Tv

Saturday

James Walton

Riveting documentary about a remarkable man: Harry Birrell Presents Films of Love and War reviewed

First shown on BBC Scotland, Harry Birrell Presents Films of Love and War (BBC4, Wednesday) was the documentary equivalent of a William Boyd novel, showing us a 20th-century life shaped by 20th-century history. The programme was made by Harry’s granddaughter Carina, who’d been eight when he died, and known him only as ‘a lovable, frail, blind old man’. But then she came across 400 carefully labelled reels of film in the family shed, together with an equally well-organised collection of diaries. Exactly — or even vaguely — when this discovery took place was one of many details that Carina tantalisingly failed to disclose. (Now and again, we did see her

James Delingpole James Delingpole

Foreign language TV is without the political correctness spoiling English drama

Every cloud has a silver lining. Never again are you likely to have a better opportunity to catch up with those classic TV series your friends have been banging on about but which you’ve not had time to see. I’m not saying my own list is definitive, only that if you’re not blown away by all of the below, you really need your taste examining.  There isn’t space to give my recommendations in one go, so this week I will cover War and Drugs (Pt I): Band of Brothers If you like war movies then this is at least as exciting as the first twenty minutes of Saving Private Ryan,

Saturday

James Delingpole

Old-school Sunday-night family viewing: ITV’s Belgravia reviewed

The world may be going to hell in a handcart but some things remain reassuringly unchanged: Julian Fellowes period dramas about feisty dowager duchesses, social climbing and snobbery, say. I like and admire Fellowes so I don’t want him to take this the wrong way. But when I say that his new series Belgravia (ITV) borrows from the same template he employed so successfully with Downton Abbey, and before that Gosford Park, and also in that series set on the Titanic that didn’t do quite so well, I’m not trying to suggest he’s a one-trick pony. More that he’s a canny chap who understands his market, has found the perfect

Saturday

James Walton

The creators of Breeders are locked into a game of How Far Can You Go

Sky One’s Breeders (Thursday) bills itself as an ‘honest and uncompromising comedy’ about parenting. To this end, the opening scene featured Martin Freeman as Paul trying to do some work while his two children under seven made a bit of noise a couple of rooms away. Having given himself a little pep talk about not screaming at them, Paul then screamed at them — bursting in on their blameless fun to yell: ‘Jesus fucking Christ! How many times do I have to tell you to be quiet?’ He further informed them that he was going to leave home and they should ‘tell mummy that daddy’s gone cos he couldn’t stand

Saturday

Tanya Gold

‘I feel compelled to be disgraceful’: Miriam Margolyes interviewed

I meet Miriam Margolyes in her large Victorian house in Clapham. She is very small and round, with a shock of grey hair, and the clear and open gaze of a curious child. There is an innocence to her, like someone who has not quite grown up. She has a wonderful voice, which bought this house. When it rests it is low and serious; but when she is telling a good story it takes flight. She is best known, now, for Harry Potter films and Blackadder; and for The Graham Norton Show which she dominates by speaking filth while looking delighted. This is deceptive though. When she wants, she can

James Delingpole James Delingpole

Too edgy and clever to be wasted on kids: Netflix’s Locke & Key reviewed

One of my perpetual gnawing terrors is that I’ll recommend a series that looks initially promising but turns out to be total rubbish, meaning I’ll for ever have thousands of viewers’ wasted lives and disappointment on my conscience. But my even greater fear is that I’ll peremptorily condemn something after one or two episodes which subsequently reveals itself to be a near-masterpiece. This almost happened with Locke & Key (Netflix). ‘You realise I’m watching this on sufferance. The second you’ve seen enough to review, we’re moving on to something else,’ declared the Fawn. And I could sort of see her point. Not only does it take a while to get

Saturday

James Delingpole

Hunters is 2020’s most ridiculous series

What a brilliant idea the concept of Hunters (Amazon Prime) must have sounded after the third or fourth Martini. “So, like, it’s set in the 1970s and America is swarming with Nazis. Actual Nazis. They’ve infiltrated every level of society and they’re totally evil and powerful, like vampires with swastikas. And all that stands in their way to create a Fourth Reich is a plucky band of diverse Nazi-hunters, led by a Bruce-Wayne-style concentration camp survivor and billionaire played by Al Pacino!” But then, after the hangovers kicked in, wiser counsels ought to have prevailed. Someone might have pointed out that, with the Holocaust still within living memory, maybe it’s

Thursday

James Walton

Did everyone in punk sell out?

