The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Eduardo Chillida (1924–2002) is one of the greatest of modern sculptors yet curiously little known in this country. The last major show in London was at the Hayward Gallery in 1990, where I first encountered his work in real depth. Before that, he had only exhibited once in the UK, a solo show at the
One of the many cultural initiatives to have come out of France in the past 50 years — and therefore by definition to have been viewed with suspicion by the British establishment — is the Fête de la Musique. One need look no further than Margaret Thatcher and Unesco to get the flavour of what
Department for Culture, Media and Sport (DCMS) spending review rounds always work like this: officials choose three figures of increasing severity and ask those they fund to model what would happen should their funding be cut by the corresponding amounts. The organisations duly devote considerable resources to trying to work out what they could cut
(after Yoshio Markino, 1911) Colours of women, a grey-veiled pink, a bloom Fading to yellow, stippled, dust-hung, flecked Soot startling white lace in summer gloom. Colours of trees, pavements sticky with leaves Trodden to blackened bronze, a patina Attached to every twig. The heart grieves, Colours the blood with fungus, smudges all Spires, bridges, waters,
One morning in 1995 Tara Bariana walked out of his house in Walsall and didn’t stop walking until he had reached the village in the Punjab where he was born and grew up. Ten thousand miles in 19 months is a lot of footwork. What made him do it? ‘I came here in 1960 with
The Vet’s Daughter is Barbara Comyns’s fourth and most startling novel. Written in 1959 when she was 50 it is the first in which she shows mastery of the structures of a fast-moving narrative and a consistent backdrop to the ecstasies and agonies of the human condition. It was received with excitement, widely reviewed, praised
A year or so after the ‘liberation’ of Iraq, an unnamed senior Bush administration official (later revealed to be Karl Rove) boasted: ‘We are an empire now, and when we act, we create our own reality.’ Yet a decade later, America’s power and influence has diminished considerably and the American people are suffering from foreign
Here, for time travellers, is the whack-job spirit of ’68 in distillate form, paperbound and reissued in facsimile (with some exculpatory, older and wiser material fore and aft). Adhocism (re)captures with magical realism the boldness and silliness of its day. This was the day when ‘new media’ meant colour television. Younger readers may need more
After Zorba the Greek, here comes Horace the Roman. The peasant Zorba, you’ll remember from the film, releases uptight, genteel Alan Bates from his cage of repressed Englishness. Now it’s Horace, the Augustan lyric poet, releasing another repressed Englishman: Harry Eyres, Old Etonian scholar, Cambridge graduate, poet and author of the ‘Slow Lane’ column in
British royalty, considered from a purely mechanistic angle, cannot function adequately without music. Deprived of marching bands, trumpeters and choristers or even of those ever so well-mannered regimental ensembles which dispense selections from favourite musicals at an investiture or a garden party, the royal performance would lose much of its authenticity. Playing the king in
‘Words and cricket,’ wrote Beryl Bainbridge, ‘seem to go together.’ Why should this be? The Ashes series starting next week might not be the most eagerly anticipated of recent times, due mainly to the Aussies having developed a taste for self-destruction rivalling that of Frank Spencer. But still the words come. Broadsheets and blogs alike
According to the Council of Mortgage Lenders, 81 per cent of British people want to own their homes within the next ten years. George Osborne is the latest in a long line of politicians, including Thatcher and Macmillan, who have made our nation’s obsession with outright ownership central to their policy. This preoccupation with actually
No book about Dr David Kelly could start anywhere other than at the end. Kelly is found, dead, in a wood near his Oxfordshire home. A public inquiry, headed by Lord Hutton, concludes that Britain’s leading germ warfare expert has committed suicide. Those who question the procedure or the verdict are scorned as conspiracy theorists.
