The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
If it was not yet ‘The Age of Anxiety’ in 1947, when Auden published his long poem of the same name, now it most certainly is, given the manifold global uncertainties that keep any sane person awake with worry. Nearly 20 per cent of adult Americans have been diagnosed with a general anxiety disorder, while
Roland Penrose (1900–84) was a Surrealist painter and object-maker, a collector and art world grandee, a writer and organiser of exhibitions, co-founder of the Institute of Contemporary Arts (ICA) and biographer of Picasso. He amply illustrates Goethe’s dictum that we are rich at the price of our contradictions. Born a wealthy Quaker, Penrose rebelled and
The Dancing Bees is a romantic title, evoking fantasy and fairy tale rather than scientific rigour, but actually this book is a story of fearsome determination. It is a biography of Karl von Frisch, who discovered the language of the honeybee, but Tania Munz’s account is much more besides, as it reveals the scientist’s struggle
Jessie Burton’s first novel, The Miniaturist, set in 17th-century Amsterdam, read like a lantern-slide show. Her churches were by Pieter Saenredam, her town-houses those of Vermeer and Gerard ter Borch. Her kitchens and corridors and eaves-dropping maids came from Nicolaes Maes. She proved herself a painterly writer with an eye for the telling detail. The
‘Is Geoff Dyer someone on your radar?’ inquired the courtly literary editor, inviting me to review this book. What a question! Envy is the writer’s sin, as everyone knows, and to a nonagenarian writer of my kind the very conception of Geoff Dyer, aged 57 and perhaps the most brilliantly original practitioner of his generation,
If you have legs, or a bicycle, or indeed both, you are going to love this book. Chaps, no matter how old or how fat or otherwise incapacitated you are, if you haven’t already received it for Father’s Day the chances are it’s coming your way this Christmas. Ladies: if you are a fell-runner, a
If photographs of ‘the deal in the desert’ made you queasy — you remember, Tony Blair and Muammar Gaddafi shaking hands for the cameras in 2004 — imagine how you would have felt if you were in exile in London and your father under torture in Gaddafi’s cells at the time. Now Blair is not
It is London in the summer of 1871. Queen Victoria has just opened the Royal Albert Hall in memory of her beloved husband; Lewis Carroll’s sequel to Alice in Wonderland has just been published, and French refugees from the Franco-Prussian war continue to arrive in the capital. Among them is Claude Monet, who is having
Tannhäuser Longborough Festival Opera, until 18 June The Longborough phenomenon continues, indeed if anything gets more remarkable each year. This year they are tackling Wagner’s least popular opera, Tannhäuser, and making it actually thrilling, at least when the title role is taken by Neal Cooper. There really is nothing to be done with parts of Tannhäuser except to
In 1992 I wrote a column that was published under the headline ‘It’s Time to Split the Tate’. To my absolute astonishment, shortly afterwards it was announced that this would actually happen (no doubt a coincidence rather than a response to my words). Hitherto, though it is hard now to recall those times, there had
Matteo Garrone’s first English-language film is a baroque fantasy based on Pentamerone (Tale of Tales), the 17th-century collection of fairy tales by the Italian poet and courtier Giambattista Basile. (It is also known as The Story of Stories, ‘Lo cunto de li cunti’, but that, I think we can all agree, travels rather less well
It is at the Coliseum that I have seen the most wonderful Tristan and Isoldes of my life, both of them under Reginald Goodall, in 1981 and, even more inspired, in 1985. Neither was particularly well produced, but nothing stood in the way of the musical realisation, as complete as I can ever imagine its
Gauche, perhaps, to complain about Aladdin but it slightly deserves it. The terrific Genie opens the show and then disappears for 45 minutes while the plot is explained. My squirmy ten-year-old kept whispering Aladdin-related trivia at me in order to occupy himself as the rags-to-riches storyline was laid out in far too much detail. Visually
Was Tamara Rojo, when she danced Swan Lake last Saturday at the Albert Hall, thinking as she shaped each phrase, ‘This will be the last time I dance this …and this …and this’? I wonder. She told me a few years back that she had a five-year diary to cover the rest of her dancing
