Stalin

Dark days in the Balkans: life under Enver Hoxha and beyond

For many in the West, Albania remains as remote and shadowy as the fictional Syldavia of the Tintin comics. The country came into existence only in 1912, with the decline of the Ottoman Empire. Its first ruler, King Zog, was ousted by Mussolini when he invaded in 1939. Hitler used Albania as a springboard for the Nazi invasion of Greece. The national resistance against Italy and Germany was led by the Albanian partisan supremo Enver Hoxha (pronounced ‘Hodger’). After expelling the hated occupiers, in 1946 the artful Hoxha proclaimed himself head of a newborn socialist republic. With his dangerous wife Nexhmije (the ‘Lady Macbeth of the Balkans’) he turned Albania

A divided city: the Big Three fall out in post-war Berlin

When did the Cold War start? Not when the second world war ended. There were many differences between the Soviet Union and its western allies, but they did not then seem insuperable. It was not obvious that the post-war world would be divided by ideology. On the contrary, the victorious United Nations hoped for an era of peace. The Americans planned to pack up and leave Europe as soon as possible. The future of Germany had been decided before a single Allied soldier had crossed onto German soil. Meeting at Tehran in November 1943, the Big Three — Roosevelt, Churchill and Stalin — had agreed that defeated Germany would be

Why did Hitler’s imperial dreams take Stalin by surprise?

The most extraordinary thing, still, about Operation Barbarossa is the complete surprise the Wehrmacht achieved. In the early hours of 22 June 1941 the largest invasion force in history, ultimately some three million men, struck at the Soviet Union on a front of nearly 2,000 miles. When Stalin was woken with the news, he wouldn’t believe it. It couldn’t be Hitler’s doing, he insisted; surely just sabre-rattling by Wehrmacht generals? Hours passed before he would accept his calamitous misjudgments and issue a general order to fight back by every means. Hitler’s strategic challenge in the late 1930s had been essentially the same as the Kaiser’s in 1914: how to make

‘I’m not interested in moral purity’: St Vincent interviewed

St Vincent — Annie Clark, a 38-year-old singer-guitarist of prodigious gifts — spends a lot of time confounding people. She confounds them with stage shows that are less gig than theatre, ostentatiously choreographed and fabulously provocative (though not in any crude sense). She confounds them with an image that morphs from album to album (for her sixth, Daddy’s Home, she has adopted the dissolute Cassavetes-heroine look). She confounds them by, in a puritan age, placing sex squarely within her work, though usually in a plausibly deniable way (the title Daddy’s Home refers to her father’s release in 2019 from prison after serving nine years for his part in a stock-manipulation

Churchill’s enigma: the real riddle is why he cosied up to Stalin

Dresden. Tonypandy. Gallipoli. Bengal. Winston Churchill’s reputation has withstood an array of charges, made by each generation with their own prejudices. Whereas in the 1970s it was Richard Burton and Jim Callaghan accusing him of a vendetta against the Welsh miners, today it’s racism, imperialism and white supremacy. The words ‘Was a Racist’ were scrawled on his statue in Parliament Square during last year’s Black Lives Matter demonstrations. Earlier this week police protected the statue at a rally as protesters chanted ‘Protect women, not statues’. Last month Cambridge academics held a panel on ‘The Racial Consequences of Mr Churchill’, in which the country’s wartime leader was attacked for his ‘white

Riveting: Dear Comrades! reviewed

Andrei Konchalovsky’s Dear Comrades! is based on a true event and set in 1962 in the Russian city of Novocherkassk where the local factory, the Novocherkassk Electric Locomotive Plant, went on strike. This doesn’t sound especially sexy, I know, but it is superbly acted and so rivetingly told my concentration did not waver for an instant which, given how hard it has been to concentrate lately, is high recommendation indeed. (It wouldn’t be fair to list the films I couldn’t concentrate on, as the problem is likely mine, but… Mank!) Konchalovsky certainly has a wild CV. He has worked with Tarkovsky. He made the wonderfully hypnotic The Postman’s White Nights,

