Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The Renaissance master who rescued polyphonic music

Arts feature

Last month I watched conductor Harry Christophers blow through what sounded like an arthritic harmonica but in fact was a pure-toned pitch pipe, which handed the singers of his vocal group the Sixteen their starting notes. Then the Kyrie from Giovanni Pierluigi da Palestrina’s Missa Regina coeli unfolded inside the resonant splendour of St James’s

How do you exhibit living deities?

Exhibitions

The most-watched TV programme in human history isn’t the Moon landings, and it isn’t M*A*S*H; chances are it’s Ramayan, a magnificently cheesy 1980s adaptation of India’s national epic. The show has a status in India that’s hard to overstate. Something like 80 per cent of the entire population watched its original run; in rural areas

Darkly comic samurai spaghetti western: Tornado reviewed

Cinema

Tornado is a samurai spaghetti western starring Tim Roth, Jack Lowden and Takehiro Hira (among others). Samurai spaghetti westerns aren’t anything new. In fact, we wouldn’t have spaghetti westerns if it weren’t for the samurai genre – Sergio Leone’s Fistful of Dollars (1964) was, as Clint Eastwood conceded, an ‘obvious rip-off’* of Akira Kurosawa’s Yojimbo

The charm of Robbie Williams

Pop

What could it possibly feel like to be a sportsperson who gets the yips? To wake up one morning and be unable to replicate the technical skills that define you. To suddenly find the thing you do well absolutely impossible. Golfers who lose their swing, cricketers whose bowling deserts them, snooker players who can’t sink

Summer opera festivals have gone Wagner mad

Opera

Another week, another Wagner production at a summer opera festival. This never used to happen. When John Christie launched Glyndebourne in the 1930s, he hoped to stage the Ring. So he gathered a team of refugee musicians from Germany, who quickly assured him that it was impossible and he should stick to Mozart. The man

Lloyd Evans

Ingenious: the Globe’s Romeo & Juliet reviewed

Theatre

Cul-de-Sac feels like an ersatz sitcom of a kind that’s increasingly common on the fringe. Audiences are eager to see an unpretentious domestic comedy set in a kitchen or a sitting-room where the characters gossip, argue, fall in love, break up and so on. TV broadcasters can’t produce this sort of vernacular entertainment and they

Channel 4’s Beth is a sad glimpse into the future of terrestrial TV

Television

On the face of it, Beth seemed that most old-fashioned of TV genres: the single play. In fact, Monday’s programme was the complete version of a three-parter made for YouTube and excitedly announced as Channel 4’s first-ever digital commission. A less excited interpretation, however, might be that it was Channel 4’s first sign of surrender

Olivia Potts

Should family history, however painful, be memorialised forever?

More from Books

Be under no illusions: this is not a food memoir. Chopping Onions on My Heart is a linguistic exploration of belonging; a history of the Jewish community in Iraq; and an urgent endeavour to save an endangered language. Above all, it is a reckoning with generational trauma. The subjects of Samantha Ellis’s previous books include

Vampires, werewolves and Sami sorcerers

More from Books

I have to be honest: I’ve never been much concerned with what happened in the Grand Duchy of Lithuania in 1387. I suspect that may even be true for many Lithuanians. In Silence of the Gods, Francis Young pinpoints this year – of the conversion of the duchy to Christianity – as the official triumph

Misfits unite: The Emperor of Gladness, by Ocean Vuong, reviewed

More from Books

As a poet, Ocean Vuong has won every prize going. Now here’s The Emperor of Gladness, his second novel. His first, On Earth We’re Briefly Gorgeous, a coming-of-age story, is currently being filmed. This latest oneis wild, unwieldy and too long. It is fiction/autofiction mixed with 19th- and 20th-century warfare, plus contemporary angst and craziness.

Imperialism still overshadows our intellectual history

More from Books

Peter Watson begins his survey of the history of ideas in Britain with the assertion that the national mindset (which at that time was the English mindset) changed significantly after the accession of Elizabeth I. His book – a guide to the nature of British intellectual curiosity since the mid-16th century – begins there, just

The past is another country: Ripeness, by Sarah Moss, reviewed

More from Books

Sarah Moss is a prolific and vital novelist whose books encompass an array of subjects from Victorian social reform and 19th-century Japan to broken Brexit Britain and eating disorders. She combines teaching at University College, Dublin with writing in real time: The Fell, set during the second lockdown, came out in the summer of 2021,

Who started the Cold War?

