The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
During the military dictatorships of the 1970s, exile for many Latin American writers was not so much a state of being as a vocation. Some were given early warning of what might befall them if they stayed. The polemicist Eduardo Galeano remembered receiving an evening telephone call from the Argentine Anticommunist Alliance: ‘We’re going to
It’s quite a scene to imagine. A maniacal self-publicist with absurd facial hair takes off in what’s thought to be the biggest hot-air balloon the world has ever seen. Adoring crowds gather to watch the launch. He rises rapidly and sails off towards the clouds — but in due course the whole thing goes arse-up
Inspiration for the latest competition came from Anthony Lane’s terrific ‘The Book of Jeremy Corbyn’, an account of the general election that ran recently in the New Yorker and was shared widely on social media: ‘And there came from the same country a prophet, whose name was Jeremy. His beard was as the pelt of
We routinely feel emotional about materials — often subliminally. Which is why new substances and techniques for manufacturing have provoked vivid writing, particularly during the design-reform debates of the 19th century. Think of John Ruskin on the evils of cut as opposed to blown glass or his views on wrought iron as opposed to cast
Aren’t you getting a little sick of the white cube? I am. I realised how sick last week after blundering around White Cube Bermondsey, where the walls are so pristine no label is allowed to sully them, struggling to work out what I was looking at. I was reduced to photographing the works in order
Melvyn Bragg on TV: The Box That Changed The World (BBC2, Saturday) was just what you would have expected of a critical appreciation of 75 years of TV, filmed at Bafta and presented by one of the BBC’s pre-eminent house luvvies. As an antidote I had to switch over to ITV2 to watch Love Island.
Tennis is best played with a wooden racket on a shady lawn somewhere close to Dorking. There is no need for trainers, an umpire, or a scoreboard. No need for rules at all. After Wimbledon, the tea-and-jam, grass-stained, Sunday-afternoon scenario from A Room with a View is the only one to emulate. In 1908, when
The Vaults at Waterloo are gallantly trying to pose as the party spot for hipsters in the world’s coolest city. Brickwork alone may frustrate this goal. The venue is half-buried in a warren of arches beneath the western approaches to the terminus. The foyer is scruffy, poorly lit, and its dank air is scented with
Boy is she fat, and getting fatter. I realise this is something we’re not meant to mention when talking about Beth — but it’s kinda the elephant in the room. Literally. And I worry about the lass. These days she makes Mama Cass look like Edie Sedgwick. Of course, we should accept her as she
Mitridate, re di Ponto was Mozart’s fifth opera, written and first produced when he was 14 years old. Absolutely amazing. Now we’ve got that out of the way, what about the work? Is it worth reviving, and if so how? The Royal Opera evidently thinks so, since it is reviving for the second time Graham
Banking up the wrong tree The Magic Money Tree is such a neat concept it is a wonder it has not featured more widely in literature. But there is a book of that title by Anna Rashid, self- published in April 2009 — just after quantitative easing began in Britain. In the story, a little
John McEnroe’s father calls. In fact, he calls McEnroe’s manager’s phone, presumably because dad doesn’t have a direct line to the great man himself. John Sr, who is tennis-mad, has a request: can he come with his son to a veterans’ tournament in Belgium? McEnroe is horrified. Having dad around is a major drag. ‘I
What led a person in 17th-century England to get on a ship bound for the Americas? James Evans attempts to answer that question by exploring both the push and pull factors involved. His descriptions are vivid, so the reader can imagine the life choices that would lead to one finding oneself heaving up over the
The details of Mussolini’s fascism are perhaps not quite as familiar in this country as they might be. Even quite well-meaning people have a tendency to treat him as, in part, a joke. Just how horrible the period was needs to be explained with reference to individual lives. Caroline Moorehead’s book about the Rosselli family,
Medea’s continuing hold over spinners of tall tales from Euripides to Chaucer to Pasolini needs little explanation; she’s an archetype with everything going for her. As a fratricide and murderer of her own children, among assorted other acts of blood lust, her acts of brutality are so transgressive and symbolic that they offer themselves up
I’ve diagnosed myself with early onset cottage-itis. It’s not supposed to happen for another decade, but at 29 I dream of just the smallest bolthole in the country: a bothy, a gatehouse, a folly below the ha-ha in someone else’s stately home. A shepherd’s hut in tasteful shades of prime ministerial greige. Liberated from the
Imagine if Kathy Lette — or possibly Julie Burchill — had written a feminist, magic-realist saga that sent four women on a road-trip around the broiling hotspots of the Arab Spring. No, not easy to do — yet the intrepid Turkish journalist and writer Ece Temelkuran has, in this novel, come up with just that
Henry Marsh’s book Do No Harm (2014) was that rare thing — a neurosurgeon showing his fallibility in public and admitting to the great harm that good intentions can cause. It was a stunning, even revolutionary work, displacing doctors from their traditional ivory towers and showing them to be not only human and vulnerable to
It might seem unlikely that a Christian noblewoman could have had influence over a Muslim city in the 13th century, when women were considered by Muslim society as being ‘underlings without complete intelligence’ and by Christian society as ‘a fish hook of the devil… a source of evil… a treasury of filth’. However, Tamta —
Amid the shambles that was the Anglo-French campaign in Norway in April and May 1940, a French officer observed that ‘the British have planned this campaign on the lines of a punitive expedition against the Zulus, but unhappily we and the British are in the position of the Zulus’. A month later, many British officers
As bombs fall everywhere in Syria and IS fighters destroy Palmyra, a musicologist in Vienna lies awake all night thinking of the Baron Hotel in Aleppo, where he stayed in 1996, following in the footsteps of Lawrence of Arabia, Agatha Christie and King Faisal. He remembers the hotel’s Ottoman ogival windows and its monumental staircase,
In The Ambassadors, Henry James sends Lewis Lambert Strether from Boston to Paris to retrieve Chad Newsome, the wayward heir to a factory at Woollett, Massachusetts. Strether never names the ‘small, trivial rather ridiculous object of the commonest domestic use’ that has enriched the Newsomes, though he does say that it is not clothes pins,
Antony Gormley is not amused. The artist who has installed hundreds of life-sized, cast-iron sculptures of his naked body in cities all over the world is affronted with the way a mysterious member of the British public has responded to one of the artworks. The piece in question, which could be known as ‘Narcissism’ but
Last week the exhibition Painting India by the late Howard Hodgkin opened at the Hepworth Wakefield. Hodgkin started collecting Indian miniatures as a schoolboy at Eton and first visited the subcontinent in 1964, travelling with Robert Skelton, the then assistant keeper of the Indian collection at the V&A. Hodgkin would return there many times during
It was most odd. Four decades after I’d walked into the Sun to start my first shift as a news sub editor, I was sitting in a small theatre in the heart of La La Labour-land (the Almeida in Corbyn’s Islington) watching a play where I knew all the characters, as I both worked with
Wyndham Lewis was a painter, poet, publisher and picker of fights. No target was too grand or too trivial: sentimental Victorians and the modern man of government; shark art dealers and the ‘atrocious’ Royal Academy; compilers of honours lists and editors of literary reviews; thin flapper girls and the fat ‘Belgian bumpkins’ of Peter Paul
Politics and art can make for an awkward mix. Much more than with religious subjects it seems to matter whether the viewer shares the artist’s beliefs. But whatever you think of Richard M. Nixon, it would be hard not to enjoy Philip Guston’s satirical drawings of him and his cronies at Hauser & Wirth, Savile