The brutality of the Gulag was totally dehumanising

‘It was a gray mass of people in rags, lying motionless with bloodless, pale faces, cropped hair, with a shifty, gloomy look.’ Julius Margolin’s first encounter with Soviet prisoners takes place in August 1940 on the way to a labour camp in the north of Russia. Four years later, waiting at another transit point, he sees ‘semi-cripples, former, present and future invalids’, ‘bony shadows with hands and feet like sticks, in smelly tatters and dirty rags’. He has another year of horror ahead. A Polish Jew stranded in the USSR at the beginning of the second world war, Margolin refused to take Soviet citizenship and as a result was sentenced

Diplomatic daughters go behind the scenes at Yalta

From Downing Street to Pennsylvania Avenue, history’s powerful inter-family influencers, whether spouses or children, have long operated behind weighty political front doors. With an unerring eye for the revealing detail, Catherine Grace Katz has uncovered a fascinating generational back-story to the Yalta summit of February 1945. The three varyingly spirited daughters of Churchill, Roosevelt and Averell Harriman who accompanied their world-leading fathers to the freezing bleakness of the Crimea to thrash out terms for ending the second world war all played their crucial role. As Churchill and his second daughter Sarah crossed the Crimean steppe to the sulphurous muddy peninsula in the Black Sea they drove through countryside where ‘nearly

‘I was frightened every single day’: the perils of guarding Stalin

In Russian, the proverb ‘Ignorance is bliss’ translates as ‘The less you know, the better you sleep’. For those who experienced the worst of the Soviet Union’s terrors, this is not just a throwaway adage but a strategy for self-preservation. As Alex Halberstadt’s father — the son of one of Stalin’s former bodyguards — attests: ‘There is no more to be gained from sifting through the past than through cigarette ashes.’ Halberstadt, a Soviet-born American writer, doesn’t agree. Aged nine, soon after leaving Moscow with his family and defecting to the West, he began having a recurring nightmare in which he was chased by a ferocious bulldog, a dream that

History may hold the secrets of statecraft – but not the secrets of business leadership

‘How can one person lead one hundred?’ That was one of the questions in my Cambridge entrance exams back in 1981, and although I can’t now recall whether I tried to answer it in the three hours we were given, it has fascinated me ever since. So when I was given the splendid opportunity of delivering nine Lehrman Institute lectures on military history at the New-York Historical Society three years ago, I used them to try to answer it, at least in terms of war leadership. What became apparent was what a total waste of time and effort most of the modern ‘leadership skills’ industry is whenever it tries to

The beauty of Soviet anti-religious propaganda

Deep in the guts of Russian library stacks exists what remains — little acknowledged or discussed — of a dead and buried atheist dream. The dream first took shape among Russian radicals of the mid-19th century, to whom the prospect of mass atheism seemed the key to Russia’s salvation. When Lenin seized power in 1917, the Bolsheviks integrated it into their vision of heaven on earth. To the extent that people in the West have heard of this atheist dream, it has come to them mainly through the voices of its enemies. In 1983, Ronald Reagan put Lenin’s rejection of religion at the heart of Soviet unfreedom in his ‘Evil

He saw it all

Apart from a passionate relationship with the common toad, what do George Orwell and David Attenborough have in common? H.G. Wells is the answer. The self-consciously ‘great’ old man’s bad, yet gripping, writing about utopias profoundly influenced Orwell. And Attenborough, as a lad, was entranced by Wells’s extravaganza A Short History of the World — biology,  space science, archaeology, the past and the future, all delivered for children in digestible weekly parts. Attenborough said he derived from it the idea that you ought to know about everything. This ambitious lack of boundaries that they received from Wells liberated both men. As Dorian Lynskey points out in this idiosyncratic and acutely

Witness for the prosecution | 17 April 2019

Vasily Grossman’s novel Life and Fate (completed in 1960) has been hailed as a 20th-century War and Peace. It has been translated into most European languages and also into Chinese, Japanese, Korean, Turkish and Vietnamese. There have been stage productions, TV series and an eight-hour BBC radio dramatisation. And Grossman himself — like Leo Tolstoy, Osip Mandelstam, Alexander Solzhenitsyn and several other Russian poets and novelists — is now venerated not only as a writer but also as a moral exemplar. His life story is indeed remarkable. He bore witness, with clarity and balance, to many of the most terrible events of the last century: the terror famine in Ukraine,

