Sex

The French connection

If ever there was a novel to which that old adage about not judging a book by its cover could be applied, it’s this one. If ever there was a novel to which that old adage about not judging a book by its cover could be applied, it’s this one. What you’d expect, picking up Lisa Hilton’s The House with Blue Shutters and seeing, on the front, a nondescript young woman contemplating a blue-shuttered house, is romantic fiction. Historical, claims the blurb. Indeed there’s both romance and history here in a novel that moves between German-occupied France of 1939 and today’s France of second homes and holiday gites. But overall

Same old perversions

Memory Lane always looked so unthreatening to me. But this is Bret Easton Ellis, so a cast reunion for the characters he first wrote about in Less Than Zero 25 years ago is bound to end in tears, screaming and blood. And so it does, with grim efficiency. No sooner has our protagonist, Clay, checked back into his Hollywood apartment complex, than he is plunged feet-first into a swamp of paranoia, sin and violent double-cross. As the doorman says to him on his return, ‘Welcome back.’ So what’s Clay been up to all these years? Becoming a screenwriter would be the literalist’s answer, but drifting further into Easton Ellis’s subconscious

Physical and spiritual decay

The most striking thing about Piers Paul Read’s early novels was their characters’ susceptibility to physical decay. The most striking thing about Piers Paul Read’s early novels was their characters’ susceptibility to physical decay. The bloom of youth barely had time to settle before it was overrun by maggots. Thus, coolly appraising his mistress’s somewhat faded charms, Hilary Fletcher in The Upstart (1973) notes that marriage and children ‘had loosened her bones and skin and clouded those once fresh eyes with the film of age.’ Harriet, it turns out, is all of 26. Strickland, the barrister hero of A Married Man (1979) has an even worse time of it, what

Schlock teaser

The somewhat straightlaced theatre-going audiences of 1880s America, eager for performances by European artistes like Jenny Lind and solid, home-grown, classical actors such as Otis Skinner, were hardly prepared for the on-stage vulgarity that the (usually) Russian and Polish immigrant impressarios, with their particular nous for show-biz, were to unleash into the saloons and fleapits across the young nation. Of the many weird acts that comprised Vaudeville — the bearded ladies, fiddling baboons, human cannonballs and, apparently, ‘comics wearing enormous rubber phalluses’ — none can have been so strange, have kicked against so many pricks, so to speak, than little Louise, the daughter of the echt pushy stage-mother of Vaudeville’s

A rather orthodox doxy

‘His cursed concubine.’ That was the imperial ambassador Eustace Chapuys’ judgment on Henry VIII’s second wife, Anne Boleyn. ‘His cursed concubine.’ That was the imperial ambassador Eustace Chapuys’ judgment on Henry VIII’s second wife, Anne Boleyn. And that was mild. The abbot of Whitby called Anne a ‘common stud whore’. The judge Sir John Spelman noted during her trial that ‘there never was such a whore in the realm’. And, of course, Henry VIII beheaded her. Anne, rather like our own Diana, caught some heavy flak for having a sexy reputation. She was gossiped about as the court bike long before she shacked up with the king, and was convicted

In defence of Mary Whitehouse

The first time I interviewed Mary Whitehouse was for the Evening Standard in 1965. She seemed to me a narrow-minded schoolmarm, and after our encounter I wrote a teenagerish attack on her. I was thrilled by the satire boom that had been launched by That Was The Week That Was, and I loved other shows that she opposed, such as Till Death Us Do Part. In the event, Charles Wintour, then the Standard’s editor, spiked my article. ‘You haven’t understood the point about Mrs Whitehouse,’ he said. ‘She’s challenged the system. She has annoyed the hell out of the Director-General of the BBC, [Hugh Carleton Greene]. But she’s got a

