Stockhausen

An obituarist’s search for the soul

‘“Deep breath”, says the doctor. I take one and hold it.’ Thus begins the fourth chapter of Ann Wroe’s Lifescapes. It is apt because, although the book is part memoir, part essay on the art of biography, it is really about the breath of life itself. Wroe’s writing is intense and visionary, at times almost ecstatic. Reader, dive in. Wroe has written weekly obituaries for the Economist for 20 years, seeking out seemingly ephemeral moments that unlock people’s lives. ‘Time and again,’ she says, ‘some incident in childhood is the key to a career.’ The composer Karlheinz Stockhausen was delighted by the sound his toy hammer made on pipes and

Art tackles social distancing and, for once, actually wins: Philharmonia Sessions reviewed

First there were the home recitals: musicians playing solo Bach in front of their bookshelves, wonkily captured on iPhones. Next came the Zoom ensembles, and near-infinite quantities of editing time and digital processing power achieved what, for a millennium up until March this year, could be produced instantaneously by putting some musicians in the same room. In June, we had live chamber music relays from empty concert halls. And now, after what might be the longest enforced break many orchestras will ever have taken, we have socially distanced online symphonic concerts: the latest, and let’s hope final, manifestation of this godawful New Normal (you’ll know we’re back to the Old