Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Most people who call themselves Caucasian know nothing about the Caucasus

Lead book review

The Caucasus, a popular saying goes, is a ‘mountain of tongues’. Describing this region requires a strong constitution, determination and brilliance because, as Christoph Baumer writes in this magnificent book, ‘in many ways, the Caucasus region is a puzzle’. That is something of an understatement. For one thing, the mountains usually referred to as the

No stone left unturned: The World of Bob Dylan reviewed

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In May 2019, the first World of Bob Dylan conference was held in Tulsa, Oklahoma. Why Tulsa? Because Dylan’s archives are there, acquired in 2015 by the George Kaiser Foundation and the University of Tulsa for a reported $15-$20 million. Tulsa was already home to fine museums and important historical and archival collections. In a

To the brownstone born: WASPS, by Michael Knox Beran, reviewed

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It was only in 1948 that the term WASP was coined — by a Florida folklorist, Stetson Kennedy. Yet White Anglo-Saxon Protestant never satisfactorily defined this all-but-extinct breed of American Brahmin. In his sweeping, teeming study of the WASP, Michael Knox Beran concedes that the acronym fumbles its origins. For one thing, it excludes the

The elusive adventures of Catherine Dior

More from Books

When Catherine Dior, one of the heroic French Resistance workers captured by the Nazis, came face to face with her torturer at his trial in 1952, to receive the suggestion from his lawyer that it was a case of mistaken identity, she burst out furiously to the judge: ‘I know what I’m saying. This affair

A very British coup: SBS – Silent Warriors reviewed

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The vast majority of the British public, and even military historians, have never heard of them. COPPists — a combination of naval navigators and submariners with SBS (Special Boat Service) swimmers — played a key role in the planning and execution of Operation Overlord, the D-Day invasion of Europe. Admiral Ramsay, the architect of the

A story of women and weaving – a new retelling of the Greek myths

More from Books

What are myths for? Do they lend meaning and value to this quintessence of dust? Like religion, perhaps they help us battle through. In weighing this issue, Charlotte Higgins demonstrates again why the Greek variety have never lessened their grip on the western imagination. She structures her material around eight women — Athena, Alcithoë, Philomela,

The watery life of the capital

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To write about London and its rivers is to enter a crowded literary field. Many aspects of watery life in the capital have been documented for public consumption over the past 150 years, from Hilaire Belloc’s lament for the river’s lost monasteries in The Historic Thames to Peter Ackroyd’s doorstop, London: A Biography. More recently,

Darkness, desolation and disarray in Germany

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In Geoffrey Household’s adrenalin-quickening 1939 thriller Rogue Male, a lone English adventurer takes a potshot at Hitler and then runs for cover. Few Germans were brave or reckless enough to resist the Führer. Once Hitler’s lunacy had become manifest, however, the dilemma for German patriots was painful: to love the Fatherland yet desire the downfall

A dutiful exercise carried out in a rush

Lead book review

Like department stores, empires and encyclopaedias, the multi-volume narrative national history is an invention of the later 18th century. It reaches its apogee, promising to bring everything important within a single enclosure, in the 19th and early 20th century. After that, ambitious examples appear to be fighting against a general lack of enthusiasm. Most of

The art of the pillbox

Arts feature

When Oscar Wilde famously claimed: ‘All art is quite useless’, he may not have had artistic subjects in mind. But it’s certainly true that since the Romantic era, artists have had a special affection for the superannuated. An image of an abandoned building with some sort of past, not necessarily glorious, appeals to our emotions,

The genius of Basic Instinct

Cinema

Our occasional series on cinema’s most underrated films arrives at what many have considered the peak of misogynistic trash.  We’re in 1980s America, and a bunch of Hollywood execs are puffing on cigars, sipping scotch. ‘You know, I’ve been hearing a lot about these so-called “liberated women”. What do you think they’re like?’ And thus

Must all history programming be ‘relevant’?

Radio

When it comes to history programming, television’s loss is increasingly audio’s gain. People moan to me most weeks over the lack of really good, rigorous, eye-opening documentaries on the screen, and I can only nod along in agreement. Oh for a Kenneth Clark-style lecture! More Michael Wood! There’s an especially strong appetite for the adventurous

Lloyd Evans

How we killed comedy theatre: Nigel Planer interviewed

Arts feature

Nigel Planer is on a mission to bring farce back to the West End. ‘There’s a lot of snobbery in comedy,’ he tells me when we meet at a hotel bar near the Old Vic. ‘People say, “Oh that’s comedy. It can’t have any meaning”.’ The actor and writer is still best known for playing

Was Josiah Wedgwood really a radical?

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No wonder Josiah Wedgwood, the 18th-century master potter, was a darling of the Victorians. From W.E. Gladstone to Samuel Smiles of Self-Help fame, they admired this industrious, inventive, uxorious and religious man as a harbinger of their own age. It surely helped that his story, if not exactly one of rags to riches, was certainly

The great disrupter: how William of Occam overturned medieval thought

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Astonishing where an idea can lead you. You start with something that 800 years hence will sound like it’s being taught at kindergarten: fathers are fathers, not because they are filled with some ‘essence of fatherhood’, but because they have children. Fast-forward a few years, and the Pope is trying to have you killed. Not

The men of blood get their comeuppance in Revolutionary France

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Colin Jones’s hour-by-hour reconstruction of the fall of Maximilien Robespierre, the French revolutionary most associated with the Terror, is inspired by Louis-Sébastien Mercier, who believed that only by getting ‘up close’ to the ‘infinitely small’ details would it be possible to understand the truth about a Revolution that was stranger than fiction. Mercier (1740-1815) was