For many people of a certain age (full disclosure: mine), punk has been a weirdly persistent presence. These days, we may not often be tempted to sit down with a glass of wine and an album by the Cortinas, Chelsea or Eater. We may even have belatedly realised that the most revolutionary record of 1977 — the year punk officially conquered Britain (and, incidentally, the country’s five bestselling singles were by Wings, David Soul, Julie Covington, Leo Sayer and David Soul again) — was Donna Summer’s ‘I Feel Love’. Nonetheless, the sight of Joe Strummer barking out a load of heartfelt if incomprehensible lyrics while the Clash thrash away in

Wednesday

James Delingpole

The only way to survive Christmas TV is to avoid anything seasonal and watch Giri/Haji

The key to surviving the next couple of weeks of TV is to avoid like the plague anything that smacks of seasonal viewing. So, no Christmas specials (such as the semi-celebrity, elderly grown-ups version of University Challenge where the questions are even more laboriously PC than on the student edition), no Harry Potter, no adverts featuring tinsel, dragons and patronisingly diverse families making merry. Basically, you want to steer clear of terrestrial TV altogether — but with one exception. You may use BBC iPlayer to download the only decent drama series that slipped through the net: Giri/Haji. Joe Barton’s blackly comic Anglo-Japanese thriller was by some margin the most original

Thursday

James Walton

Why on earth did Glenda Jackson give up acting? BBC1’s Elizabeth is Missing reviewed

Watching BBC1’s Elizabeth Is Missing made one of the more puzzling decisions of recent decades seem more puzzling still. Entirely her call of course, but why on earth did Glenda Jackson give up acting (something she was better at than pretty much everybody else in the world) to become an unremarkable Labour MP (something that any number of people could surely have done just as well) for more than 20 years? Whatever her thinking, though, Jackson’s first TV role since 1992 was an overwhelmingly powerful and therefore quite sad reminder of what we’ve been missing. In Sunday’s single drama, based on the bestselling novel by Emma Healey, Jackson played Maud,

Thursday

James Delingpole

The only bearable TV series these days are the ones with subtitles, like Der Pass

True to the Andrew Roberts rule that the only bearable series on TV these days are ones with subtitles, I’ve started watching Der Pass (Sky Atlantic). Not unlike The Bridge and The Tunnel, it starts with a dead body exactly straddling a border, thus requiring the intervention of detectives from two national jurisdictions. This time, it’s a shambolic male Austrian and a perky blonde German. It’s fascinating to see what quirks foreign authors choose to give their detective characters. Ellie Stocker (Julia Jentsch), the German, is sunny and eager with special hunting and animal-gutting skills learned from her hunter dad; Gedeon Winter (Nicholas Ofczarek), the Austrian, looks and dresses like

Tuesday

Robert Jackman

The best political shows to watch on Netflix

These days we political anoraks can usually get more than our fill of drama – and laughs – from the real world. Just look at what’s happening in Westminster – not to mention the White House. But what if you’re still craving more? Here’s our list of the best Netflix choices, including documentaries, dramas and comedies, for political obsessives. Mitt Through intimate access to Romney and his family on the campaign trail, Mitt seeks to present a more rounded picture of the man who failed to defeat Barack Obama in 2012. And the picture that emerges is a quietly moving one: a man of charm and kindness who never quite

Sunday

Isabel Hardman

Party leaders shape up for a week of talking Trump and terror

Tonight’s ITV election debate had a slightly different cast to the seven-way BBC programme on Friday night, but its spokespeople offered pretty much the same soundbites throughout the show. It started with the parties arguing about the lessons from the London Bridge attack, with Conservative Rishi Sunak and Labour’s Richard Burgon repeating the lines their leaders have used over the weekend: Sunak had a slightly softer way of putting the Prime Minister’s argument that only a Conservative government can provide the necessary security for voters. But he did say it was important that the leader of a country responded to attacks like this, and emphasised what he claimed was Boris

Thursday

James Walton

Is the patriarchy as all-powerful as it’s cracked up to be? The Baby Has Landed reviewed