More from Books

Over a few short months after the defeat of Nazism in May 1945, the ‘valiant Russians’ who had fought alongside Britain and America had ‘transformed from gallant allies into barbarians at the gates of western civilisation’. So begins Vladislav Zubok’s thorough and timely study of the history of the Cold War – or, as he

The fragility of the modern city reflects humanity’s vulnerability

More from Books

As I reached the final pages of the German writer Gregor Hens’s essayistic travelogue The City and the World, news of the blackout across Spain and Portugal snatched my attention. Madrid and Lisbon were at a standstill. Images of gridlocked round-abouts and commuters rushing out of pitch-dark subway tunnels plunged me into a fatalistic mood.

A.C. Benson enters the pantheon of great English diarists

More from Books

All great diarists have something intensely silly about them: Boswell’s and Pepys’s periodic bursts of lechery and panic; Chips Channon’s unrealistic dreams of political greatness leavened with breathless excitement over royal dukes and handsome boys; Alan Clark’s fits of romantic, almost Jacobite, dreaming; James Lees-Milne’s absurd flights of rage. I dare say the mania that

Admirable in their awfulness – the siblings Gus and Gwen John

Lead book review

‘In 50 years’ time,’ Augustus John gloomily reflected following his sister’s death on 18 September 1939, ‘I will be known as the brother of Gwen John.’ He was right. In 2004, when the Tate mounted a joint retrospective of Augustus and Gwen John, it was Gwen who had become the major artist. The ‘variable strident

The gloriously impure world of Edward Burra

Arts feature

Every few years the shade of Edward Burra is treated to a Major Retrospective. The pattern is long established: Edward who? Forgotten genius, sui generis, well known for being unknown save by beardy centenarians and art tarts with ginny voices. Why have I never heard of this man? LGBT-ish avant la lettre, Polari-ish. After the

Why you didn’t want to get on the wrong side of Cecil Beaton

Exhibitions

‘Remember, Roy, white flowers are the only chic ones.’ So Cecil Beaton remarked to Roy Strong, possibly as a mild put-down to the young curator. But it was a curious put-down to make because Beaton broke his own rule happily, buying mountainous armfuls of speckled yellow, pink and scarlet carnations at Covent Garden and longing

V&A’s new museum is a defiant stand against the vandals

Exhibitions

In last week’s Spectator, Richard Morris lamented museum collections languishing in storage, pleading to ‘get these works out’. There’s an alternative solution: bring the public in. V&A East Storehouse, which opened last weekend, was designed by New York architects Diller Scofidio + Renfro to do just that. The museum’s collections were previously holed up in

James Delingpole

Excruciating: Sirens reviewed

Television

You had a narrow escape this week. I was about to urge you to watch Sirens, the latest iteration of that fashionable genre Ultra-Rich Lifestyle Porn, currently trending on Netflix. But luckily for you I watched it right to the end and got to witness the whole edifice collapsing like a speeded up version of

Thrilling: Garsington’s Queen of Spades reviewed

Opera

Tchaikovsky’s The Queen of Spades is one of those operas that under-promises on paper but over-delivers on stage. It’s hard to summarise the plot in a way that makes it sound theatrical, even if you’ve read Pushkin’s novella, and I’ve never found a recording that really hits the spot. And yet, time and again, in

Sam Leith

Ridiculously enjoyable: Doom – The Dark Ages reviewed

More from Arts

Grade: A In the beginning, there was Doom. The videogame landscape was formless and void. But id Software created a square-headed space marine and several billion two-dimensional demons for him to kill with a shotgun, a chainsaw and a BFG (Big Fracking Gun); and several billion teenage boys saw that it was good, and they

Lloyd Evans

Provocative, verbose and humourless: Mrs Warren’s Profession reviewed

Theatre

George Bernard Shaw’s provocative play Mrs Warren’s Profession examines the moral hypocrisy of the moneyed classes. It opens with a brilliant young graduate, Vivie Warren, boasting about her dazzling achievements as a mathematician at Newnham College, Cambridge. She explains her future plans to a pair of mild-mannered chaps who clearly adore her. Like most of

Church teaching on homosexuality can be revised

More from Books

Studies of Christianity’s problems and prospects often entail a distinction between the singer and the song. At an institutional level, the world’s largest faith is in deep trouble throughout much of western Europe – and increasingly in North America, too. Widely rehearsed elsewhere, the reasons for this steep decline include the spread of individualism along