After the Morecambe Bay Hospital scandal a new era opens of compassion, -whistle-blowing, naming names and possible prosecutions. But what about 70-odd years of harming children in ‘care’ homes, and prisoners, with toxin injections, -radioactive blasts, electro-shocks to the brain and frontal lobotomies — all done in the interests of medical advance by leading American
Laidlaw was first published in 1977, 36 years back from now, 38 on from The Big Sleep. Like Chandler’s classic it has survived the passage of time. William McIlvanney did for Glasgow what Chandler had done for Los Angeles, giving the city its fictional identity. Hemingway used to say that all American literature came out
Henry Addington, first Viscount Sidmouth, was briefly and, on the whole, ingloriously Prime Minister at the beginning of the nineteenth century and then spent nearly ten years as Home Secretary at a time when Britain seemed as close as it had ever been to violent revolution. In both capacities he displayed an unwavering conservatism which
I suppose this will seem churlish, but I’d just like to add my support to the grime rapper Wiley who, upon arriving at the Glastonbury festival, tweeted to Michael Eavis: ‘Fuck you and your farm.’ I’m not sure what motivated this annoyance but credit where it’s due, it’s roughly what I’ve felt about this bloated
George Packer is a staff writer at The New Yorker and the author of The Assassins Gate: America in Iraq, a book that received several prizes. Packer’s other non-fiction books include, The Village of Waiting and Blood of the Liberals, the latter winning the 2001 Robert F. Kennedy Book Award. He is also the author
Francis Quarles, An emblem on books ‘The world’s a book, writ by the eternal art Of the great Maker, printed in man’s heart; ‘Tis falsely printed, though divinely penned, And all the erratas will appear at the end.’ I like this witty little poem. The idea is simple – just as books have their printing
We meet in the late afternoon at a jazzy little bistro near the Old Vic. I hadn’t quite prepared myself for the sheer visual impact of Anna Chancellor. Imposingly tall and wearing a simple glamorous frock, she rises to greet me. The dispositions of her face — the dimpled chin, the high cheekbones and the
By all accounts, Rory McEwen (1932–82) was a remarkable man, hugely talented in several different disciplines (artist, musician, writer) and very much loved by his friends. Grey Gowrie calls him ‘a spectacular human being’ and writes: ‘Even now, 30 years after his death, he lights up the mind of everyone who knew him.’ Renowned as
Field reports The Glastonbury Festival is once again being held at Michael Eavis’s dairy farm at Pilton, just outside the Somerset town. The venues of some other famous festivals: — Monterey: the festival most associated with the 1967 ‘Summer of Love’ was held at the Monterey County Fairgrounds, previously used for jazz festivals. — Woodstock:
That ‘bullet hole’ in your bush hat, there should have been two holes — for the truth to pass through. I think you believed your own lies, liked how they altered the light on the bullet, as it passed through. Who fired the gun? Who died? Who prayed for the victim’s soul? So many questions,
Here’s a documentary called Chronicle of a Summer. Which summer? Why, the summer of 1960, in Paris, when fag-end colonial struggles were burning away in Algeria and other parts of Africa. And how is it chronicled? An anthropologist and a sociologist, Jean Rouch and Edgar Morin, put cameras on the streets and ask questions of
We’ve heard it all before — the misery that war wreaks on everyday lives — but Lina Sinjab’s audio diary of her experiences in Syria took us right into the heart of what it feels like to be hounded out of your home, your memories, your sense of who you are and where you belong.
This week I witnessed the bloody, brutal death of mainstream television. It will, I think, go down in media history as one of those ‘Where were you when JFK was shot?’ moments. The victims were the presenters of a US breakfast television show called Morning Joe; the executioner was Russell Brand. Russell Brand? No, it’s
As someone who once raved about William Forsythe’s innovative approach to ballet and fondly admired his groundbreaking choreographic explorations, I felt let down by last week’s performance by his company at Sadler’s Wells. Things did not start badly, though. The way gestural solutions unfold and develop in a crescendo of movement variables, variants, similes and
Off to Wonka. With no preconceptions either. I’ve never seen this story on stage, page or screen and it strikes me as a dysfunctional hybrid of Oz and Twist. The show kicks off with a cartoon history of chocolate which — whoopsidaisy! — omits to mention sugar as an ingredient. We meet Charlie Bucket, an
Hummingbird is a British thriller starring Jason Statham which may be all you need to know to keep away and if it is, can’t say I blame you. Statham is the actor who rose to fame as one of Guy Ritchie’s entourage and now plays bad-ass, hard-boiled action heroes of the kind who can take