Weimar Germany

Thursday

Michael Gove

Weimar Britain, the war on science & are you a competitive reader?

36 min listen

First: a warning from history Politics moving increasingly from the corridors of power into the streets, economic insecurity exacerbating tensions and the centre of politics failing to hold; these are just some of the echoes from Weimar Germany that the Spectator’s editor Michael Gove sees when looking at present-day Britain. But, he says, ‘there are grounds for hope’ – what are they? Michael joined the podcast to discuss.   Next: why did science succumb to the ‘culture wars’? Biologist and peer Matt Ridley bemoans the ‘cultification of science’, arguing that ‘left-wing ideological nonsense’ ended up permeating through all scientific disciplines. Thinking ‘neutral facts’ were safe, Matt admits he – and colleagues

Michael Gove

Weimar Britain: lessons from history in radical times

The Ancient Greeks believed the past was in front of us and the future behind. Man could look history in the face and learn from it, while the future was unknowable, hidden, the wind whistling at our back. It is in history, its patterns, and what it reveals about human nature, that we have the best guide to our times and how they might develop. The government may wish us to focus on innovation this week – new nuclear reactors, AI data centres, OpenAI’s Sam Altman and Nvidia’s Jensen Huang at the state banquet – but if we really want to understand the convulsions gripping our society it is to

Tuesday

Lucasta Miller

A long goodbye to Berlin

Christopher Isherwood pioneered what is now known as ‘autofiction’ long before it acquired that label. His best known work, Goodbye to Berlin (1939), which later inspired the musical Cabaret, was based on the diaries he kept while living in the Weimar Republic in his twenties. He’d already used the material before in Mr Norris Changes Trains (1935), a brilliant black comedy thriller that deserves to be read alongside more supposedly serious works of modernism. Forty years later, he reworked the experiences yet again in Christopher and His Kind (1977), in which he finally made explicit, for the new gay liberation era, what had been suppressed in the earlier works: his

Wednesday

James Delingpole

Historically dishonest: Netflix’s Eldorado – Everything the Nazis Hate reviewed

If you don’t subscribe to every last detail of the LGBTQ+ agenda, then basically you are a Nazi. This was the subtle message of Eldorado, a documentary that pretended to inform us about the real-life background sexual milieu to Cabaret and Babylon Berlin, but was really much more interested in promoting its political view that Weimar Germany with its sexual promiscuity, rampant drug use and anything-goes view on ‘gender’ represented some kind of paradise on Earth which we should seek to emulate. A voice-over told us what to think: ‘They feel intimidated by this rapid change. The pace of change is a source of frustration to just about everybody. If