Rubens

‘Anne Cresacre’, c.1527, by Hans Holbein the Younger

A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed

27 January 2018 9:00 am

Martin Gayford is overwhelmed by the sheer concentration of visual splendour amassed by Charles I

She-devils on horseback: in search of the fabled Amazons

24 June 2017 9:00 am

Rumour will run wild about a society of warrior women, somehow free from the world of men. We all feel…

‘Carcase of an Ox’, by the circle of Rembrandt

Decomposing women, preserved nipples & putrefaction: Flesh at York Art Gallery reviewed

24 September 2016 9:00 am

For a 21st-century gallery, a Victorian collection can be an embarrassment. Tate Modern got around the problem by offloading its…

‘New Hoover Quik Broom, New Hoover Celebrity IV’, 1980, by Jeff Koons

Like Rubens, Jeff Koons’s work is about repetition, fertility and sex

11 June 2016 9:00 am

At one time, Damien Hirst was fond of remarking that art should deal with the Gauguin questions. Namely, ‘Where do…

Guild houses in the Grote Markt, Antwerp

Antwerp: the compact, charming capital of a country that doesn’t quite exist yet

23 May 2015 9:00 am

Napoleon didn’t think much of Antwerp. ‘Scarcely a European city at all,’ he scoffed. If only he could see it…

Weight watching: ‘Three Bathers’, c.1875, by Paul Cézanne

Rubens and His Legacy at the Royal Academy reviewed: his imitators fall short of their master miserably

31 January 2015 9:00 am

The main spring offering at the Royal Academy, Rubens and His Legacy: Van Dyck to Cézanne, teaches two useful lessons.…

‘Pan and Syrinx’, 1617, by Peter Paul Rubens

How will the British public take to Rubens’s fatties?

24 January 2015 9:00 am

Are Rubens’s figures too fat for the British to appreciate them? Martin Gayford investigates

‘Woman at Her Toilette’, 1875/80, by Berthe Morisot

2015 in exhibitions - painting still rules

3 January 2015 9:00 am

The art on show over the coming year demonstrates that we still live in an age of mighty painters, says Martin Gayford

‘Water-meadows near Salisbury’, 1829/30, by John Constable

Curator-driven ambitions mar this Constable show at the V&A

4 October 2014 9:00 am

The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…

Portrait of a couple as Isaac and Rebecca, known as ‘The Jewish Bride’, c.1665, by Rembrandt

Why everyone loves Rembrandt

27 September 2014 8:00 am

Talking of Rembrandt’s ‘The Jewish Bride’ to a friend, Vincent van Gogh went — characteristically — over the top. ‘I…