Wayne McGregor

Alina Cojocaru and Joseph Caley in Manon. Photo: Laurent Liotardo

One nasty moment aside, the ENB’s Manon is superlative

26 January 2019 9:00 am

If you like the BBC’s Les Misérables, you’ll love English National Ballet’s Manon. Manon, in Kenneth MacMillan’s telling, is The…

Matthew Ball as Ted Feltham in the Royal Ballet's The Unknown Soldier. Photo: ROH, Helen Maybanks

Has the Royal Ballet found its hero?

1 December 2018 9:00 am

The Royal Ballet is a company in search of a prince. It has no lack of dancing princesses. You could…

Company Wayne McGregor — Autobiography at Sadler’s Wells

Dancing the genetic code, big girls’ blouses and a ballroom bitch: Sadler’s Wells roundup

28 October 2017 9:00 am

Ballet would have been an obvious revenue stream for Sadler’s Wells when it reopened back in 1998 but straight-up classics…

The glorious Grand Pas from Paquita, part of the Mariinsky’s triple bill

I’m glad the Mariinksy don’t airbrush La Bayadère’s dodgy local colour

19 August 2017 9:00 am

Not really a vintage Mariinsky season — an odd choice of repertoire and some hit-and-miss male casting — but the…

The mechanicals: the dancers in Wayne McGregor’s ‘Tree of Codes’ interlock but they never really interact and we are left humming the scenery.

Music and dance are totally eclipsed by the setting: Tree of Codes reviewed

18 March 2017 9:00 am

The exit signs were switched off and the stalls were in utter darkness. One by one, 15 invisible dancers, their…

From spiritual transcendence to gender warfare: Alvin Ailey American Dance Theater review

17 September 2016 9:00 am

For a regular dancegoer in New York City, the Alvin Ailey American Dance Theater seasons arrive with the comforting predictability…

Victoria Sibson as Bertha Mason and Javier Torres as Edward Rochester in Cathy Marston’s ‘Jane Eyre’

Northern Ballet has triumphed with Brontë: Jane Eyre reviewed

4 June 2016 9:00 am

The difference between a poor ballet of the book (see the Royal Ballet’s Frankenstein) and a good one — indeed…

A feast of Mexicanismo: Tamara Rojo as Frida Kahlo in ‘Broken Wings’

Does Tamara Rojo really think female choreographers are being stifled by sexism?

23 April 2016 9:00 am

Tamara Rojo programmed three female choreographers for her English National Ballet spring bill because, she said, she had never danced…

Millepied’s final spring programme for the Paris Opera Ballet is brazenly American

9 April 2016 9:00 am

Paris Opera Ballet plays hard to get. It doesn’t deign to travel all the way over here, thanks to a…

Fallen woman: Natalia Osipova as Amélie Gautreau

Wheeldon’s new ballet lacks guts: Royal Ballet’s Strapless reviewed

20 February 2016 9:00 am

How could it possibly go wrong? The magnetic, seething Russian star Natalia Osipova playing the tragic woman in John Singer…

We’re entering a new era for dance - expect big ballets with big stories

16 January 2016 9:00 am

Dance has its own archaeological periods, and 2016’s schedules are confirming what 2015 indicated — that the era of dances…

Rapture - and loathing: Woolf Works at the Royal Ballet reviewed

23 May 2015 9:00 am

People have been saying that Wayne McGregor’s new Woolf Works has reinvented the three-act ballet, but not so. William Forsythe…

Bach is made for dancing

15 February 2014 9:00 am

It appears that J.S. Bach’s music is to theatre-dance what whipped cream is to chocolate. Masterworks such as Trisha Brown’s…

The Royal Ballet's triple bill was danced to perfection

16 November 2013 9:00 am

There was a time when the term ‘world première’ was not as fashionable as it is these days. Great works…

Dance review: Raven Girl, Symphony in C

1 June 2013 9:00 am

Last Friday, ballet’s overcrowded aviary welcomed a new addition: Raven Girl.  Sexy, sleek, troubled and troublesome, she is the creation…