The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
For recovering teetotallers, like me, Thinking Drinkers is the perfect Edinburgh show. On stage, two sprucely dressed actors perform sketches about booze while a team of well-trained ushers race around plying the audience with strong liquor from plastic beakers. In under an hour, I swallowed a can of ale chased by vodka, gin, rum and
Robert Carsen’s new updating of The Beggar’s Opera is a coke-snorting, trash-talking, breakdancing, palm-greasing, skirt-hiking, rule-breaking affair — and every bit as wearyingly tedious as that sounds. Leaving behind the work’s original 18th-century setting, Carsen sets out boldly for present-day London (where the streets are paved with Brexit-related comedy gold), but in Ian Burton’s rewrite
Still got your record player? Dig it out. The crunchier the music, the better it sounds on vinyl: a broader noise, bigger than you get from a CD and many times fuller than what you’d hear from an execrable mp3 player. Technology does not always improve stuff. Five Teenage Fanclub albums have been re-released on
Not the most beguiling of titles, I admit, but The Secret Life of Landfill: A Rubbish History (BBC4, Thursday) was a genuine eye-opener. The programme began with Dr George McGavin proudly announcing that ‘What we’re about to do has never been attempted on television before’: a claim that it’s usually best to treat with some
The Children Act is the third Ian McEwan film adaptation in 18 months (after The Child in Time and On Chesil Beach), and if you’re minded to think no amount of Ian McEwan is too much Ian McEwan then you are wrong. This is very Ian McEwan: tasteful, restrained, high-minded, controlled. Once, fine. Twice, fine.
Translators are like bumblebees. In 1934, the French entomologist August Magnan pronounced the flight of the bumblebee to be aerodynamically impossible, and though long since scientifically disproved, this factoid is still routinely trotted out. Similar pronouncements about the impossibility of translation have dogged practitioners since Leonardo Bruni’s De interpretatione recta, published in 1424. Meanwhile, bees,
For tens of thousands of years, humans have been domesticating other mammals — cows, buffaloes, sheep, goats, camels, llamas, donkeys, yaks, horses — and keeping them for their milk. This has generated myriad products, from yoghurt and buttermilk through butter and cheese to toffee and ice cream, in many varied, culturally specific and resourceful forms.
In 1957, aged 13, Jimmy Page appeared with his skiffle group on a children’s TV programme dedicated to ‘unusual hobbies’ — skiffle apparently qualifying as one. During the show, he was interviewed by Huw Wheldon who, following an old-fashioned BBC lunch, arrived in the studio with a hearty cry of ‘Where are these fucking kids
In ‘A Prize for Every Player’ — one of 12 stories in Days of Awe, a new collection by A.M. Homes (Granta, £14.99) — Tom Sanford, shopping with his family in Mammoth Mart, soliliquises (loudly and nostalgically) about the America he remembers, and finds himself with an audience of shoppers who nominate him as the
Nick Pyenson, curator of fossil marine mammals at the Smithsonian Institute in Washington, is quick to tell us he’s not a ‘whale hugger’. ‘I didn’t fall asleep snuggling stuffed whales or decorate my room with posters of humpbacks suspended in prismatic light.’ Pyenson sees whales through their ancestral bones, and their contemporary entrails, digging up
The role of Hamlet is, Max Beerbohm famously wrote, ‘a hoop through which every eminent actor must, sooner or later, jump’. In this book, and in its online supplement, Jonathan Croall charts the flight through that hoop of pretty well all of the ‘eminent actors’ — male and female, young and not so young, white
When I was younger, one of my favourite books was James Stevens Curl’s The Victorian Celebration of Death. His latest is much less cheerful. Like one of those innocents who re-enact the Civil War in embarrassing costume on Bank Holidays, Curl has been time-travelling backwards into a pre-modern world. He returns from the past with
All Among the Barley, Melissa Harrison’s third ‘nature novel’, centres on Wych Farm in the autumn of 1933, where the corn fields are ‘acres of gold like bullion, strewn with the sapphires of cornflowers and the garnets of corn poppies and watched over from on high by larks’. Our narrator, 14-year-old Edie, has finished school
The return of Sue MacGregor’s long-running Radio 4 series The Reunion (produced by Eve Streeter) is a welcome reminder of just how good radio can be at taking us inside an experience while at the same time opening our minds to things we should know about. First there is MacGregor herself, such a vibrant, resonant
