The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade is God.’ The RSC, which staged the show in 2015, calls it ‘a thrilling, contemporary interpretation’. Each element in Polly Findlay’s production looks fine. Jacob Fortune-Lloyd and Patsy Ferran (Bassanio and Portia) are as cute
A book about breaking confidences, not to mention friendships, rather begs the same in return. Reading Anne Applebaum’s brief memoir of the world going mad around her sparked a memory of my own. It is a couple of days after the Brexit vote, and several hundred of us have gathered in London for the memorial
This is a strange but valuable book. The author is a private equity magnate, whose fascination for Richard Burdon Haldane dates back to his childhood. In his acknowledgments he admits he lacked the expertise to write a proper book about his hero, and so enlisted the help of a young scholar, Richard McLauchlan, credited on
Are all children of famous parents told they must have a book in them? Since Allegra Huston’s wonderful memoir Love Child in 2009, standards have been slipping. More Than Love is by a minor actress whose only claim to fame is that she is the daughter of Natalie Wood and won’t ever let you forget
Short story writers often find it irksome to be asked when the novel is coming out, as though their work was just rookie preparation for something more substantial. (That said, many do go on to write that novel.) The Dear Departed is, amazingly, the first selection of Brian Moore’s short stories to be published. Written
Melancholy pervades this novel: a sense of glasses considerably more than half empty, with the levels sinking fast. This is largely due to its central character, John Dyer, a former journalist in his late fifties, who has returned from years in South America to live in Oxford and write a book about Portugal’s accidental discovery
Wendy Williams is an enthusiast, and enthusiasm is infectious. Lepidoptery is for her a new fascination, and it shows. On the plus side, her excitement shimmers as freshly as a newly-hatched Adonis Blue. She marvels, and makes us marvel, at the miracles she discovers. She wonders at the strangeness of a butterfly’s proboscis, which is
Such a sublime, terrible beauty, the shark. Glidingly filled with our awe, as if those glassy eyes marked us out as a bite-sized snack from the start. Evolutionarily pre-lapsarian — they’ve been around for 450 million years — sharks are wreathed in a symbolic cruelty, theirs and ours. In one of the most vivid scenes
Before reading this book, the only thing I knew about Action Park was that it had lent its name to Shellac’s 1994 debut album At Action Park. Shellac, one of whose members is the notoriously contrarian music producer Steve Albini, play pummelling, hazardous, post-hardcore rock at ear-splitting volume and occasion much joy in anyone who
Clemency stars Alfre Woodard as a prison warden on death row whose job is beginning to take its toll, and if you think it sounds like a tough watch, you’d be right. But it is also a masterwork, won the Grand Jury prize at Sundance, and doesn’t at any juncture call on the uplifting, healing
Pandemic creates the oddest phenomena: here, for instance, is a British drive-in cinema. They exist for people who won’t go to a conventional cinema for fear of infection, which sounds like a film in itself. But that is the charm: attending a drive-in cinema feels like living inside a film, because every British drive-in cinema
Gwyneth Paltrow has a new neighbour. On the same block in Notting Hill as Gwynie’s Goop store, with its This Smells Like My Vagina scented candles and must-have child-calming essential oil sprays, a shopfront has been taken over to display a poignant series of self-portraits by a rather different woman. Khadija Saye died three summers
If you want to understand Beethoven, listen to his piano sonatas. Without them, you’ll never grasp how the same man could write the hummable, easy-listening Septet of 1799 and the scraped dissonances of the 1825 Grosse Fuge, which even today scares Classic FM listeners. It’s the 32 sonatas, not the nine symphonies or 16 string
It might seem a bit of a stretch to see deep similarities between Michaela Coel (young, female, black and currently very fashionable indeed) and the late Philip Roth (increasingly discredited as an embodiment of all those phallocentric white guys who once ruled American fiction merely because they were great writers). Nonetheless, this week’s television made
Let’s face it. Theatre via the internet is barely theatre. It takes a huge amount of creativity and inventiveness to make anything remotely like a theatrical drama in the digital sphere. The BBC’s Culture in Quarantine team have invited some talented writers and actors to try and crack it. Unprecedented begins with ‘Viral’, by James
