The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
When the Royal Navy celebrated Queen Victoria’s Diamond Jubilee in 1897, 173 ships and 50,000 sailors filled the Solent. The Spectator (3 July 1897) described the ‘endless succession of battleships, cruisers, destroyers, gunboats and torpedo boats’ as offering ‘the most magnificent naval spectacle ever beheld’. More importantly, the fleet at Spithead ‘would have been able
I finished reading the third volume of Karl Ove Knausgaard’s latest series – no longer a trilogy, perhaps a sextet – in three days. The Third Realm is as unsettling, disturbing and riveting as the previous instalments, and I was even disappointed that it came in at a mere 500 pages – considerably shorter than
Naples is ‘certainly the most disgusting place in Europe’, judged John Ruskin. The boisterous yelling in the corridor-like streets and beetling humanity filled the Victorian sage with loathing. (‘See Naples and die’ became for Ruskin ‘See Naples and run away’.) In the city’s obscure exuberance of life he could see only a great sleaze. Naples
In 1651, the poet Andrew Marvell was working for the parliamentarian military hero Sir Thomas Fairfax, tutoring his daughter Mary on Fairfax’s Nun Appleton estate near York. When he wasn’t delivering language lessons to his young charge, Marvell was busy composing one of the most astonishingly experimental poems of the 17th century. Opera in the
Yuval Noah Harari has sold more than 45 million books in 65 languages. He is a professor with a PhD from the University of Oxford, has spoken at TED and the World Economic Forum in Davos, and his latest book, Nexus, is considered ‘erudite, provocative and entertaining’ by Rory Stewart and ‘thought-provoking and so very
The Stirling Prize is the Baftas for architects, a moment for auto-erotic self-congratulation. Awarded by the Royal Institute of British Architects, its premise is straightforward: it’s for Britain’s best building of the year. But this year, it seems the prize committee has struggled even with this. Among the six projects shortlisted for this ostensibly nationwide
American Football are a band whose legend was formed by the internet: some Illinois college kids who made an album for a little label in 1999, went their separate ways, and in their absence found that a huge number of people had responded to their music. They duly reunited in 2014. They are often identified
Both horribly familiar and wonderfully shocking, this body-horror film written and directed by Coralie Fargeat does a very traditional thing – turning the scramble for youth and beauty into a monster of immeasurable disgust and immorality – in a huge way. There is nothing minimal or restrained or overly clever here; nothing of the nuance
Earlier this year, ITV brought us Red Eye, a six-part drama set mainly on an overnight plane from London to Beijing. Displaying a heroic indifference to plausibility, the show was an increasingly deranged mash-up of every thriller convention known to man – while still posing (when it remembered to) as a thoughtful exploration of realpolitik.
Van Gogh only got one major review in his career, and he was mystified by it. When the critic Albert Aurier described his six paintings in the 1890 Brussels exhibition of Les XX as the product of a ‘terrible and distraught genius’, the artist responded that, far from being a genius, he was ‘very secondary’
At a Hollywood party in the 1940s, the garrulous socialite Elsa Maxwell spotted Arnold Schoenberg, then teaching music at UCLA, looking miserable. So she pushed him towards the piano with the words: ‘Come on, Professor, give us a tune!’ I couldn’t help thinking of those words on Friday night, when we heard the first Proms
Why Am I So Single? opens with two actors on stage impersonating the play’s writers Toby Marlow and Lucy Moss. You may not recognise the names but you’ve probably heard of their smash-hit, Six, which re-imagined the tragic wives of Henry VIII as glamorous pop divas. This follow-up show is a spoof of vintage musicals
Grade: B+ Almost all modern popular music is afflicted by a desperate yearning for importance, and thus – as it translates these days – electronic bombast, which is of course available now at the flick of a switch in the studio. The song is not enough, nowhere near enough. What you need, to elevate your
As many of us who grew up in America in the 1960s and 1970s learned, Mad magazine didn’t, as our parents warned us, warp our brains – because our brains were pretty warped to begin with. It was a time when what passed for culture was almost entirely scripted by Madison Avenue, promising that overpriced
