The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
New Hall women always struck male Cambridge undergraduates as being a bit otherworldly, living in their weirdly designed college where the staircases had alternate steps for left and right feet, which ought to work but doesn’t. Possibly few of them had ever watched television, which is why only five — the minimum of four players
Rupert Christiansen Recently I’ve had the good fortune to review three works of magisterial scholarship in these pages — John Haffenden’s William Empson: Among the Mandarins (OUP, £30), Philip Gossett’s Divas and Scholars: Performing Italian Opera (Chicago University Press, £22.50) and Patrick Carnegy’s Wagner and the Art of the Theatre (Yale, £29.95). Because they run
He was visited only by his children and grandchildren and one or two very old friends, complained Tommy Lascelles a few years before he died; apart from that, ‘I only see some of the young scribes, who, poor boys, think my opinion of their writing is worth getting, e.g. Philip Ziegler and C. Douglas-Home.’ Lascelles
Simon Barnes, the brilliant writer about sport and nature, would never claim he has had much influence. No, he would say with a journalistic shrug, influence? Me? Of course not: I merely describe, amuse and draw attention to significant events. But his sportswriting, some of it for The Spectator, has been so original and insightful
It is curious that despite Spain’s immense services to the Roman Church — expelling Islam from Western Europe over half a millennium of hard fighting, then opening up the Western hemisphere to Catholicism — only two Spaniards have become pope, and both were Borgias (Alfonso de Borja, who reigned as Pope Calixtus III, 1455-8, spelt
On paper, Adam LeBor boasts excellent credentials for writing about what is at best the spine- chilling failure of the United Nations to prevent modern genocide and at worst its active complicity with evil. He reported on the Yugoslav wars for both the Times and the Independent, his empathy with the victims of slaughter leaps
Were you to look up the word ‘peripolitan’ in the Oxford English Dictionary, you would not find it. Though the thing weighs three tons and preens itself on containing every word jotted in English since the language first dragged itself out of the primordial alphabet soup, peripolitan is not there. This irritates me no end,
Two summers ago at La Rondinaia, during one of those last evenings before he flew from his sky-high eyrie for the last time, Gore Vidal advised me to read the 19th-century memoirist Augustus Hare’s The Story of my Life, an author with whom he felt great affinity. ‘And read all six volumes, too’, he added.
Rosemary Ashton has rather cornered the market in dissecting the lives of the intellectual movers and shakers of early Victorian England. She has already written well about the Carlyles, and about George Eliot and her lover G. H. Lewes. Now, all these and more have walk-on parts (rather more than that in Miss Eliot’s case)
So far as Robert Craft is concerned, Stravinsky represents a mine of limitless resource. Having spent the last 23 years of the composer’s life serving him as fan, friend, conductor, associate and general reviver of spirits, virtually as a member of the family, he remains the most loyal of servants, righting every wrong, fighting every
We were in a Béarnais restaurant in Montmartre and a young Canadian novelist and short story writer, Bill Prendiville, was speaking admiringly about Hemingway. This was pleasing, because you don’t often hear him being praised now. It was also appropriate, because most of the good early Hemingway was written in Paris, and the best of
Michael Tanner looks forward to the Mariinsky Theatre’s Ring cycle in Cardiff A complete production of Wagner’s Ring cycle is always a major cultural event, especially if it is done on four consecutive evenings, so that the great vision of the work takes possession of the spectators’ consciousness as well as of their waking time
‘I am going to work to the best of my ability to the day I die, challenging what’s given to me,’ the American artist David Smith told an interviewer in 1964. Tragically he was killed in a car crash the following year, and one of the most original and inventive of 20th-century sculptors was lost,
Sheffield seems to be in a constant state of redevelopment. Last time I went, the Millennium Galleries had just opened; now they’re already history, overtaken by newer developments that have turned the walk from the station into a rat maze of roadworks. But the maze is worth negotiating for the reward of Art at the
