Switzerland

The tale of Credit Suisse ought to be Buddenbrooks on steroids. A staid Swiss lender enters marriage with a racy Wall Street investment bank and gives birth to a monster. Scandal follows scandal. CEOs come and go. In March 2023, the bank ends up being flogged to its arch rival UBS for a miserly $3 billion. Inside Credit Suisse, the backstabbing and treachery were more suited to a medieval court Duncan Mavin is well placed to tell this corporate horror story, having written a book about one of Credit Suisse’s most notorious clients, Lex Greensill, an Australian melon farmer turned fintech champion. Greensill Capital, which employed David Cameron as a

Ask a roomful of concert pianists to pick their graveyard moment in Rachmaninoff’s Piano Concerto No. 3 (1909) and they’ll almost certainly point to five or so pages halfway through the last movement where an ant nest of piano notes infests a sparse orchestral threnody. When an elderly Vladimir Horowitz performed this passage – lank, dyed pageboy hair framing his Bela Lugosi face, hands darting over and under each other like butterflies – he looked more like a weaver at his loom than a virtuoso at his instrument. There are flickers of concentration, but the overall impression is one of extreme insouciance. ‘I am a Russian composer, and the land

It is the contention of Peter Wilson, professor of the history of war at Oxford University and the author of an acclaimed history of the Thirty Years’ War, that military historians have focused too much on the German wars of the 20th century in trying to understand German ‘militarism’ as a distinctive characteristic – a ‘genius for war’ imitated by others. As he points out, Germany and Austria lost the first world war, and Germany, with Austria now attached, lost the second as well. A ‘genius for war’ evidently needs some rethinking. Wilson wants to place these modern wars in perspective, stretching back to the 15th century. To understand how

Louis MacNeice once wrote that if you want to know what chasing the Grail is like, ask Lancelot not Galahad. Because failure helps you see — the successful types are too busy succeeding. Two recent books on tennis put this theory to the test. The Master, by Christopher Clarey, long-time tennis correspondent for the NY Times, is about Roger Federer’s greatness. Clarey played for Williams College, where he ‘struggled and choked enough to understand just how difficult it can be to hit the shots that virtuosos like Federer make look routine’. Billie Jean King’s most recent autobiography, All In, is the second. She tells the story from Galahad’s point of