Taylor swift

Today

Rebecca Reid

Has Taylor Swift broken music’s last taboo?

As a woman in my early thirties, it is my God-given right – arguably my duty – to have an opinion when Taylor Swift releases an album. And it’s a role that I’ve always performed without compunction. But on this occasion – the release of album 12, The Life of a Showgirl, my ability to get into the weeds (does ‘The Fate of Ophelia’ represent close text analysis of Shakespeare?) was hampered by my shock at one particularly audacious lyric.  Previous albums have had the the odd raunchy moment. So when, on this new album, she sang ‘His love was the key that opened my thighs’ in a song titled ‘Wood’,

Friday

Luke Lyman

Taylor Swift is saving America

Elon Musk and Taylor Swift fans rejoice! America’s birthrate is saved! News of the engagement between America’s reigning sweetheart, Taylor Swift, and jock, Travis Kelce, can mean only one thing: a millennial marriage boom is upon us. And with it, natalists will hope, an impending baby boom. I’m no Swiftie. Nor am I one of those men who’s organised his entire political identity around hating the singer. Still, I can’t deny that I feel uplifted by the jubilation erupting across the US and beyond this week. Why? Because Taylor and Travis are taking a stand against pessimism. America’s permanently heartbroken oldest daughter has escaped her fate (for now). These are

Tuesday

Travis Elborough

Kate Bush – always quite hippy, dippy, ‘out there’

In 2019, Kate Bush felt the need to issue a statement on her website clarifying that she was not a Tory supporter. Nearly three years earlier, in an interview with a Canadian magazine, the singer-songwriter had appeared to express her admiration for Theresa May, stating: ‘I actually really like her and think she’s wonderful… It’s the best thing that’s happened to us in a long time.’ This rare foray into British politics from a performer whose reticence about her private life has bordered on the Trappist went down about as well as David (‘Scotland Stay with Us’) Bowie’s contribution to the Scottish Independence Referendum debate. Taylor Swift may have Eras,

Monday

Sam Leith

Labour were right to protect Taylor Swift

Still making headlines, it seems, is one of the more trivial scandals to have dogged the Labour government in its first 100 days in office: to wit, the police protection given to the pop singer Taylor Swift. File firmly under circuses, you might think, rather than bread. For those who need catching up, the American pop star was given a VVIP police escort around London during the UK leg of her Eras tour – a swishy blue-light motorcade of the sort usually reserved for members of the royal family and foreign heads of state, and the reassuring knowledge that should some loon seek to lob a brick at her, or

Thursday

Graeme Thomson

Jack White’s new album will be of close interest to Led Zeppelin’s legal team

The ploy of releasing an album without any advance warning comes into play when an artist feels they are being paid either too much or too little attention. The stealth arrival of Jack White’s new solo album falls firmly into the second category. Putting out music in this way ensures additional media coverage and a certain level of intrigue I didn’t love White’s old band, the White Stripes, back when they were a garage-rock/blues revival phenomenon in the early 2000s. Since their demise in 2011, the world seems to be coming around to this way of thinking. Their most successful albums, Elephant and White Blood Cells, hold little cultural currency

Monday

Cindy Yu

Why China loves Taylor Swift

47 min listen

‘Swifties’, as Taylor Swift’s fans are known across the world, are extremely dedicated to the cause, and often estimated to drive up local economies wherever they flock, and Chinese fans are no different. Swift didn’t perform in China on the latest global tour, but that didn’t stop more wealthy fans flying to Singapore to see her; or the less wealthy, going to cinemas in China to watch the Taylor Swift Eras Tour documentary – which has broken box office records in China. All this got me thinking – how popular is American, and western, pop music in China in general? Is it considered mainstream, or something a bit more indie

Thursday

Michael Hann

Teenage Swifties restored my faith in strangers

Taylor Swift is the last of the monocultural pop icons. Put it this way: I bet you’ve heard of her. Your parents have heard of her. Your children have heard of her – and so have your grandchildren. This used to be commonplace – but not now. She transcends pop music. This might be why so much of the discussion of the Swift phenomenon has been about the facts and figures: hers is the first tour to gross more than $1 billion, while global leaders have begged for her to visit their countries due to the financial boost she brings. Not to mention her tendency to pump out new editions

Thursday

Alexandra Shulman

Tennis is sexy again

For 50 years, I’ve avoided wearing anything resembling formal tennis kit but in a rather lame way, I’ve been seduced by the current tenniscore fashion movement. Although tennis is my only sport, I’ve never owned whites, but a rather fabulous white – actually ecru – tennis ‘skort’ has arrived in the post. I only just prevented myself from adding a V-neck white sweater with navy trim to the order. Now I’ve just got to get on the court for the first time this year and stop with the shopping. Sadly, there is absolutely no resemblance at all between how I look in this hybrid of shorts and skirt to the

