Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

It will do your head in: Black Bear review

Film

Black Bear is one of those indie dramas that is meta on so many levels you can either sit with it afterwards or, if you’re weak like me, you’ll immediately turn to the internet for an explanation and may even find yourself buried deep in one of those Reddit threads that will make you wish

Lloyd Evans

Why do theatres think audiences want Covid-related drama?

Theatre

Hats off to the Orange Tree Theatre in Richmond. They’ve discovered a new form of racism. Some people say we have enough ethnic division already but in south-west London they’re gagging for more apparently. A new play, Prodigal, examines the prejudice endured by a Ugandan chap whose mother moved to London when he was a

Beware the woke misogynist

More from Books

The #MeToo movement isn’t all it seems. More than three years after countless sexual abuse allegations shook the world, the relationship between men and women has mutated into something ‘subtle and insidious’, writes Sam Mills. Her new book — an intriguing blend of feminist theory, memoir, psychological sleuthing and self-help — investigates the rise of

Apostle of modernism: Clive Bell’s reputation repaired

More from Books

Clive Bell is the perennial supporting character in the biographies of the Bloomsbury group. The husband of Vanessa Bell, brother-in-law of Virginia Woolf and friend of Maynard Keynes and Lytton Strachey, he is often depicted as a witness to historical events rather than a participant in them, a sort of modernist Forrest Gump. At best

The problem of the Benin Bronzes will never go away

More from Books

A book about the looted African art known as the Benin Bronzes begins by clarifying that most of them are not actually bronze, and none of them comes from the country of Benin. Yet as this gripping work of live history makes clear, such name ambiguity feels entirely appropriate for art so sophisticated in creation

Marina Warner becomes her mother’s ‘shabti’

More from Books

There comes a time after the death of parents when grief subsides, the sense of loss eases, and you, the child, are left wondering who those people were. What were they like? Not as you knew them as parents, but as people? For most of us, as the cliché goes, time is a healer, and

Lloyd Evans

Theatre’s final taboo: fun

Arts feature

How will the theatre look after lockdown? A clue emerges in a statement made by Guy Jones, the literary associate of the Orange Tree in Richmond. ‘The victims of this year are many. Homelessness is on the rise, loneliness is deadly, the monster of racism lurks in every-day interactions… and many of the inequalities we

It’s almost touching that the NFT world sees itself as radical

Radio

Some things are explained so many times that they become unexplainable: we can only relate to them as something complicated that needs to be explained. The global financial crisis was like this. Crypto-currencies were like this too. The newest thing that exists to be explained is the world of non-fungible tokens, or NFTs. NFTs are

Rod Liddle

Demi Lovato makes Taylor Swift resemble Dostoevsky

The Listener

Grade: Z If you wish to experience the full hideousness of Now, of our current age, condensed into one awful hour, then you should invest in this bucket of infected expectorant streaked with blood. It’s all there. The depthless self-absorption and introspection, the me me me. The self-aggrandising, the wallowing in victimhood, the complete lack

An awesome and hilarious display: Rambert’s Rooms reviewed

Dance

Social distancing continues to put the kibosh on large-scale productions, but Jo Stromgren has a nifty workaround in Rooms, which sees Rambert’s 17 dancers tackle 100 characters between them, giving the impression of a huge ensemble piece. The new show — part dance, part theatre — remakes the same few rooms over and over to

Where to start with the music of Ethel Smyth

Classical

I’m reminded of an old Irish joke. A tourist approaches a local for directions to Dublin. The local, after much teeth-sucking and head-scratching, eventually replies: ‘Well, I wouldn’t start from here…’. The news that, 75 years after her death, English composer Ethel Smyth has won a Grammy Award for her last large-scale work The Prison

Dark days for Britain: London, Burning, by Anthony Quinn, reviewed

More from Books

Not long ago, a group of psychologists analysing data about national happiness discovered that the British were at their unhappiest in 1978. Reading Anthony Quinn’s enjoyable novel set in that year and early 1979, it’s not difficult to see why. In case you’ve forgotten, strikes were spreading like wildfire. The National Front were reaching a

Spectacular invective: Jonathan Meades lets rip about Boris and Brexit

More from Books

The title alludes to Jonathan Meades’s first collection of criticism, Peter Knows What Dick Likes, and to the album by Peter Cook and Dudley Moore in their scabrous personae of Derek and Clive. Meades explains the title in his introduction: ‘It’s akin to “Two-Hour Dry Cleaners” where the operative, out of her head on perchloroethylene,

The home life of Shirley Jackson, queen of horror

More from Books

‘One of the nicest things about being a writer,’ Shirley Jackson once noted in a lecture titled ‘How I Write’, ‘is that nothing ever gets wasted. It’s a little like the frugal housewife who carefully tucks away all the odds and ends of string beans and cold bacon and serves them up magnificently in a

A whale of a time with Albrecht Dürer

More from Books

Great books make genres jump. It happened with W.G. Sebald’s The Rings of Saturn, which looked like a travelogue, claimed to be a novel and felt like neither. Albert and the Whale by Philip Hoare, which recalls and converses with Sebald, is such a work. An antic and original creation, it is not exactly a

Ghosts of the past: The Field, by Robert Seethaler, reviewed

More from Books

Give dead bones a voice and they speak volumes: George Saunders’s Lincoln in the Bardo was clamorous with the departed having their say. Edgar Lee Masters, 100 years earlier, startled the American literary world with Spoon River Anthology, poems that were miniature autobiographies of the occupants of a small Illinois graveyard. Now, The Field by

An unsuitable attachment to Nazism: Barbara Pym in the 1930s

Lead book review

Novelists’ careers take different paths, and sometimes don’t look much like careers at all. It’s true that some start publishing between 25 and 35, and write a novel respectably every two or three years until they die, like Kingsley Amis. Others don’t start until they are 60, like Penelope Fitzgerald, or stop abruptly without warning,