Turner prize

‘Iguazu’, 2010, by Wolfgang Tillmans

Coolly contemporary – especially in its muddle: Wolfgang Tillmans at the Tate reviewed

4 March 2017 9:00 am

These days the world is experiencing an unprecedented overload of photographs, a global glut of pictures. More and more are…

Detail from ‘Spring’, 2015, by Tony Cragg

March of the makers: the return of sculpture

29 October 2016 9:00 am

Until earlier this year, a squat sculpture nestled rather unobtrusively outside 20 Manchester Square in Marylebone, an address once made…

Good riddance to Nicholas Serota

24 September 2016 9:00 am

In this week of toadying obsequies after the (rather late) retirement of Sir Nicholas Serota from his imperial throne at…

Why I find women-only exhibitions depressing

29 October 2015 9:00 am

Modern Scottish Men, a new exhibition celebrating the achievements of male artists in the 20th century, opens next month in…

Grayson Perry - heir to Lewis Caroll and William Blake

30 May 2015 9:00 am

At the Turner Prize dinner of 2003, as the winner, Grayson Perry, took a photo call with his family wearing…

‘Winter Landscape (Winterlandschaft)’, 1970, by Anselm Kiefer

All my doubts about Anselm Kiefer are blown away by his Royal Academy show

11 October 2014 9:00 am

In the Royal Academy’s courtyard are two large glass cases or vitrines containing model submarines. In one the sea has…

And the prize for most fatuous awards ceremony goes to...

15 February 2014 9:00 am

Awards ceremonies grow ever sillier and more self-important

Treasure trove

27 November 2010 12:00 pm

One afternoon in the winter of 1992 I was on a bus traversing London’s Millbank when an extraordinary sight caught my eye. A bright red Triumph Spitfire had been driven up the imposing front steps of the Tate Gallery and abandoned there. Not for the first time in my life I wished I had a camera with me. Only later did I learn that some disaffected artist or taxpayer had committed this spectacular act as a protest against the Turner Prize.