For the latest competition you were invited to imagine a well-known author who doesn’t normally write in the genre trying their hand at science fiction. In a 2015 interview, the wonderful Ursula K. Le Guin, always a staunch and eloquent defender of the genre, took a pop at writers of literary fiction who move into
Like most of our ape ancestors, we have really had only one response to the fall of night. We have stretched and yawned, we have climbed upwards, we’ve lain down somewhere soft, closed our eyes and shut the whole thing out until morning. Humans may have exchanged tree trunks for a set of stairs, and
The Rembrandt show at the National Galleries of Scotland (until 14 October) has a problem. A mighty haul of Rembrandt paintings and prints are arrayed against a backdrop that mines the historical impact of his work on British artists and collectors. This is interesting. The problem is that the Rembrandt works are so astounding that
‘What can you tell me just now,’ asks Audrey Gillan. She’s talking to Tara, who’s been sleeping rough on Fournier Street in Spitalfields, close to Gillan’s home. Tara, aged 47, sounds like a man, so deep and growly is her voice, ruined by drink, cigarettes and the hardness of her life. Gillan wants to know
David Greig has written the international festival’s flagship drama, Midsummer. This farcical romance is performed as a party piece by four actors supported by a plinky-plonky band playing satirical ballads. We meet two boozy drifters, Bob and Helena, who enjoy a night of rampant sex aftera chance encounter in an Edinburgh pub. Will their affair
There’s one big problem with Wagner’s Siegfried, and the clue’s in the name. None of Wagner’s mature works hangs so completely upon a single individual. The character himself isn’t really the issue either, however troublesome he might superficially appear (a ‘randy overgrown schoolboy’, if you believe the misguided programme note for this Usher Hall performance).
There are moments in The Guardians when you can imagine you’re in the wrong art form. Time stills, the frame all but freezes, and the film seems to have taken a left turn into an exhibition of fetching French landscapes and interiors from the early 20th century. The camera hovers over the harrowed earth, admires
Apparently there’s a new ‘character’ on University Challenge. I wouldn’t know. Last year, I vowed never again to raise my blood pressure by exposing myself to its new, gender-balanced questions: ‘Your starter for ten: which composer of Serenade for My Cat, rated by her father as the equal of Bach’s Goldberg Variations…’ Don’t know. Don’t
Despite his having one of the most famous names in the world, we know maddeningly little about William Shakespeare. His private life was lost in the swirling debris of the early modern world. Buildings such as the Globe or New Place (the house he retired to in Stratford) were demolished in the centuries after his
Among the biggest surprises of this year’s Man Booker Prize longlist was the inclusion, for the first time in the prize’s 50-year history, of a “graphic novel”. Nick Drnaso’s Sabrina — a chillingly claustrophobic account of the aftermath of a murder in post-truth America — is undoubtedly a brilliant example of its form. But does
Recently there has been a spate of retellings of the Iliad, to name just Pat Barker’s The Silence of the Girls, focusing on the female slaves, and Colm Tóibín’s take on the aftermath of the Trojan war, House of Names. For his second novel, Michael Hughes attempts something more literal and more challenging: to transpose
‘The most interesting novels are a bit strange,’ Kirsty Gunn once told readers of the London Review of Books. ‘They reject the predictable progress of conventional plotlines in favour of something that feels more risky.’ It’s surprising then that Gunn’s latest novel-ish offering is about unrequited love — a middle-aged banker for his glamorous landlady
Anita Leslie knew how to tell a story. Arranging to sit for a portrait six months before she died, she planned to borrow a khaki shirt on which to pin her second world war decorations, the Africa Star and the Croix de Guerre. The portrait was never commissioned, but it is clear that Leslie —
This is a well-written, scrupulously researched and argued account of an enduring mystery that neatly illustrates the haphazard interactions of politics, bureaucracy and history. In 1924 Grigori Zinoviev was head of the Communist International, the propaganda arm of the Soviet regime. A letter in his name, dated 15 September and addressed to the Communist Party
It is always interesting to see what art historians get up to when none of the rest of us is looking. It is hard to know what the inspiration for The Mummy’s Foot and the Big Toe can possibly have been, but if this very short book offers the kind of approach that will go