More sinister than sweet

Ordinarily, I love books that answer questions I’ve never asked, but Simon May’s baffling book has blown my mind. The self-deprecator in me wants to tell you I’m too stupid to understand a word of it. The rest of me suspects that this is a sneaking yet sparkling satire on what a university education will get you (£50,000 of debt and the authority to pronounce a penguin cuter than a mermaid). I like the visiting professor of philosophy at King’s College London very much. ‘What is a bear with the head of a wolf?’, he demands. ‘Who is a human with cat’s eyes? What is the inner world of a

Eric the Red

Sir Richard Evans, retired regius professor of history at Cambridge, has always been a hefty historian. The densely compacted facts in his books, the evidence of an inexorable mind incessantly at work, the knock-out blows that he has dealt to adversaries from David Irving upwards — they all characterise authoritative books by a hard-man among scholars. But in retirement, it seems, the great man is mellowing. His latest book — a biography of his friend, the historian Eric Hobsbawm — is a masterpiece of gentle empathy. Hobsbawm was born in 1917 in Alexandria, where his father (a naturalised British citizen of Polish origins) worked for the Egyptian Post & Telegraph

A serious tease

Is there anything one can never laugh about? A question inevitably hanging over humour writing, it’s best answered by the masters of the genre who, rather than inventing jokes (a skill many possess), notice life’s winks and chuckles and tease them out of their surrounding matter, even if the latter happens to be of grave concern. Teffi was one of those writers. Born in 1872 in St Petersburg, by her early twenties Nadezhda Lokhvitskaya was a housewife with three children stranded in a provincial town; by her early thirties she was back in the capital, a literary celebrity writing for various publications under a snappy pseudonym, her witticisms quoted ‘in

Russian royalty

It is not as surprising at it sounds that two of the greatest collectors of modern art should have been merchants from 19th-century Moscow. If Russia managed to contrive a semblance of western civilisation in St Petersburg, it was by virtue of being directly under the steely Tsarist eye. Moscow on the other hand, half lost in the shadows of barbarism, was more wacky and roguish. It liked to think it was home to the true Russian spirit, which artistically meant gaudy folk art, icons, sad music and weird architecture. However the tiny rich class were desperate for the oxygen of enlightened humanist society which they found, like their St

Knowing your enemy

Espionage, Christopher Andrew reminds us, is the second oldest profession. The two converged when Moses’s successor Joshua sent a couple of agents to spy out ancient Jericho. There they were sheltered by the madam of the local brothel. All three are heroes in Israel today. Generals and politicians have always needed secret information to track and outmanoeuvre their foreign and domestic enemies. So they place spies, suborn traitors, eavesdrop, decipher other people’s messages, subvert their governments, assassinate their servants and sabotage their property. The technology has changed massively over the centuries; the aims and the basic methods have not. During the 20th century, thanks partly to the works of talented

Roll up, psychos

Describe the Night opens in Poland in 1920 where two Russian soldiers, Isaac and Nikolai, discuss truth and falsehood. Next we’re in Smolensk, 2010, where some strangers scream at each other about a hire car. Next Moscow, 1931 (or 1937 — the surtitles are illegible), where Nikolai, now a top soldier, asks Isaac, now a successful screen-writer, to audition his wife for a movie. Isaac improvises a scene with the wife and then fondles her bottom as they perform a weirdly sexless dance that is supposed to symbolise something, but it’s unclear what because everything that preceded the dance was indecipherable. Then the interval. I looked for enlightenment in the

Deathly prose

‘Reading makes the world better. It is how humans merge. How minds connect… Reading is love in action.’ Those are the words of the bestselling author Matt Haig and though I wouldn’t put it quite like that, I too feel that there is something inherently good about reading. Daniel Kalder has no such illusions. His latest book Dictator Literature (published in the US as The Infernal Library) looks at the dark side of the written word. It’s a study of what the great and not so great dictators of modern times read and wrote. In lesser hands this would be a romp (romp isn’t quite the right word, is it?)