Walter Sickert
The joy of George Shaw’s miserable paintings of a Coventry council estate
Laura Gascoigne 30 March 2019 9:00 am
All good narrative painting contains an element of allegory, but most artists don’t go looking for it on a Coventry…
A new Ripper mystery: Why Patricia Cornwell won't stop hunting him
Mary Wakefield 18 March 2017 9:00 am
Why has crime writer Patricia Cornwell spent two decades and $6 million hunting Victorian London’s most notorious killer?
The first half is essential – the second much less so: Tate's Robert Rauschenberg reviewed
Martin Gayford 3 December 2016 9:00 am
Robert Rauschenberg, like Autolycus in The Winter’s Tale, was a ‘snapper-up of unconsidered trifles’. Unlike Shakespeare’s character, however, he made…
Marlene Dumas at Tate Modern reviewed: 'remarkable'
Martin Gayford 7 February 2015 9:00 am
‘Whoever wishes to devote himself to painting,’ Henri Matisse once advised, ‘should begin by cutting out his own tongue.’ Marlene…
'Uproar!' The Ben Uri gallery punches above its weight
Andrew Lambirth 8 February 2014 9:00 am
Last year saw the centenary of the London Group, a broad-based exhibiting body set up in a time of stylistic…
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