Anybody who watched the opening episode of The Baby Has Landed (BBC2, Wednesday) might have found themselves wondering if the patriarchy is quite as all-powerful as it’s cracked up to be. The programme follows ‘six families over six life-changing weeks’ as they welcome a new member — and on the whole features women who radiate authority and men who do what they’re told. The most experienced parents are Nigel and Helen Pierce, first seen embarking on a lengthy quest for shoes as they tried to get their four children under five out of the house so that Helen could go to hospital and have a fifth. As old hands, they

Thursday

William Shawcross

The Queen, and indeed the British public, deserve better than The Crown’s lies

The Duke and Duchess of Cambridge recently met with survivors of national disasters. They were attending the launch of a new charity. The Duke made a short, supportive speech. But much more important was the private time he and the Duchess spent with the survivors. As Lord Dannatt, who was hosting the public meeting said: ‘Their empathy with those affected demonstrated the vital link between the royal family and people of this country.’ That vital link is indeed one of the key strengths of the monarchy. Countless (and almost always unsung) hours are spent every year by royal family members with people needing recognition or comfort, as they visit schools,

Thursday

James Delingpole

God awful: BBC1’s His Dark Materials reviewed

‘Here’s your new Sunday night obsession…’ the BBC announcer purred, overintoned and mini-orgasmed, like she was doing an audition for a Cadbury’s Flake commercial, ‘… a dazzling drama with a stellar cast.’ My hackles rose. Did no one ever mention to her the rule about ‘show not tell’? And my hackles were right. His Dark Materials has indeed become my Sunday night obsession: how can the BBC’s most-expensive-ever drama series possibly look, sound and feel so clunkingly, God-awfully, disappointingly flat? Yes, I know Philip Pullman’s trilogy is an extended, bitter rant against Christianity disguised as children’s entertainment. But I loved reading those novels, especially the first two, which may be

Thursday

Harry Readhead

The best crime series to watch on Netflix

It’s no secret that people are fascinated by crime. Nor is this a new phenomenon: writing in 1946, Orwell noted that murder gave a ‘great amount of pleasure to the public’, and proceeded to identify the common features of the gruesome and grisly crimes that gave the British most satisfaction. Psychologists, meanwhile, say that murder in particular is not only ‘a most fundamental taboo’ but ‘also, perhaps, a most fundamental human impulse’. This seems plausible. We all know those people who, stuck in a queue or sat in an interminable meeting, seem moments away from indulging that impulse. At any rate, lovers of the lurid and the macabre are spoiled

James Delingpole James Delingpole

If we do get a good Anglo-American trade deal, we should thank Trump’s mother

In an uncharacteristic fit of almost-robustness, Culture Secretary Nicky Morgan has said she is ‘open-minded’ about scrapping the BBC licence fee and replacing it with a Netflix-style subscription service. Good idea. What would we actually miss if we didn’t subscribe? Not an awful lot in my view. Some people cite David Attenborough’s nature documentaries but I certainly wouldn’t now that they have become so obtrusively propagandistic. The problem with the BBC isn’t — and never has been — lack of talented filmmakers, wildlife camera crews, presenters, actors, writers or production teams. It’s that, from news to drama, the BBC’s woke politics now subsume and corrupt its entire output. Still, the

Thursday

James Walton

Should we be playing the surveillance state for laughs? Celebrity Hunted reviewed

One of the many great things about The Capture was that we could never be sure whether the British authorities’ capacity for virtually blanket surveillance was a nightmare vision of the future or a nightmare portrait of the present. Celebrity Hunted, though, suggests a third possibility: that virtually blanket surveillance is simply proof of how marvellous the authorities are, and so untroubling that it can be played for laughs. This third series is, once again, part of Channel 4’s annual Stand Up to Cancer season, and features four teams of two, whose job is to go on the run for a fortnight and avoid capture by intelligence experts equipped with

Thursday

James Delingpole

Pure, undiluted genius: Succession reviewed

I have never ever watched a TV series I have enjoyed more than Succession (Now TV). There’s stuff I’d put in the same league, maybe — Fauda, Babylon Berlin, Band of Brothers, Utopia, Gomorrah, Breaking Bad, The Sopranos, and so on — but absolutely nothing beats it. It is, quite simply, a work of pure, undiluted genius. Which wasn’t what I expected when my friend Toby recommended it to me a few weeks ago. ‘It’s about this media dynasty, a bit like the Murdochs. And the kids spend their whole time scheming and competing as to which one is eventually going to take over the company from the bullying patriarch