Trainspotting

Thursday

William Moore

Soul suckers of private equity, Douglas Murray on Epstein & are literary sequels ‘lazy’?

44 min listen

First up: how private equity is ruining Britain Gus Carter writes in the magazine this week about how foreign private equity (PE) is hollowing out Britain – PE now owns everything from a Pret a Manger to a Dorset village, and even the number of children’s homes owned by PE has doubled in the last five years. This ‘gives capitalism a bad name’, he writes. Perhaps the most symbolic example is in the water industry, with water firms now squeezed for money and saddled with debt. British water firms now have a debt-to-equity ratio of 70%, compared to just 4% in 1991. Britain’s desperation for foreign money has, quite literally,

Mike Cormack

Tedious, lazy and pretentious – Irvine Welsh’s Men in Love is a disgrace

There are 32 years between the publication of Irvine Welsh’s Trainspotting and his Men in Love – a gap roughly equivalent to that between Sgt. Pepper and ‘Windowlicker’ by Aphex Twin. Perhaps three cultural generations. It is disturbing, therefore, to find Welsh still pumping out further sequels to his spectacular literary debut. But whereas that had verbal fireworks, razor-sharp dialogue, superb character ventriloquism and a fearless examination of Scottish moral rot, Men in Love is – let’s be frank – tedious, lazy, pretentious and simply bad writing. Under the influence of American Psycho, Welsh has had characters narrating their fleeting perceptions since Filth (1998), in the hope that accumulation will

Wednesday

Sam Leith

Irvine Welsh: Men In Love – Trainspotting Sequel

34 min listen

My guest this week is Irvine Welsh – who, three decades after his era-defining hit Trainspotting, returns with a direct sequel, Men In Love. Irvine tells me what Sick Boy, Renton, Spud and Begbie mean to him, why his new book hopes to encourage a new generation to discover Romantic verse and shagging, and why MDMA deserves more credit for the Good Friday Agreement than Tony Blair.

Thursday

Robert Jackman

‘You should see some of the other scripts that come through’: Robert Carlyle interviewed

‘I always feel slightly sick when I hear actors talking politics,’ says Robert Carlyle — that polished Glaswegian burr sounding no less arresting over a slightly patchy Zoom connection. ‘I mean we’re all entitled to an opinion,’ he continues, sounding for a second as though he might be about to opt for a more diplomatic track. ‘I just find that too many actors find it difficult to get theirs across without sounding like a twat.’ It’s a fair point, you might think. But for Carlyle, it’s also been a good professional move. Reflecting on his career, he credits this aversion to mouthing off with inspiring his long-term commitment to keeping