner

Lee Evans’s acrobatic clowning is the best thing about Pinter Three

17 November 2018 9:00 am

Pinter Three appeals to opposite poles of the play-going spectrum. The birdbrains like me will enjoy the music-hall sketches while…

Roger Allam as John Christie in David Hare’s The Moderate Soprano

A champion actor and fully paid-up member of the human race: Roger Allam interviewed

26 May 2018 9:00 am

On stage Roger Allam has covered pretty much everything in his four decades as an actor. Off it, he is a fully paid-up member of the human race, as Michael Henderson discovers

Kate Tempest's poetry is simply no good

8 October 2016 9:00 am

Kate Tempest, a 30 year old dramatist and poet, has an appeal that’s hard to fathom. Is it all in…

Going Dutch: Eelco Smits and Janni Goslinga of Toneelgroep Amsterdam in ‘Kings of War’

This year's must-see Shakespeare? Four hours of history in Dutch

23 April 2016 9:00 am

James Woodall talks to the Belgian director Ivo van Hove, who has brought a swathe of Shakespeare’s history plays to the stage in Dutch (four hours of it)

Shakespeare at his freest and most exuberant: The Wars of the Roses reviewed

24 October 2015 9:00 am

The RSC’s The Wars of the Roses solves a peculiar literary problem. Shakespeare’s earliest history plays are entitled Henry VI…

The way we were: Dame Peggy Ashcroft as Queen Margaret, with Donald Sinden and cast members, in the Royal Shakespeare Company’s ‘Wars of the Roses’, Stratford, 1963

Shakespeare's Wars of the Roses is being staged without a single black actor. So what?

5 September 2015 9:00 am

Trevor Nunn is staging Shakespeare’s Wars of the Roses without a single black actor. So what, says Robert Gore-Langton

Christopher Turner as Artemidoro, the romantic lead transformed into a raving hippy in Trofonio’s ‘cave’

Don’t listen to Amadeus - this Salieri opera is better than Mozart

25 July 2015 9:00 am

Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned…

Volpone and his coterie of misfits, L–R from the back: Julian Hoult (Castrone), Ankur Bahl (Androgyno), Henry Goodman (Volpone) and Jonathan Key (Nano)

Trevor Nunn’s Volpone reviewed: Henry Goodman bewitches the audience by doing nothing wittily

18 July 2015 9:00 am

Easy playwright to get on with, Ben Jonson. His world is simple, his tastes endearing. He likes golden-hearted swindlers and…

Find the voice, find the character: Steve Nallon as Margaret Thatcher

Even those who reviled Thatcher will be moved, appalled and astonished: Dead Sheep at the Park reviewed

18 April 2015 9:00 am

Dead Sheep is a curious dramatic half-breed that examines Geoffrey Howe’s troubled relationship with Margaret Thatcher. Structurally it’s a Mexican…

Why are Shakespeare’s women so feeble?

29 March 2014 9:00 am

Shakespeare did not give his female characters pivotal roles, but some of his contemporaries did, as Lloyd Evans discovers

The Thomas Cromwell plays would be stronger if they made him weaker 

18 January 2014 9:00 am

Three things you might not expect of the RSC’s adaptation of Hilary Mantel’s Tudor novels. First, Mike Poulton’s plays have…

James Delingpole: I'm in love with Shakespeare — and with David Tennant's Richard II

9 November 2013 9:00 am

‘Dad, it’s three hours long,’ says Boy, worriedly. ‘Yeah. And whose bloody fault is it we’re going?’ I want to…