Suranne jones

Apart from hunting, one of the very few consolations of the end of summer is that telly stops being quite so dire. But that moment hasn’t quite arrived yet – as you can tell from the fact that I’m reviewing Hostage. There’s so much that is annoying about Hostage that I don’t know quite where to begin. But let’s start with its cloth-eared use of the word ‘abducted’. Suppose you were the prime minister (Suranne Jones) and your implausible Médicins Sans Frontières husband Alex (Ashley Thomas) had been kidnapped by a masked terror group in French Guiana and you had to brief your teenage daughter on what had happened, which

Tense, claustrophobic, gripping, thrilling, realistic: just some of the adjectives no one is using to describe BBC1’s Sunday night submarine drama Vigil. Were one of Britain’s four Vanguard nuclear subs to launch retaliatory strikes on Broadcasting House and the show’s producer World Productions, I think it would be entirely reasonable and proportionate. It’s so amateurish and implausible it makes even the dreadful Sky One remake of Das Boot look classy by comparison. Which is a shame because its screenwriter, Tom Edge, has done some good stuff in the past. Besides writing for The Crown and on the likeable J.K. Rowling detective series Strike, Edge created and wrote three series of