Travel

In the late 1960s I grew up in the London borough of Greenwich, which in those days had a shabby, post-industrial edge. Behind our house on Crooms Hill stood a disused London Electricity Board sub-station. Broken glass crunched underfoot and buddleia grew amid the fly-tipped junk. I went there chiefly to shoot at pigeons and set fire to things. Tea chests went up in a satisfying orange whoosh; I was mesmerised. One day, dreadfully, the LEB building burned down after I neglected to extinguish embers. The fire-fighters flashed a spectral white and blue, I remember, from the fire-engine’s beacon. I could no longer go there unnoticed. I was reminded of

The unification of Italy 150 years ago was a terrible mistake, according to David Gilmour, imposing a national state on a diverse collection of people with little sense of patria. But Barry Unsworth thinks it’s too early to cry failure David Gilmour begins his pursuit of this most elusive of quarries where all such pursuits should begin: with a close look at the physical features of the country, which have from the remotest times determined the pattern of its history, the repeated waves of invasion and settlement. Few countries have been more vulnerable. The coastline is enormously long, impossible to guard effectively; the northern rampart of the Alps has never

Colin Thubron’s new book will disappoint those of his readers who admire him for his reserve. He is the last and perhaps the best of the gentleman travellers of the old school, his books distinguished by scholarship, rigour and that extraordinary ability that he has made his own: the capacity to immerse himself in someone else’s culture and yet remain utterly detached. Those same readers may also be disappointed by the slimness of the present volume, which occupies days rather than months and encompasses a mere province rather than the usual continent. But they would be wrong to dismiss To a Mountain in Tibet as lightweight. Nothing Thubron writes cannot

Some years ago I went to a dinner party in Lucknow, capital of India’s Uttar Pradesh, where the hosts and their guests were Hindus who as children had fled Lahore in 1947 at the time of Partition. A week later I was in Lahore, capital of Pakistan’s Punjab, and found myself in a house where the other diners were Muslim refugees who at a similar age had come from Lucknow. Midway through the second meal, I suddenly realised how similar the two groups of middle-class professional people were. Lawyers, teachers, booksellers and architects, they shared the same tastes and the same worries, their chief anxiety being that their belligerent governments

It was a slender hope, a moment of lunacy really, but I picked up Reinventing Food – Ferran Adrià: The Man Who Changed the Way We Eat by Colman Andrews (Phaidon, £19.95) thinking that the improbable claim in the subtitle might in future serve to stem, or anyway divert, the tide of cookery books published every year. So remorseless is it that we now expect — and get — Christmas ‘annuals’. (In 2010 the best by far of the adult cook’s version of Dandy or Oor Wullie is Nigel Slater’s Tender, Volume II: A Cook’s Guide to the Fruit Garden (HarperCollins, £30). I was also encouraged by the author of

Before tourism came travel; and before travel, exploration. A sense of wonder had accompanied journeys along the lip of the unknown, as the Victorian pathfinder was often an amateur scientist, required to bring home a trunkful of fossils. Today, of course, travel is merely an extension of the leisure industry. The first thing we see as we embark on our holidays is a filth of our own making (resort hotel seepage, takeaway detritus). Paul Bowles, himself no armchair excursionist, bemoaned the creeping industrialisation of travel — its translation into tourism — and what he called ‘the 20th century’s gangrene’, by which he meant, broadly, modernity. This superb collection of his

What is a Bug? For this book, any animal that is not a Beast: the whole invertebrate realm, from the humble amoeba, through insects (more than half the book), to octopuses and sea-squirts (the distant forbears of you and me, lords and ladies of creation). Its scope, as with Flora Britannica and Birds Britiannica, is the parts that Bugs play in the human story: what they do to humannity with stings and jaws and injected saliva, what humanity does to them in the field and kitchen, their names (especially Gaelic), their roles in folklore, literature, art, music, films and photography. It is a book to enjoy at random, not to

In an age when it is fashionable to travel with a fridge, Nicholas Jubber’s decision to take an 11th-century epic poem as his travelling companion to Iran and Afghanistan can only be admired. In an age when it is fashionable to travel with a fridge, Nicholas Jubber’s decision to take an 11th-century epic poem as his travelling companion to Iran and Afghanistan can only be admired. Written by the poet Ferdowsi sometime around 1000, the Shahnameh or Book of Kings consists of a whopping 60,000 couplets, four times the length of the Odyssey and Iliad combined. By turns mythical and historical, it tells the story of 50 shahs from the

At the beginning of The Ask, Horace sits with Burke and proclaims that America is a ‘run down and demented pimp’. At the beginning of The Ask, Horace sits with Burke and proclaims that America is a ‘run down and demented pimp’. Horace is not Quintus Horatius Flac- cus; and Burke is not Edmund Burke. The two men are employees of the fundraising department of a mediocre university in New York, whose job is to approach the rich families of former students and solicit donations. This is, of course, a peculiarly American job, where the super-rich are relied upon to finance academe in exchange for favours bestowed on their offspring.

Half a century ago I read W. G. Hoskins’s book, The Making of the English Landscape, when it first came out. It was for me an eye-opener, as it was for many people. Half a century ago I read W. G. Hoskins’s book, The Making of the English Landscape, when it first came out. It was for me an eye-opener, as it was for many people. It told us of the extent to which our landscape had been made by man, not God, and taught us to look much more observantly at it. Since then, landscape history has become a major subject. So has media and political interest in what