War criminals

Lauren Beukes is a writer who puts cerebral propositions into breakneck thrillers: structural misogyny in The Shining Girls; the flipside of patriarchy in Afterland. In Bridge, she investigates the depressive’s favourite hypotheticals – could have, should have, would have, might have. The protagonist is Bridget, whose mother, Jo, has recently died from brain cancer. Jo was a scientist, interested in rather eccentric ideas, and has bequeathed Bridget a problematic legacy. It seems as if Jo had found a way, using harmonics, visual stimuli and an odd, worm-like thing (think fungus or parasite or the nematode in a tequila bottle) to access other realities. Through trial and error, Bridget manages to

Most monuments are literally set in stone — or cast in bronze to better survive the weather. Being enduring, they arguably become ‘prisoners of history’, as this fascinating series of essays by Keith Lowe is titled. Conversely, perspectives are like the weather, constantly changing, as relationships between and within nations, and views on social and moral norms, shift over time, as we are seeing particularly at present. The inherent tension between the human desire for monumental permanence, especially after the upheaval of war, and the natural transience of social values, proves fertile ground for this examination of the lessons that can be drawn from second world war monuments around the