The odyssey

Among many other prizes for her stunningly original work, Alexis Wright has won Australia’s greatest literary honour, the Miles Franklin Award, for a novel of the highest literary merit representing Australian life. It is ironic, but sadly apt, that her epic Praiseworthy should be published in the year that Australians, offered a chance to give greater political rights to their indigenous peoples, have voted not to. Everything blends together: dream and reality, donkeys and butterflies, the Odyssey and The Wizard of Oz Wright is an Aboriginal activist as well as a writer. Praiseworthy, which has already won the Queensland Literary Award for Fiction, is an impassioned environmental Ulysses of the

We are experiencing a boom of popular books on Greek mythology: Stephen Fry’s Mythos; Natalie Haynes’s Pandora’s Jar; Liv Albert’s Greek Mythology: The Gods, Goddesses, and Heroes Handbook, to name a few. Admittedly, Greek mythology has it all: love, sex, murder, incest, cannibalism, magical transformations, pirates, monsters, miracles. Surely some readers, though, will want to go even deeper, to tap into the ancient sources, incorrigibly plural and various. These sources include Homer’s Iliad and Odyssey and Hesiod’s genesis and who-begat-whom of the gods, the Theogony. (Plus a chunk of ‘Greek’ mythology which we actually get via the Roman poet Ovid.) But much of the mythology concerning the Greek gods —