Stand-up comedy

The ‘idiot Disneyland’ of Sin City

In italics at the very end of the preface to Slouching Towards Bethlehem (1968), Joan Didion spills the beans: ‘Writers are always selling somebody out.’ It’s hard to improve on that, but we can at least specify that she had journalists in mind, not poets or novelists, though probably she looked on all scribblers with a cold eye. Six years later, Didion’s husband John Gregory Dunne published Vegas: A Memoir of a Dark Season, which isn’t really a memoir, more a queasily auto-biographical novel. Or, as he puts it, ‘a fiction which recalls a time both real and imagined’. A time and also a place – Las Vegas, Nevada, in

Welder, banjo player, comedian, actor, and now artist – Billy Connolly interviewed

We are in a basement gallery in London’s West End, and Britain’s greatest comedian is doing what he does best — sharing his delight at the daft absurdities of daily life. He remembers seeing a little boy wading into the freezing waters at Aberdeen. ‘You make a certain noise when the wave comes up. It’s a noise that you can only repeat by shoving a hot potato up a donkey’s arse.’ He is making this empty gallery feel as though it’s full of people — and a bunch of strangers laugh like old friends. ‘A lot of my stuff doesn’t have punchlines’. He doesn’t need them. ‘It’s lovely just making