Simon Rattle

Sir Simon Rattle conducts the LSO at the Barbican

Rattle’s recapitulation: LSO/Simon Rattle at Barbican reviewed

22 September 2018 9:00 am

A pregnant silence, a peaty belch from the tuba, and the scrape of brass on brass as gears lock into…

A Beggar’s Opera that beggars belief in Edinburgh

25 August 2018 9:00 am

Robert Carsen’s new updating of The Beggar’s Opera is a coke-snorting, trash-talking, breakdancing, palm-greasing, skirt-hiking, rule-breaking affair — and every…

Garsington makes as good a case as you can for Strauss's frothy Capriccio

9 June 2018 9:00 am

‘Is there an end [to this opera] that is not trivial?’ asks the Countess in her final bars of Richard…

London needs a new concert hall – but this is not it

28 October 2017 9:00 am

Even in a Trump world where reality is what you say it is, the London Symphony Orchestra’s announcement of a…

Cultural regeneration is a racket

21 October 2017 9:00 am

Twenty years ago I wrote of the otherwise slaveringly praised Guggenheim Museum in Bilbao: I’m in a minority of, apparently,…

Simon Rattle’s Rite of Spring was the best I’ve ever heard

30 September 2017 9:00 am

I was going to start with a little moan. About the shouty marketing, the digital diarrhoea, the sycophantic drivel, which,…

Simon Rattle’s job title has less clout than a viscountcy

23 September 2017 9:00 am

Much fuss has been made of the title given to Sir Simon Rattle on arrival at the London Symphony Orchestra.…

Could the new head of the Berlin Phil be a game-changer?

12 August 2017 9:00 am

Two summers ago, the BBC were offered a Proms visit by the Bavarian State Orchestra with its music director, Kirill…

Haydn would surely have approved of Simon Rattle’s repackaging of the symphonies

22 July 2017 9:00 am

‘Rarely, rarely, comest thou, Spirit of Delight!’ wrote Elgar, quoting Shelley, at the top of his Second Symphony. He should…

Band apart: conductor John Wilson, whose orchestra boasts some of the best wind and brass players on the planet

The joy of the John Wilson Orchestra

15 July 2017 9:00 am

Richard Bratby meets the conductor John Wilson, who thinks we should take Gershwin as seriously as we do Beethoven

London’s orchestral scene is dead. Time to change the music – and some CEOs

15 April 2017 9:00 am

For much of the past half-century, London has been the world’s orchestral capital. Not always in quality, but numerically without…

Spare us the gerontophilia

11 February 2017 9:00 am

Brahms didn’t always have a beard. The picture in the London Symphony Orchestra’s programme book showed him clean-shaven, and rightly.…

A memorable evening, though not one I’d want to repeat: Le grand macabre reviewed

21 January 2017 9:00 am

The Barbican website warns us that Ligeti’s opera Le grand macabre ‘contains very strong language and adult themes’. The strong…

Does Radio 3 really need to tiptoe around every controversy?

21 January 2017 9:00 am

This week the Southbank Centre began its ‘Belief and Beyond Belief’ festival — a series of concerts and talks claiming…

Grand visions: Birmingham’s Bull Ring shopping centre in 1965, a year after completion

Birmingham can be maddening – but culturally it has a lot to teach London

27 August 2016 9:00 am

On Saturday night, the City of Birmingham Symphony Orchestra makes its first appearance at the BBC Proms under its new…

Powerful and upsetting: Pelléas et Mélisande at the Barbican reviewed

16 January 2016 9:00 am

There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…

Musical maestros and football managers have more in common than you think

12 December 2015 9:00 am

You don’t have to be a follower of Liverpool Football Club, or football at all, to spot the difference. Two…

Classical music's greatest political butt-kissers: Dudamel, Gergiev and Rattle

14 February 2015 9:00 am

On 8 March 2013, Gustavo Dudamel stood by the coffin of the Marxist autocrat Hugo Chavez and conducted the Simon…

Dialogues des Carmélites brings out the best in Poulenc – and the Royal Opera House

7 June 2014 9:00 am

Poulenc’s Dialogues des Carmélites is an audacious work, much more so than many others that advertise their audacity. It deals…

How Claudio Abbado bridged old and new

1 February 2014 9:00 am

Not long ago the great conductors of classical music were general practitioners. They expected to give satisfactory interpretations of music…