The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Ruth Rendell, it turns out, as well as being the queen of ‘adventure sex’, is a furious decentraliser. In this small book of 1989 she argues not only for devolution for Scotland and Wales but autonomy for the English regions and a ‘cantonisation’ of the UK along Swiss lines. Undermining the Central Line is nothing
The Guardian, bless it, has a super feature asking a judge from each of the Booker Prize’s 40(!) years to recall their experiences as a member of the panel. It’s a terrific read and well worth your time. (One surprise, to me at least, the amount of love shown JG Farrell’s The Siege of Krishnapur).
Lloyd Evans talks to the Donmar’s artistic director Michael Grandage about his Wyndham’s venture It might so easily have gone wrong for Michael Grandage. In 2002 he was appointed to succeed Sam Mendes as boss of the Donmar Warehouse. Mendes would be a hard act for anyone to follow, let alone a director with just
RocknRolla 15, Nationwide Guy Ritchie’s career has been in the doldrums recently. Having tried to remake Swept Away, then following it up with a Kabbalah-inspired remake of The Prisoner, he’s finally seen the error of his ways. He has now remade Lock, Stock and Two Smoking Barrels and the result, while hardly a classic, is
Tory Boyz Soho Sick Room Soho The Pretender Agenda New Players The Conservatives were once a party of proud Etonians and closet homosexuals; now they’re a party of closet Etonians and proud homosexuals. This is the background to Tory Boyz, a new play by James Graham for the National Youth Theatre which examines the shifting
Fandom can be a lonely place. If you love a band, truly love a band with that slightly teenage desperation you hope never to grow out of (until they make a substandard record and you abandon them forever), it’s a love affair like no other. Other fans may love the same band, but they love
Via Clive Davis, the Washington Post offers a list of five great unfinished novels. As you might expect The Man Without Qualities and The Last Tycoon are among those who make the cut. One that’s missing: the novel that was shaping up to be Robert Louis Stevenson’s masterpiece, Weir of Hermiston. What other novels should
Travelling Heroes: Greeks and Their Myths in the Epic Age of Homer, by Robin Lane Fox In Book II of the Iliad, Homer describes for the first time a Greek advance across the plain of Troy. Various similes are deployed to convey its impact, most of them precise and vivid, as Homer’s similes invariably are.
This strange novel is described as a ghost story, although it reads like a nervous breakdown in which both writer and reader are embedded. So constricted is the narrative that the central figure, Jim Smith, delivers no opinion of his own, although his past life appears to have been full of incident: extensive travel, a
‘The result is a minor masterpiece, so good that one can even forgive the author’s affected forays into demotic English (‘don’t’ and ‘wouldn’t’ for ‘did not’ and ‘would not’, etc.).’ Setting aside the writer’s mistake — ‘don’t’ being the contraction of “do not” rather than ‘did not’ — this sentence brought me up sharp ,
When I first experienced literary life in London it was 1955 and poor Anthony Eden was prime minister. His delightful wife Clarissa was to be seen at literary parties and, amazingly enough, still is. The great panjandrums were Cyril Connolly and Raymond Mortimer on the Sunday Times, Philip Toynbee and Harold Nicolson on the Observer,
Painting Family: The De Brays, Master Painters of 17th Century Holland Dulwich Picture Gallery, until 5 October Cecil Collins — A Centenary Exhibition Monnow Valley Arts Centre, Middle Hunt House, Walterstone, Nr Abergavenny, Herefordshire, until 14 September I must say I admire museums and galleries that put on exhibitions devoted to the revival of lost
Love and Other Demons Glyndebourne I only caught up with Glyndebourne’s newly commissioned opera at its penultimate performance. It was a courageous thing to put on a work by a composer as little known in this country as Peter Eötvös, and was rewarded at the seventh performance with a respectably full house. It isn’t a
The Duchess 12A, Nationwide The Duchess is probably no more than a most handsomely mounted costume drama which is no bad thing if you happen to like handsomely mounted costume dramas, and I do, I do, I do! Lavishly directed by Saul Dibb, whose previous work (the gritty London film Bullet Boy; the TV drama