Wrong kind of sex in the City

By far the most surprising twist in the sorry tale of the demise of David Laws, is that it has yet to unleash another round of banker bashing. There is plenty potential for it. Why, it might be asked, would such a confident and accomplished MP refuse to admit to being gay? Why in this day and age, when so many have paved the way before him, couldn’t he have just come out? The answer may well lie in his career background. Laws came from one of the very hardest places for gay man to be open about their sexuality: the City of London. As I know from my own

Cherchez la femme

The 22nd Earl of Erroll, Military Secretary in Kenya in the early part of the second world war, was described by two of his fellow peers of the realm as ‘a stoat — one of the great pouncers of all time’ and ‘a dreadful shit who really needed killing’. The 22nd Earl of Erroll, Military Secretary in Kenya in the early part of the second world war, was described by two of his fellow peers of the realm as ‘a stoat — one of the great pouncers of all time’ and ‘a dreadful shit who really needed killing’. The deed was duly done one night in 1941: Erroll’s body was

The ultimate price

Lesley Downer is one of the most unusual authors writing in English. Years ago, determined to become an expert on the Japanese geisha, ultra-sophisticated entertainers and hostesses who are neither prostitutes nor courtesans, she became a Kyoto geisha herself and wrote Geisha: The Secret History of a Vanishing World. Now she has written her second novel (the first being The Last Concubine), the story of Hana, a young samurai wife in the late 1860s. She lives in Edo, soon to become Tokyo, the capital of Japan. The country is being ripped apart by civil war — vividly narrated here — and, no longer isolated, is adopting enough Western ways to

Fine artist, but a dirty old man

I have always been sceptical of those passages in the ‘Ancestry’ chapters of biographies that run something like this: Through his veins coursed the rebellious blood of the Vavasours, blended with a more temperate strain from the Mudge family of Basingstoke. I have always been sceptical of those passages in the ‘Ancestry’ chapters of biographies that run something like this: Through his veins coursed the rebellious blood of the Vavasours, blended with a more temperate strain from the Mudge family of Basingstoke. Those passages seem to claim too much for heredity, and to bear out A. J. P. Taylor’s dictum that snobbery is the occupational disease of historians. But there

Throw it in a stream

I know a British couple with a Chinese daughter, pretty and fluent in English. Of course the little girl was adopted. It is necessary to steel one’s self against three agonising thoughts: how did such children come to be here, why does one never meet an adopted Chinese boy, and what does one reply when the adopted Chinese child asks, ‘Why did my real mother let me go?’ There is already substantial information on this subject, including television documentaries, none of it mentioned by Xinran. No one has exposed the scandal of Chinese orphanages, the starting point for the traffic in babies to foreigners — there are now well over

A narrow escape

For once, I felt sorry for Bill Clinton. It was January 1998, and the press reported that the President had had an intimate relationship with one Monica Lewinsky. In Independent Counsel Kenneth W. Starr’s office, where I worked, we had evidence that Clinton had sought to hide his dalliance through perjury and obstruction of justice. But that didn’t matter anymore. No president could survive the public revelation of sex (however defined) with a White House intern. Clinton was about to be driven from office over fellatio rather than felonies. I started thinking about a conciliatory statement Starr might release when the President resigned. Our judgment, as Ken Gormley observes in

Not ‘a boy-crazed trollop’

For someone who barely left the house, Emily Dickinson didn’t half cause a lot of trouble. For someone who barely left the house, Emily Dickinson didn’t half cause a lot of trouble. Lives Like Loaded Guns — which combines biographical material, critical readings, and an assessment of the history of her reputation — tells a completely hair-raising story. The Dickinsons were one of the first families of respectable Amherst. Emily and her sister Lavinia — ‘Vinnie’ — lived in one house, Homestead, right next door to her brother Austin, the head of the family, and his wife Sue. Susan Dickinson was a highly intelligent and sensitive woman, bosom friend to

