Sappho

Adam Nicolson’s seductive new book –a voyage around early Greek thought – opens with a lovely passage. Moored with his wife off the island of Samos, Nicolson rises at first light, with ‘only the cats awake’, to find that other boats have come in during the night and laid their anchor lines over his. Our action-man author dives in and swims down ‘the 12 feet or so to the sandy sea floor, hand over hand and link by link down the chain, looking for the tangle that needed to be undone’. It’s a metaphor for the task he sets himself in How To Be, which aims to separate out the

We are experiencing a boom of popular books on Greek mythology: Stephen Fry’s Mythos; Natalie Haynes’s Pandora’s Jar; Liv Albert’s Greek Mythology: The Gods, Goddesses, and Heroes Handbook, to name a few. Admittedly, Greek mythology has it all: love, sex, murder, incest, cannibalism, magical transformations, pirates, monsters, miracles. Surely some readers, though, will want to go even deeper, to tap into the ancient sources, incorrigibly plural and various. These sources include Homer’s Iliad and Odyssey and Hesiod’s genesis and who-begat-whom of the gods, the Theogony. (Plus a chunk of ‘Greek’ mythology which we actually get via the Roman poet Ovid.) But much of the mythology concerning the Greek gods —