One Sunday in October 1967, about 16 per cent of the British population settled down at 8.15 p.m. to watch the Morecambe & Wise Show on ITV. This was mainstream family entertainment aimed at all age groups, but there was also a place each week for teen-friendly acts from the pop charts. That evening it
Nothing is ever quite as it seems in the world of Olga Tokarczuk. Her latest novel starts with an epigraph taken from Fernando Pessoa: ‘The visible world goes on as usual in the broad daylight. Otherness watches us from the shadows.’ Wild deer were murder suspects in her surreal and beautiful 2018 novel Drive Your
The French philosopher Simone Weil, who died of self-starvation and tuberculosis in a Kent sanitorium in 1943 at the age of 34, remains a conundrum. ‘Mais elle est folle!’ had been the spluttering response of Charles de Gaulle the previous year, during her short wartime period analysing reports for the Free French in London. Her
The Italian actuary Bruno de Finetti, writing in 1931, was explicit: ‘Probability does not exist.’ Probability, it’s true, is simply the measure of an observer’s uncertainty; and in The Art of Uncertainty, the British statistician David Spiegelhalter explains how this extraordinary and much-derided science has evolved to the point where it is even able to
There was a time when Elizabeth Strout’s fans had to wait a few years for the next book; but Tell Me Everything follows fast on her two previous novels – part of what she has termed a ‘marathon’ of writing in her sixties. It has been an extraordinary creative flowering: a diverting pleasure for admirers
Michel Houellebecq’s ninth and longest novel, anéantir, was published in France at the beginning of January 2022 with an initial print run of 300,000 copies. Translations into Italian, German and Spanish appeared a few weeks later. Only now, though, is it available in English, a belatedness all the more regrettable because, like several of Houellebecq’s
The German cultural scientist Ulrich Raulff has written that horses have as many meanings as bones. In the archaeologist William Taylor’s new history of horses and humans, we meet all those bones. Found in thawing permafrost, in caves, and buried ceremonially in graves in Siberia and Chile, the bones are cracked open by Taylor to
Ben Macintyre has a knack of distilling impeccably sourced information about clandestine operations into clear, exciting narrative prose. His latest book, about the April 1980 Iranian embassy siege in London, starts as it means to go on – with a snapshot of seven Range Rovers, two Ford Transit vans and two furniture lorries pulling out
‘Of all the things I’ve drawn,’ Michael Craig-Martin reflects, ‘to me chairs are one of the most interesting.’ We are sitting in his light-filled apartment above London, the towers of the City rising around us, and we are discussing a profound question, namely, what makes an object a certain type of thing? Or to put
The Perfect Couple is an exemplar of that genre sometimes cynically known as ‘poverty programming’: dramas that train all of us non-billionaire folk to be content with our miserable lot by showing us that even if we did have lots more money we’d actually really hate it. They’re all secretly messed up, treacherous and unfaithful,
This week’s Archive on 4 is a treat for David Bowie fans. Francis Whately, the producer behind several of the BBC’s Bowie films, including The Last Five Years, has patched together old recordings and new interviews with Bowie’s lovers and friends to examine his life in West Berlin between 1976 and 1978. It was a
The Band Back Together is a newish play, written and directed by Barney Norris, which succeeds wildly on its own terms. It delivers a low-energy slice of feelgood nostalgia involving three musicians who reunite in their hometown of Salisbury. The action consists of talk and songs, more talk, more songs, some cider-drinking and a surprise
Klaus Makela is kind of a big deal. He’s a pupil of the Finnish conducting guru Jorma Panula – the so-called ‘Yoda of conducting’ – and he’s chief conductor of the Oslo Philharmonic as well as the Orchestre de Paris. Within the next three years he’s scheduled to take the baton at both the Chicago
Song for song, line by line, blow for blow, Elvis Costello remains the most consistently fascinating songwriter Britain has produced in the past 50 years – an opinion which seems these days to be mostly confined to a smallish section of an ageing demographic. Certainly, Costello’s music has, as far as I can tell, proved
The Critic is a period drama starring Ian McKellen as a newspaper theatre critic famed for his savagery and it did sound as if it had all the makings of an entertaining and nicely savage little film. But through a surfeit of plot, it rather loses the plot, and the result is a surprisingly bland