Satire

Darth Vader 1 Goldman Sachs 0

Much twittering today about the New York Times op-ed in which a Goldman Sachs executive announces his resignation. Iain Martin, for instance, suggests it is “a devastating knee in the nuts” for the world’s leading infamous financial institution. Perhaps so, though I rather suspect most people who think about these things are already pretty sceptical about Goldman Sachs and other insitutions of that ilk. Still, Greg Smith’s article is unintentionally amusing. To wit: It might sound surprising to a skeptical public, but culture was always a vital part of Goldman Sachs’s success. It revolved around teamwork, integrity, a spirit of humility, and always doing right by our clients. The culture

Everything Changes and Yet Everything Remains the Same

Today’s commentary on the independence referendum kerfuffle is out-sourced to the Daily Mash: As Scottish first minister Alex Salmond set out his timetable for an independence referendum, he was dealt a devastating blow after research showed separation from the UK would make absolutely no difference whatsoever. Professor Henry Brubaker, of the Institute for Studies, said: “It will still be damp, windy and miles from everywhere.” “The Scottish people will continue to shop, drink, complain, work for the council, eat beige food and hate each other because of football, religion or some bastard hybrid of the two.” […] “They will also retain their baffling sense of entitlement and the government will

Funny old world

The most remarkable thing about this book is that it should have been published at all. No one could have imagined in 1961 that Private Eye — a blotchy reproduction stapled together on what looked like yellow scrap paper — would still be going 50 years later, selling hundreds of thousand of copies every fortnight and apparently employing about 50 people. Adam MacQueen has not written a history of the paper but has compiled a biographical album of contributors, staff, stories and various dramas in its history. The author suggests that it could be read from cover to cover, but that would be hard work even for a satirical anorak.

An assault on humour

On Tuesday night the French satirical newspaper Charlie Hebdo was firebombed, presumably by Islamic terrorists, for naming the Prophet Mohammed its editor-in-chief. Nobody was hurt in the attack but the newspaper’s offices have been destroyed. They still managed to see the light side, running a commentary saying “After Greece, save Charlie”. The left-wing paper has never been as popular as its main rival Le Canard Enchaine but its outrageous cartoons and caricatures are a staple of French kiosk fronts. Naming Mohammed editor may be one of the more tame things the newspaper has done. But whether it is tasteless or not, the magazine’s right to publish, insult and ridicule is

Dying of laughter

Marcus Berkmann on the few genuinely funny books aimed at this year’s Christmas market It’s a worrying sign, but I suspect that Christmas may not be as amusing as it used to be. For most of my life, vast numbers of so-called ‘funny’ books have been published at around this time of year, aimed squarely at desperate shoppers lurching drunkenly into bookshops on 24 December, still looking for the perfect present for someone they don’t much like. But this year there aren’t anywhere near as many. Perhaps they stopped selling. Maybe the QI Annual and Schott’s Almanac saw them off. Or maybe it just dawned on everyone at the same

No love lost | 31 July 2010

There is chick lit, or witless, ill-written, juvenile popular fiction, and then there is superior chick lit, which is smart and amusing and written for grown ups. Both these novels fall into the latter category, both are second books by well-regarded journalists and both are worth taking into the garden or on the plane this summer. Lucy Kellaway of the Financial Times stays in the office, where her first hilarious satire of corporate life and the pompous executive male, Martin Lukes: Who Moved My Blackberry? was located. This time, her target is the tragi-comedy of the office affair, and revolves around the ill-judged but irresistible romantic adventures of two women,

Satire is dead

I laughed more at the Antiques Roadshow than I did at The Thick of It. In fact, finding the louche Eric Knowles delivers more cutting gags per minute than Malcolm Tucker has become a feature of my weekends. And it’s a sad one because The Thick of It was the sharpest and most savage programme on television – a welcome focus for one’s anger at the Labour government. Truth is, Armando Iannucci’s show has dated. The outwardly crisp style of government it satirised has descended into a very public ‘omnishambles’. The reality is funnier than the fiction. The Prime Minister’s belief that he’d saved the world; a 24 hour pursuit