In his latest documentary for the This World series, the Romanian film-maker Liviu Tipurita could have been forgiven for treading carefully — and not just because it meant him entering the world of organised crime. After all, his previous film in the series, the uncompromisingly titled Gypsy Child Thieves, was ferociously denounced by Roma groups
Three women, three writers, three very different life experiences. On Monday afternoon the artist Fiona Graham-Mackay introduced us to Imtiaz Dharker, whose portrait she has been painting. While she attempts to capture a visual impression, Imtiaz, who is a poet, tells us what it feels like to be the sitter, the one who is being
There is a wonderful portrait of Kenelm Digby by Van Dyke. He is dressed in black. His hand is on his heart. Behind him is a vast, wilting sunflower. The sunflower is a symbol of constancy — it follows the sun. When his wife Venetia died in 1633, when Kenelm was 29, he went into
Good historical fiction takes more than research. Henry James once said that writers needed to shed everything that made them modern to feel their way into a completely alien world view — a near impossibility. But this ideal historical novel, bristling with ancient prejudice, would be rather heavy going for a general readership, and successful
Let’s start with arithmetic. Edmund White’s 11th novel is a book about age and ageing. The young man of the title is a French model called Guy. Like Dorian Gray, Guy never seems to grow old. By the middle of the novel he is nearly 40, but he can still convince people — crucially, a
In wartime the housekeeping is a nightmare. While fighting Napoleon in Spain the Duke of Wellington sent an infuriated letter to the government in Whitehall. He complained that they had asked him to account for a petty cash deficit of one shilling and ninepence, and a ‘hideous confusion as to the number of jars of
I suspect some readers might be too cool for this lovely book, partly because, despite its gothic horror set-up, it sets out unashamedly to lift the spirits; and partly because historical novels are sometimes derided as escapist, as if they’re only a fallback for authors who can’t keep up with, say, immigration or the internet.
Tom Fletcher, a young star of the Foreign Office, made his reputation last year when he blogged his ‘valedictory despatch’ from Beirut, where he had served as ambassador for several years. From time immemorial ambassadors had written these despatches on quitting their posts. It was the occasion to spread your diplomatic wings with candid observations
The political trigger for the Ring was the 1849 Dresden uprising, when the young freedom fighter Richard Wagner financed the hand grenades and debated ethics with his co-revolutionary Bakunin. According to Bernard Shaw, the Russian stood model for Siegfried, the Ring’s hero who would overthrow the old order and install a new realm of personal
Readers of advanced years like me will almost certainly remember the bow-tied figure of Edgar Lustgarten, star of any number of ‘True Crime’ B movies which were an integral part of a visit to the cinema, or ‘flicks’, when we were young. Some of us also remember his catchphrase when describing the downfall of a
Petrichor. Coined as recently as 1964 but redolent of Eden onwards, the word appears in neither of these volumes but they are suffused with it. In denoting that tang which arises after rain has fallen upon dry ground, petrichor can make a stroll through park or hillside headier than any parfumier’s establishment. Down the centuries,
In 1991, Moby folded the theme from Twin Peaks into a remix of his dance track ‘Go’ and a diminutive, teetotal, vegan Christian abruptly became the American rave scene’s first pop star. He was not the obvious candidate: one critic dubbed him ‘techno’s crazed youth minister’. As a showboating entertainer in a culture sceptical of
There have been a number of attempts to graft the style of the so-called new nature writing onto the novel: works such as Melissa Harrison’s Clay, for instance, or Amy Sackville’s Orkney. Tom Bullough’s Addlands is a very creditable contribution to this genre. The form does have an intrinsic problem: how does one dramatise seeing?
‘Missing in action is the worst state to which we can lose a human being,’ avers Commodore (Ret.) Ajith Boyagoda — and he should know. A not especially academic young chap from the hill country, Boyagoda joined the then Ceylonese navy for the glamour of it; progressed fair-to-middlingly; saw Southampton, Suez and South India; and,
As someone who managed to move from enfant terrible to grande dame without ever being a proper grown-up, I must say the menopause passed me by. I make a practise of having mostly much younger or male mates so I don’t have to hear old birds banging on about it, but occasionally my bezzie (who