The American diet was probably at its healthiest in the second world war. Fearing interruption to supply chains, Washington launched a national Victory Gardening programme within a fortnight of Pearl Harbor, and saw two thirds of the population heed the cry to fill their backyards, rooftops and window boxes with veg. The scheme was so
Competition is stiff among museums in Iceland. The Phallological Museum in Húsavík, devoted to the penis, stands tall in a crowded field: 265 museums and public collections operate in a country of 330,000 — a population, incidentally, with the highest literacy rate in the world. A. Kendra Greene, an American writer and artist, has worked
Sorry For Your Trouble (Bloomsbury, £16.99), Richard Ford’s 13th book of fiction, shows a writer still very much on song. The mainly male middle-aged protagonists of these nine stories seem often to be assessing their regrets but coming to terms with them. In ‘Second Language’, a man is enchanted by his glamorous second wife but
Ludwig von Beethoven belongs among those men whom not only Vienna and Germany, but Europe and our entire age revere. With Mozart and Haydn he makes up the unequalled triumvirate of more recent music. The ingenious depth, the constant originality, the ideal in his compositions that flows from a great soul assure him… of the
Passé Blanc is the Creole expression — widely used in the US — for black people ‘passing for white’ to seek social and economic privileges otherwise denied them. Brit Bennett has a panoptic approach to racial passing in this intergenerational family saga, which takes us on a 20-year journey into the lives of twin sisters
It wasn’t Henri IV’s Sunday poule au pot or Herbert Hoover’s less sexy-sounding chicken in every pot, but even in the mid-20th century chicken was a rare treat, not a cheap meal. What has happened to transform the noble Gallus gallus domesticus into what Paul R. Josephson startlingly calls ‘a genetically formed meat machine’? Chicken
Who would imagine that Johann Zoffany’s celebrated 1780 depiction of the extensive Sharp family happily making music on their pleasure barge could be parsed so deftly into a portrait of an age? Or that Hester Grant, embarking upon her research, could have foreseen how topical Granville Sharp’s determined champaign against slavery would seem at the
A journalist and poet based in Zagreb, Robert Perišic was in his early twenties when the socialist federal republic of Yugoslavia disintegrated in 1992. Croatia’s transition to capitalism inspired his 2007 novel Our Man in Iraq. Now No-Signal Area explores the search for meaning in a supposedly post-ideological world. Set in a fictitious town in
Smell is the oldest sense. We owe our existence to it. The moment you start to talk about smell, things explode in a shimmering, chaotic starburst of epistemological and ontological complication. It is involuntary; we have no noselids. Smell stays switched on in our sleep: to inspire is to smell. It has a bigger ratio
It wasn’t until half way through Jenny Kleeman’s Sex Robots and Vegan Meat that I was able to put my finger on why it was making me uncomfortable. Sometimes you read a book where the author’s mindset is so alien to your own that you feel almost as though you’re translating from a foreign language;
Consider the carpet. In all likelihood, you usually don’t. It’s simply something beneath your feet, soft or scratchy, bright or beige, thick or thin. But in a new book, Bill Young asks you to pause and really look at a particular genre of floor-padding: the carpets in the hotels around the world. In Hotel Carpets,
Grade: B+ Neil Young has been mining his own past very profitably for a long time now, disinterring a seemingly endless catalogue of stuff which, at the time it was recorded, failed to see the light of day. And people like me fork out each time. I remember looking forward to this album in 1975
Liverpool’s last ocean liner lies half a mile inland, on the crest of a hill. The Philharmonic Hall, home of the Royal Liverpool Philharmonic Orchestra, sits between two cathedrals on Hope Street, its towers jutting over the city like twin prows. It’s an unavoidable metaphor: when you enter the Hall on a concert night, the
Some cinemas have reopened, with the rest to follow by the end of the month, thankfully. But the big, hotly anticipated films — Christopher Nolan’s Tenet, for example, or A Quiet Place II — won’t be out for a while yet, as opening schedules are adjusted. However, there is a new film that is cinema-only:
