The bible

Thursday

The Spectator

Letters: The mass appeal of cathedrals

Mass appeal Sir: The upcoming ‘rave’ at Peterborough Cathedral follows the trajectory of using this sacred space as a mere entertainment venue (‘Raving mad’, 14 September). Previous secular attempts to commercialise include ‘experiences’ of the moon, dinosaurs, the deep sea and light shows. I assume the rave organisers did not witness the cathedral in June when a Saturday evening vigil mass was celebrated by the Catholic Bishop of East Anglia for local Catholics. When used for its original and sacred purpose, Peterborough Cathedral was filled with Catholics participating in the divine liturgy. Many were standing for want of seats, like some of our churches on Sundays. It was worth renting

Tuesday

Mark Cocker

Man’s fraught relationship with nature extends back to prehistory

It is now almost a prerequisite of any dispute among environmentalists to recall a judgment offered by the literary critic Raymond Williams – that ‘nature’ is perhaps the most complex word in the English language. Attempts to unravel its meaning are fraught with challenge. Does it signify just the living elements of the biosphere, or does it include inanimate parts, such as mountains and rivers? The extreme heat of the Sun at its core makes it the place least hospitable to life – yet it is equally the source of the whole process. Perhaps the greatest of all associated questions is whether humans are subsumed within, or inexorably separated from,

Tuesday

Matthew Mason

A miracle beckons: Phantom Limb, by Chris Kohler, reviewed

In 2021, a financial newspaper estimated the American televangelist Kenneth Copeland’s wealth to be in the region of $750 million. This fortune has helped the preacher build a property empire and purchase a fleet of private jets – acquisitions, he says, ordained by God. Gillis, the principal character in Chris Kohler’s Phantom Limb, has not been quite so blessed. After suffering a knee injury in his twenties that derailed a promising athletics career in England, Gillis gave his life to the cloth. His decision to become a minister, however, came not from any love of God (in fact, Gillis isn’t even a believer), but because it promised to provide a

Saturday

Lloyd Evans

Unimpressive: The Prince of Egypt reviewed

The Prince of Egypt is a musical adapted from a 1998 Dreamworks cartoon based on the Book of Exodus. So the original writer is God. The show opens with a troupe of fit young athletes working on Pharaoh’s latest tomb. And they look like the best-fed slaves in history. A meat-rich diet and round-the-clock access to a gym and a sauna must have been written into their contracts. The tanned abs of the male slaves ripple and gleam. The lithe females are bendier than hosepipes. Presumably these cartwheeling ballerinas are able to limber up in an air-conditioned dance studio before each shift. The only drawback is lugging blocks of stone