The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Following the National Theatre’s hugely successful productions of His Dark Materials and Coram Boy, an epic realisation of Michael Morpurgo’s War Horse opens at the Olivier on 17 October. Originally published in 1982, the book was, the author told me, ‘the first I’d written that I thought was any good’. He has since written over
It’s tempting to think we know everything about Henry Moore (1898–1986), household name that he is. As early as the 1950s, Percy Cudlipp was composing satirical ditties for magazines like Punch with rousing first lines such as ‘Don’t do any more, Mr Moore’, which suggests an over-familiarity perhaps bordering on satiety. But it’s all too
In 1838 the Duke of Sussex was presenting the awards for drawing at the Society of Art, when the silver medallist failed to appear. His Grace complained that he was taking his time, until someone pointed out the nine-year-old Mr J.E. Millais hovering below his line of vision. The Duke patted the young prodigy on
The opera season at ENO began with a new production of Carmen. It was an occasion so dispiriting that I’ve been toying with the idea that the management had decided on provoking a mass act of critical suicide in order to solve the seemingly endless crisis that the house has been in for several years,
One of the rudest things you can ever say about a pop record is that it’s overproduced. We have all said it at some point in our lives, often before the age of 20, when you must repeatedly demonstrate to your contemporaries that you can hear the subtle differences between, say, Deep Purple and Boney
Although And When Did You Last See Your Father? is probably not a great work of cinema, and may not even be a work of cinema at all — it could easily be 90 minutes of above-par Sunday night telly — it is touching and the cast are wonderful. That Jim Broadbent, can he do
If you can, get to Macbeth. Patrick Stewart and Kate Fleetwood have set a benchmark that will remain for years. Never mind impersonating the murderous couple, these two look like the genuine article. Consider Stewart. That sly and lordly head, those inscrutable little eyes, the smirking menace, the sudden changes of temper. A king, easily,
You couldn’t move across the BBC’s airwaves this week without stumbling on an anniversary programme celebrating 40 years since the launch of Radios One, Two, Three and Four. The Corporation even laid on a self-congratulatory ‘Radio Week’ on BBC4, which seems a bit OTT to me. (Did anyone really choose to watch the ‘earliest episode
A poem At Casa Verde, five in the afternoon after Rimbaud I ripped my feet to bits walking the pilgrim trail to Guadalupe as far as Hidalgo. At Casa Verde I ordered a bottle of beer and the special: greasy tortillas, fried cactus, chillies con carne. I cooled my feet on the dirt floor under
So the big question this week is: is the Today programme a viper’s nest of evil pinkoes, all of whom should be put in sacks and dropped into a deep well? And the answer is: yes. Shame, though, really, because wrong and bad though it is I do have a soft spot for Today. I
The wedding of the author’s wing-woman The HBO drama Sex and the City arrived on our shores in 1999. Prior to that television show, it would be fair to say, British women (and, for that matter, men) were fairly clueless when it came to matters of grown-up ‘dating’. Sex and the City offered a stylish
Your weekend essay question comes from Blood and Treasure: It always struck me that the antonym of Ayn Rand is PG Wodehouse. In Wodehouse world, it’s the servants who have all the brains, do all the work and generally carry everybody else. If Jeeves shrugged, society would collapse. Who is John Galt? Bertie Wooster, that’s
It’s a dangerous business, oral history, at least when you try it in Russia. Without oral history a complete history of the Soviet Union is almost impossible to write. Archival documents are dry, containing only the official point of view; memoirs, often written years later, are unreliable and frequently slide over important details. In an
Attempts to anatomise the Bright Young People of the 1920s have included Beverley Nichols’s The Sweet and Twenties (1958), Martin Green’s Children of the Sun (1977) and Humphey Carpenter’s The Brideshead Generation (1989). Osbert Sitwell called Nichols the first of the Bright Young People and Nichols claimed to be the last of them. D. J.
