The globe

From apprentice to master playwright: Shakespeare learns his craft

Pub quiz masters with a taste for William Shakespeare are spoiled for choice when it comes to red letter years. The playwright’s birth and death, the building and burning down of the Globe, and the publication of the First Folio (1564, 1616, 1599, 1613, 1623) are all dates that sit dustily in the corners of many of our brains, ready to be summoned when trivia duty calls. But 1576? Not so much. Shakespeare was 12, ink-stained and anonymous at grammar school in Stratford-upon-Avon. Which only goes to show that untrammelled bardolatry isn’t good for theatre history, because even while tweenager William was memorising his Latin vocab a turning point in

Who is allowed to play Richard III?

On Tuesday night I was body double/understudy for the brave, brainy, beautiful Rachel Riley, at a packed ‘support Israel’ evening. The keynote speaker was the brave, brainy, beautiful lawyer Natasha Hausdorff. I was slightly out of my depth but I hope I provided some light relief. Natasha was dazzling in defence of beleaguered democracy, but the facts are sombre and the audience went home a little more concerned about our future in the diaspora. Anti-Semitism is known to be a light sleeper. I fear it may become insomniac. I’ve been arguing vehemently with my brother Geoff about everything and nothing for 75 years. Inevitably, these days, our arguments are about

The Globe adds Shakespeare anti-Semitism warnings

Mr S enjoys a good show: many of the best dramas are to be found on the Westminster stage. After all, what is politics but show business for ugly people? But away from SW1, Mr S has found a cast of characters even more histrionic than the performers of Westminster. For just down the Thames in Southwark, the right-on thespians at the Globe theatre have surpassed themselves in their current winter production of The Merchant of Venice. Hosted by the Sam Wanamaker Playhouse at the Globe, the show has taken every effort not to offend any sensibilities by including a warning on its website for all potential ticket-buyers. It tells culture vultures, seeking to get their