Thursday

Graeme Thomson

Taylor Swift’s new album is exhausting

How to explain the supercharged star power of Taylor Swift? An undeniably gifted artist, Swift’s albums 1989, Folklore and Evermore, in particular, are excellent. She has written a battery of terrific pop songs. She is a generous and skilled performer. To suggest she is overrated is not an insult, therefore, but simply a comment on the absurd critical mass of her popularity, in which every lyric, scrap of artwork, cultural reference and personal tit-bit is weighted with a monumental significance which, it is becoming apparent, does her work few favours. Anybody listening to Swift’s new album without prior knowledge of the layers of gossipy context surrounding it might well wonder

Wednesday

Graeme Thomson

The case against re-recording albums 

In 2012, Jeff Lynne released Mr Blue Sky: The Very Best of Electric Light Orchestra. Except it wasn’t. It was 11 new re-recordings of classic ELO songs – which isn’t the same thing at all. Lynne, bless him, believed that having gained more experience as a producer, he could now improve the songs that made him famous. ‘You know how to make it sound better than it did before,’ he said, ‘Because I have more knowledge… and technology.’ Sheesh. How wrong can one man be? Pop music is all about the definitivearticle. Not only the bold prefix attached to its greatest practitioners – Beatles, Byrds, Wailers, Temptations, Fall, et al

Friday

Damian Reilly

I’m a middle-aged male Swiftie (and I don’t care who knows it)

I recently underwent a surgical procedure that according to the surgeon who performed it would cause either no discomfort at all or result in ‘exceptional pain’ for at least two weeks. No way to tell until I was on the operating table, apparently. She said this matter-of-factly, as if discussing bus routes, just as I was about to receive a general anaesthetic. As soon as I came to, I learned it was the latter. In the following days, bedbound and near-delirious with pain and medication, I listened to hour after hour of Taylor Swift. I didn’t want to hear anything else. I found her music, with its vast emotional depth

Wednesday

Robert Barry

The triumph of bedroom pop

I must have been about 16 when I got my first Portastudio. The compact home recording unit had first been introduced by Japanese electronics firm Teac in 1979, offering unprecedented multitrack dubbing to the bed-bound amateur musician. For a little less than $1,000, you could record four separate tracks of instrumentation — as much as the Beatles had when making Sgt. Pepper — on an ordinary cassette tape. By the time I got my teenage hands on a four-track machine of my own, that price had come down by an order of magnitude. It was a chunky little unit in pigeon blue with just two microphone sockets and a small

Thursday

Michael Hann

‘I like upsetting people’: Steven Wilson interviewed

Steven Wilson is going about becoming a pop musician entirely the wrong way. For one thing, he’s into his fifties, not typically the point in life at which budding chart-botherers launch their assault on hearts and minds. For another, in an age in which pop stardom and identity politics have become entwined — in cultural discourse, at least, even if not necessarily in your teenager’s listening habits — he has everything going against him. ‘I come from a very well-adjusted family. I’m heterosexual. I’m white.’ Of course, Wilson doesn’t really expect to be competing against Stormzy and Dua Lipa and Cardi B. His new album, The Future Bites, is a

Thursday

Dot Wordsworth

Did Taylor Swift really ‘overthink’ her album release?

Sometimes when I ask my stertorous husband in his armchair whether he is asleep, he replies with a start: ‘Just thinking.’ If so, he seems recently to have been overthinking. Overthinking is a pretty annoying word, often used by people not noted as great thinkers. Taylor Swift, the belle of West Reading, contrasts it with honest gut feeling. ‘Before this year I probably would’ve overthought when to release this music,’ she said when suddenly bringing out a new album to coincide with one due from Kanye West. ‘My gut is telling me that if you make something you love, you should just put it out into the world.’ That is

Thursday

Deborah Ross

Top of my must-watch mustn’t-watch: Cats revisited

At the outset of lockdown I gave you my list of top mustn’t-watch films — that is, the ones that aren’t worth the bother — with the rider that when Cats is released digitally it will, however, likely be a must-watch mustn’t-watch. ‘I absolutely must watch this mustn’t-watch,’ you may even have said to yourself, after reading some of the wonderfully terrible reviews. (The Daily Telegraph gave it zero stars. Variety said it was one of those ‘once-in-a-blue-moon embarrassments’.) And it is as hoped. In fact, it is such a must-watch mustn’t-watch that I watched it twice and never stopped marvelling, even if I will be forever haunted by Ian

Saturday

Michael Hann

Taylor Swift is fascinating – but you really wouldn’t want to be her

There had been some question about whether Taylor Swift’s Netflix special would actually appear. Last year it seemed that the ownership of her old songs by her previous record label would scupper it. But no, Ms Swift is not to be resisted, and lo, Miss Americana is available right now on Netflix, one of its two big music documentaries for the spring. Many older men seem to have a visceral distaste for Ms Swift. If you share that distaste, then I’m sorry, it’s your loss, because she’s a fascinating figure (who has also made three truly terrific albums in Fearless, Red and 1989), and Miss Americana is well worth watching.