Weddings! You couldn’t avoid them on Radio Four this week. As if Usha plighting her troth with Alan not just once, but twice, on The Archers Omnibus was not enough, those who were up early on Sunday might have been surprised to find themselves like flies on the wall listening in to the real-life wedding
Before I get on to TV, can I tell you about my horrible health-scare thing, oh, can I, can I? Right, well I’ve been having this horrible health-scare thing and I’ve been out of my mind with worry — to the point where I’ve been saying, ‘Oh, please, God, let it just be cancer…’ Very
True North: Travels in Arctic Europe, by Gavin Francis This is an old-fashioned travel book of the linear variety. Roaming the northern fringes of Europe with a tent and a nose for a story, Scottish doctor Gavin Francis looks beyond the icebergs and the stunted willow seeking ‘a back country of the imagination where myth
Why re-write Frankenstein or The Modern Prometheus as The Casebook of Victor Frankenstein? The rewriting of well-known novels generally depends upon two techniques. The first involves recasting the narrator: telling the tale from a different point of view, usually that of the historical underdog (women, servants, woodworm, etc). The second is to update the novel,
Towards the end of this hugely enjoyable volume of letters, selected and edited by the skilful Charlotte Mosley from half a century of correspondence (1954-2007), Deborah Devonshire, by now in her mid-eighties, writes a postcard from Chatsworth to her friend, Patrick Leigh Fermor, aged 90, who lives in Greece. ‘Did you know’, she asks ‘That
Fifty years ago, Alan Sillitoe’s first novel, Saturday Night and Sunday Morning, changed the history of English fiction. Richard Bradford explains how. Alan Sillitoe is 80 this year and his debut novel Saturday Night and Sunday Morning was published in October 1958, almost exactly half a century ago. The novel evolved from a set of
For five years I served on the Broadcasting Standards Council, and there I encountered a riddle whose resolution has eluded me. The BSC has passed into history. Its function was really just to exist, and by existing to provide politicians and broadcasters with a plausible answer to complaints of the kind made by the late
King Idomeneo Birmingham Osud Royal Albert Hall Last year Birmingham Opera Company imported La traviata from Verona, and performed it to huge and enthusiastic audiences. Result: the Arts Council, in its infinite malignant imbecility, axed its grant, along with that of many other institutions which survive on an annual budget that would keep one of
Time to pay tribute to New Tricks, which ended its most recent run on BBC1 this Monday. The penultimate episode had 8.9 million viewers, which meant that more people watched it that night than Coronation Street. It has a good claim to be the most popular programme on television. All of this brings much satisfaction.
Fine just the way it is: Wyoming stories by Annie Proulx The realism of Annie Proulx’s fiction is an extraordinary phenomenon. Realism in a novel has never been the same thing as plausibility, and her novels and short stories are full of bizarre and unforeseen events. The violent extremity of a great deal of her
Ararat by Frank Westerman, translated by Sam Garrett Who was Noah? The Bible tells us little. He was the flood hero of course, but what else? A drunken viniculturist who lived to the age of 950; who was 600 at the time of the flood and 500 when he fathered Shem, Ham and Japheth. His
In ‘The Arrest of Oscar Wilde at the Cadogan Hotel’, John Betjeman has Wilde whimper to Robert Ross: ‘So you’ve brought me the latest Yellow Book:/ And Buchan has got in it now:/ Approval of what is approved of/ Is as false as a well-kept vow.’ It is a marvellous scene, but not quite accurate.
Powers of Persuasion: The Story of British Advertising by Winston Fletcher The impression you get from reading this book, which covers post-war advertising until the present, is of a chaotic, self-serving, occasionally brilliant, but ultimately shallow business. It is full of accounts of crassness, of overstated promise, of meaningless awards, fly-by-night companies, promotion of the
Fishing in Utopia: Sweden and the Future that Disappeared by Andrew Brown Sweden holds a powerful allure for British men, which I used to see for myself every Friday in a departure lounge of Heathrow airport. I was part of a group of weekend commuters who met for a beer, en route to see our
Man in the Dark by Paul Auster August Brill is a widower whose leg has been smashed by a car. He lies awake at night in the house he shares with his daughter, Miriam, and his granddaughter, Katya, in Vermont. Katya’s boyfriend, Titus, has been murdered, and Miriam ‘has slept alone for the past five