The title of this absorbing, stylishly laid-out exhibition is possibly a misnomer. Extensive it is, but photo-journalism is largely excluded. Thus, except for Henryk Ross’s startling snapshots of a 1940s Polish ghetto and Emmy Andriesse’s stark conspectus of famine-ravaged wartime Amsterdam, plus uneven forays into Berlin or late Soviet Russia, the exhibition touches on politics
The subtitle ‘Artist, Author, Word and Image in Britain 1800–1920’ sets out the aim of one of those curator-inspired delvings into the vast stock of a great and fairly ancient museum. It repays several hours of study as the devil, as so often, is in the detail. The Fitzwilliam — unlike many other, larger art
You won’t find a grander monument to failed marriage than the Mount, the New England picture-book palace built by Edith Wharton a century ago. Wharton was a house and garden designer first, a novelist second. She wrote The Decoration of Houses in 1897, almost a decade before she embarked on the novels. Belton House in
The journalist and broadcaster Danny Baker recently admitted that, getting on in years, he listens to almost nothing these days other than country music. I can see the appeal. If the relentless artifice of most pop music doesn’t wear you out, its sheer unbridled energy is sure to. Fortunately, the term ‘country’ now embraces a
Just as embroiderers working in the late 11th century will not have appreciated the achievement that was the Bayeux Tapestry until they stood well back at the finish, so garden writers are usually too caught up with describing the details of individual gardens to consider the overall magnificence of ‘the English garden’. It was not
Before I go on, can I just ask: do any readers share my concern about the scrawny bum on the girl on the new Nokia billboard poster ad? For those of you who haven’t seen it, it shows a naked couple running, carefree, through the surf along a long, empty Atlantic-style beach. The chap’s backside
What is it about fruit? There is no more searing passage in the memoirs of Auberon Waugh than the bit when three bananas reach the Waugh household in the worst days of postwar austerity and Evelyn Waugh places all three on his own plate, then before the anguished eyes of his three children ladles on
This is a huge book. Crikey, it’s a whopper. It’s impossible not to won- der, as you hold it in your hands and try your damnedest not to drop it on your foot, whether its author, for all his fame and eminence, is quite worth all this ink, paper, attention. And this is just the
Grumpy grand-dads do their job best when, behind the façade, they pretend to be really loveable. Michael Bywater, who accepts the irritating label of ‘baby boomer’ (born 1953), makes no pretence of loveability. Instead he is very, very funny. ‘Something has gone wrong,’ he says, and he knows what it is; the nannying that we
The central and the longest part of this all too brief memoir concerns a boarding school in Scotland, the Benedictine Abbey of Fort Augustus. The day-to-day atmosphere of the school was philistine, though the Abbey was not … Most of the boys were Scottish thugs or colonial expatriates, and some of the masters seemed to
A great many unspeakable things happen in the course of Cormac McCarthy’s brilliant, distressing new novel. But the worst, the most unspeakable, has already taken place. We are not told precisely what that thing was. McCarthy is content to leave it ill-defined (‘a dull rose glow in the window-glass’ at 1.17am, when the clocks stopped
‘When you reach your seventies,’ mused a once successful actor, ‘you either don’t work anymore or you’re Leslie Phillips.’ Indeed Phillips’ career has been, and still is, something of a phenomenon, and not only his career in the theatre. His great secret from childhood onwards has been continual self- reinvention. Starting life in extreme poverty
Lee Jackson is the creator of that cornucopia of Victorian delight, the Victorian London website (www.victorianlondon.org). From Mogg’s Strangers’ Guide to London, Exhibiting All The Various Alterations & Improvements Complete to the Present Time, produced in 1834, to mortality rates in various parishes in London in 1894 (26.8 per thousand in the overcrowded slums behind
Tariq Ali, the Johnny Depp of international comment, sails out in this little barque, gaily fitted out by the New Left Review, to assault the top-heavy galleon Washington Consensus, as she labours leaking through the South Seas and the Spanish Main … On the jacket, above three pirate ships anchored off Wall Street and bundles
‘I don’t want to act with you ever again,’ Katharine Hepburn told John Barrymore after appearing with him in A Bill of Divorcement. ‘I didn’t know you had,’ came the smart rejoinder. Hollywood stars divide into those who do and those who are. The divine Kate, with her sawn-off cheekbones, narrow eyes and weird Yankee