Slavery

After Jane Austen’s death, her sister Cassandra destroyed the majority of her letters.  This act, often interpreted as an attempt to preserve Jane’s reputation, has had the opposite effect of fuelling fervent – at times prurient – speculation about what the letters contained. While Cassandra may simply have wished to shield her relatives from the lash of Jane’s sharp tongue, later writers, drawing on the author’s fiction and family lore, have surmised that the missing correspondence concealed evidence of a love affair. Such an affair formed the basis for Gill Hornby’s fine 2020 novel Miss Austen and now inspires Paula Byrne’s pleasant if unremarkable Six Weeks by the Sea. Byrne

In what may be the only joke in this book – it is hard to tell, because quite often reading it I started to believe the whole thing was an elaborate parody – Samuel Miller McDonald begins his acknowledgements by expressing his ‘infinite thanks’ to his editors (he merits six of them) on the grounds that ‘no work can be good without good editors’. Apparently some works can’t be good even with good editors – unless the author is trying to tell us that his, like his oeuvre, weren’t especially good at all. Progress is a prolix, tendentious book, radiating self-regard, arrogance and flannel. One irritation (which became like waiting

Peter Watson begins his survey of the history of ideas in Britain with the assertion that the national mindset (which at that time was the English mindset) changed significantly after the accession of Elizabeth I. His book – a guide to the nature of British intellectual curiosity since the mid-16th century – begins there, just as England had undergone a liberation from a dominant European authority: the shaking off of the influence of the Roman Catholic church and the advent of the Reformation, and the new opportunities that offered for the people. He describes how a culture based largely on poetry and on the court of Elizabeth then redirected the

For many years the academic sociologist Frank Furedi has been among the strongest conservative voices in the front line of the culture wars. The target of his latest book is the systematic campaign to discredit the history of the West in the interest of a modern political agenda. The vandalising of statues, the ‘decolonisation’ of institutions and curricula, the recasting of museums and the rearrangement of libraries are all symptoms of something more fundamental. Furedi argues that historical memory is the foundation of western identity and culture. The object of the campaigners is to discredit the West’s ideals and achievements. The result has been to persuade a generation of young

Some 100,000 books have been written about the American Civil War since it ended in 1865. That’s hardly surprising, given the four-year conflict’s impact on society, and not just because of the immense death toll, which new estimates put as high as 750,000 – more than the losses from all other wars combined. The effusion of blood created a new nation and a new mythology, anchored on the principles of freedom, equality and democracy. There is not much room in this crowded field for Civil War neophytes. Erik Larson knows what he is about, however, in The Demon of Unrest – but do his critics? The mixed reception this book

I recently learned to dive in the bay of Dakar. It was exciting. I’d started learning in a Leeds swimming pool and though I knew the ocean would feel different, I didn’t expect it to feel comfortable. It shouldn’t. It is not my element, and humans have long since left it to the rest of the ocean’s creatures. I also didn’t think the ocean would sound like my neck when I roll it during yoga: that same crackle. With their remarkable sonar, dolphins can even tell when a human is pregnant That the ocean is not quiet is one of the most pleasing revelations of the past century (I mean

Rereading The Adventures of Huckle-berry Finn can be a saddening experience. It’s not just the oft-repeated n-word that jolts, then pains, then twinges; it’s the ‘no sah’, ‘I’s agwyne to’ locutions of Huck’s companion, the runaway slave Jim. In retelling the celebrated adventure story in Jim’s own voice, Percival Everett upends the convention. James and his fellow slaves can speak perfectly good English between themselves. It’s only when white folks are around that they perform blackness. Whether two slaves out of the earshot of whites would discuss if a situation represents ‘an example of proleptic irony or dramatic irony’ is another matter. Huck Finn is one of the great voices

Readers of the Bible, you are almost certainly in for a shock. A new book, drawing on recent archaeology and literary criticism, persuasively argues that some of the most important parts of the New Testament were written or edited by slaves. Its author, Candida Moss, presents this thesis in God’s Ghostwriters, a general interest book which asks readers to look beyond the Bible’s named authors and imagine their collaborators, some of whom were enslaved scribes. In the Roman era, ‘writers’ did not usually inscribe the text themselves but composed through dictation; and most people who took dictation were enslaved. They were well educated from a young age, and it was