The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Novelist, essayist, painter, poet, composer. Oh yes, and pianist: Stephen Hough does all of these things very well — and one of them superlatively. Most of us will know Hough as a dazzling but thoughtful concert pianist, at home with almost all repertoire, but with a special affinity for 19th- and early 20th- century works.
Judy Garland is now a myth, a paradigm and a warning: don’t let your daughter on the stage! It’s the cognitive dissonance that is thrilling and awful, like a child that dies: Dorothy kicked off her ruby slippers and turned to Benzedrine. It is a narrative that erases Garland as surely as the drugs ever
‘My basic intention,’ the late Patrick Caulfield once told me, ‘is to create some attractive place to be, maybe even on the edge of fantasy — warm, glowing, but often, by use, rather seedy.’ He frequently succeeded, as you can see from a beautifully mounted little exhibition at the Waddington Custot Gallery. It is a
The Farewell is a quiet film that builds and builds and builds into a wonderful exploration of belonging, loss, family love, crab vs lobster, and hiding feelings, even though it may be tough to hide yours and you’ll shed a tear or two. I know I did. It is written and directed by Lulu Wang,
Pub quiz question: what do John Osborne, Brian Friel and Patrick Marber have in common? The answer is they’ve all written their own versions of Hedda Gabler. Although none of them, it should be noted, to any particular critical acclaim. Is it time to give up on the Hedda adaptations altogether and just stick to
‘Butterflies and Hurricanes’ by Muse was on heavy rotation on MTV at a time, 15 years ago, when my infant son could be magically coaxed away from tears and back to sleep by pop videos. The only lasting effect of this proved to be my developing a deep and lasting aversion to Muse, because I
As a lifelong Catholic, I’ve often thought that two of the Church’s chief characteristics are a) how weird it is when you think about it; and b) how weird it is that so few people in it think how weird it is when you think about it. Happily, if a little smugly, I have to
What else is there to write about in the week that John Humphrys, that titan of the BBC airwaves, retires from his duties on the Today programme? Love or hate his terrier-like style of interviewing — baiting and occasionally biting his victims metaphorically on air — there’s no denying his stature as a news broadcaster
Lynette Linton opens her stewardship of the Bush with a drama about racial and sexual bigotry. Four British women decide to start a girl band but only one of them, Yomi, happens to be straight. The script mixes confessional monologues with bitchy interactions over kitchen suppers. Beth, whose parents are West Indian, once dreamed of
Two flutes, a clarinet and a bassoon breathe a chord on the edge of silence. As they fade, the sound quietly intensifies, morphing into the metallic buzz of cor anglais and muted horn. The third of Arnold Schoenberg’s Five Orchestral Pieces of 1909 doesn’t have a conventional melody, and there’s even less in the way
Two new books offer very different takes on the utter ruination of Germany in 1945. Each in its own way shows the enfeebling results of our modern obsession with amateur psychologising. Françoise Meltzer’s Dark Lens is based around a couple of dozen snaps which her mother, a Frenchwoman who had been in the Resistance, took
In 1993, the photographer Peter Menzel travelled across the globe to capture our material world. In each country, he asked a family to empty their home and pose in front of their possessions. In Texas, the Skeen family held up their large illustrated Bible, surrounded by their Ford pickup truck, their mini-van and their dune
It’s hard to get your head around Salman Rushdie’s latest novel Quichotte, which has been shortlisted for the Booker. It’s a literary embarras de richesse, whose centre can’t really hold, yet it’s written with the brilliant bravura of a writer who can really, really write. More to the point, it’s also funny and touching and
This impressively clever, careful, and often beautiful book is the best sort of journey. It takes us through 15 cities that represent Islamic civilisation, but also through 15 centuries of Islamic history. Our voyage takes us through the core of the Middle East, but also to Fez in what is now Morocco and to Samarkand,
It’s not often that you come across a book that completely transforms your understanding of the world. Just recently I’ve read two. One, Tom Holland’s Dominion concerns the debt we all owe — not just vicars and popes but atheists and social justice warriors — to Christianity’s revolutionary (and frankly still shocking) message that the
In 2015, Daniel Markovits, a professor at Yale Law School, delivered a commencement address to that year’s graduating class in which he attacked the idea of meritocracy. It was, he said, a gilded cage that imprisons the elite and leaves the rest feeling excluded and undervalued. For Markovits to make these remarks at one of
Rod Liddle has taken a huge gamble with this book. It could be out of date very soon. The book’s premise is a conversation he had with his wife on the day after the Brexit vote in 2016. She, like Liddle, is a Brexiteer and said to him that morning, ‘They won’t let it happen.’
Why, I asked some months back in these pages, do the protagonists in American fiction these days seem so lost? What is it they’re all so het up about? Well… everything. At least according to the narrator of Ducks, Newburyport. Lucy Ellmann’s monster novel is a more or less non-stop narration of the thoughts of
‘Penises,’ Aunt Lydia muses, ‘them again.’ Penises are always causing trouble, even in the God-fearing dystopian state of Gilead. The Testaments is set 15 years after the end of The Handmaid’s Tale, at a time when young girls, carefully and modestly brought up to become wives to the regime’s male elite, are beginning to rebel;
My guest in this week’s podcast is the Turkish novelist Elif Shafak, whose latest novel 10 Minutes 38 Seconds in this Strange World has just been shortlisted alongside Salman Rushdie and Margaret Atwood for this year’s Man Booker Prize. Elif talks to me about living in exile, writing in a second language, her relationship with
A suitably mad crowd gathered at the Spectator offices last night to celebrate the launch of Douglas Murray’s new book, The Madness of Crowds. Mr Steerpike marvelled at Mr Murray’s ability to bring such an intriguing mix of people together: where else in the world could you find Kevin Spacey, Paul Joseph Watson and a
Your latest challenge was to come up with a fable for the 21st century, complete with moral. James Michie, my predecessor in the judge’s seat, was a celebrated translator of fables and if you were looking for inspiration, and don’t speak French, his 1973 rendering of a selection by La Fontaine serves as a shining
‘Imagination is my world.’ So wrote William Blake. His was a world of ‘historical inventions’. Nelson and Lucifer, Pitt and the Great Red Dragon, chimney sweeps and cherubim, the Surrey Hills and Jerusalem in ruins, the alms houses of Mile End and the vast abyss of Satan’s bosom. He saw the fires of the Gordon
It’s entirely possible for a band to be quite the most brilliant thing in existence for the briefest of times, and for them to leave almost no trace on the world. The writer Jon Savage has been known to say that Vic Godard and the Subway Sect were the best band in the world for
Hansard is the debut play by actor Simon Woods, who enjoys a deep knowledge of his subject. The characters are a middle-aged couple, the Heskeths, who occupy ‘a country house in Oxfordshire. Georgian. Good bones. Not large’. The year is 1988 and Robin is a busy Tory MP whose wife Diana has realised that she
Hit them with your best shot? Or save the best till last? Almost 30 years after Alvin Ailey’s death in 1989, his dance company still ends every night with Revelations, an autobiography in ballet and gospel music. First danced in 1960, and presented at Olympic opening ceremonies and presidential inaugurations, Revelations remains an electrifying piece.
There were so many ear-catching moments in Peter Hennessy’s series for Radio 4, Winds of Change, adapted from his new book by Libby Spurrier and produced by Simon Elmes. Harold Wilson answering a journalist’s question after a sleepless night while awaiting the results of the 1964 election, quizzical, cheeky and so quick off the mark.