Suspense

Stephen King, 77, is a writer of towering brilliance whose fiction appeals to a reading public both popular and serious. His 60th novel, Never Flinch, unfolds in Buckeye City, Ohio, where a serial murderer is on the loose under the alias of Bill Wilson – the name of the man who co-founded Alcoholics Anonymous. Wilson has sworn to kill 14 people in revenge for the death of a friend and former alcoholic who was framed and convicted for child pornography offences. The plot is steeped in AA lore (‘Honesty in all our affairs’) and an awareness of the deleterious effects of drinking to excess. It’s no secret that King is

Mike McCormack is much garlanded. He won the Rooney Prize for Irish Literature with his first collection of stories; the Goldsmith’s Prize followed in 2016, along with the Irish Book of the Year Award and the International Dublin Literary Award, for his novel Solar Bones. A book-length, single- sentence analysis of a man’s life, that story sprang off the page with the force of a blow.  This Plague of Souls, his fifth novel, is more distanced. Not a story with a beginning, middle and end, it circles in widening gyres, swooping now and then on to a tightly focused moment as its ambiguous hero tries to make sense of an

What a weird lot crime writers are. I don’t come to this conclusion lightly, since I’m a crime writer myself, but on the evidence of this magisterial but wickedly entertaining book the conclusion is inescapable. As you turn the pages, the evidence mounts up. One crime writer has been considered a serious candidate for sainthood and another has been convicted of murder. Wilkie Collins simultaneously maintained two mistresses and their children but never bothered to marry either. Mary Roberts Rinehart, an early 20th-century queen of American suspense fiction, narrowly escaped being murdered by her chef because she wouldn’t promote him to butler. Agatha Christie famously engineered her own disappearance, and