From gloom to dispair

In little more than a decade, the cosy world of Anglo-American crime fiction has been transformed by wave after wave of Scandinavian invaders. Some, like Steig Larsson, are suddenly parachuted into the bestseller lists almost before we have had time to become aware of their existence. Others, like Iceland’s Arnaldur Indridason and Norway’s Karin Fossum, advance steadily but less dramatically in terms of sales and critical plaudits. And then there’s Henning Mankell, the Swedish commander-in-chief of the invading forces, who deserves a category to himself. He is a distinguished playwright, publisher and children’s author, who has a long and honourable record of supporting charitable causes, especially in Africa. But he

Cameron and the power of the bully pulpit

I must be one of the very few people who would genuinely like to see David Cameron give another speech on chocolate oranges. There was much mockery of it but it contained a very important point: there are some things that a business can do that have negative externalities to which the appropriate response is not taxation or regulation but social disapprobation. So, it was good to see Cameron promising both to use the power of his office to call out companies that sell age inappropriate products and to make it easier for people to protest against such behaviour. There are other areas where I expect social pressure could be

It happened one summer

For those unfamiliar with Martin Amis’s short story, ‘What Happened to Me on My Holiday’, written for The New Yorker in 1997, it was a purist exercise in autobiographical fiction; not even the names were changed. For those unfamiliar with Martin Amis’s short story, ‘What Happened to Me on My Holiday’, written for The New Yorker in 1997, it was a purist exercise in autobiographical fiction; not even the names were changed. The Pregnant Widow is a far more complex, troubling piece of work. Amis did indeed spend much of the summer after his second year at Oxford in a castle near the Mediterranean, though not in Tuscany; that would

An institution to love and cherish

Books about marriage, like the battered old institution itself, come in and out of fashion with writers, readers and politicians, but never quite die away. These two, from the latest crop, are by women in early middle age, both experienced journalists with several books behind them; but Elizabeth Gilbert, a chirpy American describing herself as ‘a cross between a golden retriever and a barnacle’, is flamboyantly personal and unacademic, while the quietly British Kate Figes is a careful, responsible researcher and interviewer who keeps her own marital history to the margins. All the more surprising, then, to find that their attitudes to marriage have a certain amount in common. Gilbert,

What a difference a gay makes

Edmund White is among the most admired of living authors, his oeuvre consisting of 20-odd books of various forms — novels, stories, essays and biographies — though each one is imbued with his preferred subject, homosexuality. Edmund White is among the most admired of living authors, his oeuvre consisting of 20-odd books of various forms — novels, stories, essays and biographies — though each one is imbued with his preferred subject, homosexuality. Now he is most famous for what could be termed his boy-ographies, a regular series of volumes about his passions, practices, predilections and peccadildos, beginning, in 1975, with The Joy of Gay Sex. Next came States of Desire:

A lost masterpiece?

These long anticipated literary mysteries never end in anything very significant — one thinks of Harold Brodkey’s The Runaway Soul, falling totally flat after decades of sycophantic pre-publicity, or Truman Capote’s Answered Prayers, emerging in fragments in 1975, after 17 years of non-work, to scandal but no acclaim. These long anticipated literary mysteries never end in anything very significant — one thinks of Harold Brodkey’s The Runaway Soul, falling totally flat after decades of sycophantic pre-publicity, or Truman Capote’s Answered Prayers, emerging in fragments in 1975, after 17 years of non-work, to scandal but no acclaim. (I wouldn’t get your hopes up for the quality of anything J. D. Salinger

Tracks through the wasteland

Sex, and plenty of it. That’s certainly what Bunny Munro — the titular protagonist of Nick Cave’s second novel — wants. And, in a roundabout way, he gets it. In the very first chapter, he’s cheating on his wife with a prostitute; in the second, it’s a hotel waitress; in the third, he’s given to fantasies about Kylie Minogue; in the fourth … well, you get the picture. Throw in the fact that Bunny is a travelling cosmetics salesman in Brighton, and it starts to sound like one of those dreadful Robin Askwith comedies from the 1970s — you know, Confessions of a Window Cleaner. But The Death of Bunny