In May this year Scotland had an election for its parliament. I was in London a couple of months earlier and was surprised by the blank stares with which some of my English friends greeted my remark that we were facing a very interesting political situation north of the Border. Some people, it seemed, did
It is a commonplace to say that novelists should be judged by their work rather than their private lives or their publicly expressed views. And writers, of course, subscribe enthusiastically to this idea. It is true that it is usually for their books that novelists reserve their most considered and ordered thoughts; but the fact
In her introduction to this extraordinary memoir, Etti Plesch warns the reader that the life she is about to describe will seem unfashionable as it contains no ‘stories of great suffering’. True enough. As recounted in Horses & Husbands, Etti’s 99 years seemed to have been passed at a level of luxury and self-indulgence almost
Jennifer Johnston is adept at economy. Here is a short novel in which the eight characters are introduced one by one, with minimum fuss — some dialogue, a brief reference by someone else — and their complex relationships obliquely revealed. Complex indeed are these connections. ‘I am gay, bent, queer, homosexual, call it what you
Piers Brendon does not much like the British empire. In over 650 pages of closely researched, patronising disdain he uses his Stakhanovite labour to perform a smug hatchet job on empire- builders, administrators and the British military. He warns us in his introduction what to expect: ‘Less emphasis is placed here on triumphs than on
This could have been a wonderful book. Take a scene from it which could so easily have been the start of a film. It is the 1920s, and in the garage of a large stockbroker’s mansion in the Home Counties two youths, the spoilt and jobless sons of a rich man, are noisily tuning a
The Christmas book market is about to be flooded, if that’s the word for these somewhat juiceless jottings, by not one but two biographies of the actress Coral Browne. This dual assessment is perhaps just as well, as quite clearly there were two Coral Brownes, one a witheringly witty, ravishing (in the early 1960s she
In this his latest book Max Hastings aims not so much to write another history of the war in the Pacific but to describe ‘a massive and terrible experience, set in a chronological framework’. It is a companion volume to his Armageddon which did much the same for the last phase of the war in
I share with Richard Mabey a love of trees. Beechcombings begins with the great storm of 1987, although Mabey’s love of trees has its origins in his childhood in the Chilterns. The childhood romance shines through. Trees were family. When I had the privilege of being Member of Parliament for Henley, and so the Stonor
Some writers have the ability to poison one’s daily existence. James Salter, I have discovered, is one of them. To read him is to be painfully reminded of how mundane, how blurry, how fatally lacking in glamour one’s own life is. Still, if you can hold such feelings at bay, reading him is also an
The following extracts are from The Blind Eye: A Book of Late Advice: Please don’t be misled by the apparent self-certainty of these utterances; be assured that after each one I nervously delete the words but that’s probably just me, right . . . I can see exactly what not to do at the moment.
A Journey into God is one of four books by Delia Smith on the subject of Christian spirituality, the others being A Journey into Prayer, A Feast for Lent and A Feast for Advent. Delia journeys into God painfully aware of her own lack of recipes. She takes the apophatic approach, describing God as what
Christopher Hitchens’ piece in this month’s Vanity Fair is quite something. Mark Daily, a young officer in the Seventh Cavalry, volunteered for the army despite his reservations about the wisdom of the war in part because some of Christopher’s articles inspired him to do so. Hitch’s latest piece reflects on that heavy burden (shared to
I’m certainly not suggesting that any of the political parties follow this particular source of inspiration but if you want to see, terrifyingly clearly, exactly where Hitler got a great many of his ideas about military parades, civic display and how to combine an appealing brand of paganism with symbolic Christianity, look no further than
A huge screen behind the stage at the Dorchester Hotel yesterday showed Montserrat Caballé singing for a hot-dog in a café. Sadly, she wasn’t there in person to collect the Lifetime Achievement award at the Classic FM Gramophone Awards. Neither was Steven Isserlis present, but his friend Barry Humphries — in the wittiest speech of