The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The best-known exchange between artist and royalty must be George VI’s celebrated remark to John Piper, who had been painting the castle and surrounding parkland at Windsor: ‘You seem to have had very bad luck with your weather.’ It was the early 1940s, and Piper had invested his watercolours with a brooding quality he no
Recently the Canadian Broadcasting Corporation interviewed me about some of my views on Wagner, as part of their featuring the first complete Ring cycle to be performed in Canada. In the course of the interview, I was asked how I would like to see the Ring and Wagner’s music dramas in general staged and produced,
These have been trying times for itinerant musicians. Anybody who had already built up a dislike for the way airport staff are entitled to treat their customers would have found the recent situation testing to the point of phobia. To be fair, my fellow-citizens showed remarkable good humour in those endless and often directionless queues
It is with great sadness that we heard of the sudden death of Michael Vestey on Friday. For more than ten years, he had been The Spectator’s radio critic — indeed the first and only one. His column was perceptive, authoritative, witty, sometimes caustic and opinionated, but always immensely readable. We asked him to file
Since every mafiosi’s favourite movie is Goodfellas and favourite TV programme is The Sopranos, I suppose similar rules apply to Islamic terrorists and Sleeper Cell (Channel 4). Probably, every Wednesday night secretive groups of sinister bearded men all over Britain tune in in the eager hope that this will be the episode when scary Faris
In The Master, a fictional portrait of Henry James, Colm Tóibín constructed a convincing and ultimately moving account of a man who craved — albeit ambiguously — emotional distance. His life is shown as balancing between a yearning for and shrinking from personal intimacy; involving what can be seen as a ‘betrayal’ of the world,
With apologies to Antic Hay, if you can have biography and biology, why not biosophy? Or biolatry, biotomy, bionomy and biogamy? The need for these neologisms is prompted by this extraordinary childhood memoir which combines adolescent intensity with a search for salvation, a hot glorification of life with its cold dissection, and the trade and
It’s that time of year again, the last week of August, and people are already jockeying in order to cash in a year from now, the tenth anniversary of Diana’s death. Tina Brown, a lady who would dumb down Big Brother, was first out of the blocks, her book promising to reveal unheard-of-before secrets. Incidentally, Tina Brown never met
That eminent Victorian George Frederick Watts — Strachey thought of including him in his seminal study but was sadly deflected — is at last undergoing something of a revival. In his lifetime one of the most famous of contemporary painters (though his works never sold for quite the vast sums realised by Millais or Burne-Jones),
When people use the word ‘journalese’, they always do so pejoratively. They are not thinking of James Cameron, Bernard Levin or Walter Winchell. They mean a style that traffics in clichés. The poet B. I. Isherville has derided that kind of writing: Where every heresy is rankAnd every rank is serried;Where every crook is hatchet-faced,And
The Gallery Press, Loughcrew, Oldcastle, Co. Meath, Ireland, www.gallerypress.com ‘August for the people and their favourite islands,’ wrote W. H. Auden in a poem from his early Marxist phase. This holiday season brings from our adjoining island a parcel of poetry better suited to Christmas or some elate private festival, a salvation of riches. Literary
It has often been said that the popularity of J. M. Barrie stands as a warning to those who think they understand the Edwardians and much the same is true of Tom Moore and the Age of Romanticism. With the exceptions of Byron and Scott, Moore was by far the most successful literary figure of
If you haven’t been abroad so far this summer, go and see Pedro Almodóvar’s Volver — it will have almost as invigorating an effect as a weekend in Spain. To see it is to be immersed in a strange and likeable culture, populated by agreeably batty characters whose tale is completely absorbing. So absorbing, in
With a characteristic combination of scholar, impresario, programmer, accompanist, Graham Johnson’s latest set of three CDs explores as an appendix to Hyperion’s complete Schubert songs edition some forebears, parallels, overlaps and influences, to indicate an inviting background landscape. Songs by Schubert’s Friends and Contemporaries could have been merely an exercise in context, and this would
Veiled roman-à-clef novels of this kind are routinely hyped by their publishers as being certain to cause uproar and mayhem. Often they do nothing of the kind and pass almost unnoticed. Rachel Johnson’s acerbic and well-observed bitch-up of life on a Notting Hill communal garden justifies the copious pre-publicity, and I can report that early
We are still living with the images and legends of the crusades. Were they, as the 18th-century Scottish philosopher David Hume wrote, ‘the most signal and durable monument of human folly that has yet appeared in any age or nation’? Were they, as muscular Christians and imperialists suggested in the 19th century, a matchless epic
The Sixties are there in the first sentence of the first chapter of this social, political and cultural history of the decade: On the first day of October 1963, as the earliest whispers of dawn were edging across the cliff tops of the Yorkshire resort of Scarborough, the new leader of the Labour party nervously
‘No thanks. Too much sex.’ Thus an elderly friend dismissed my offer to lend him John Stubbs’s compendious biography of John Donne. His fears are groundless. Stubbs tells us virtually nothing about the paramours who inspired Donne’s youthful poems, partly because no new information is available and partly because the poet’s exquisite testimony on the
Waiting for the second volume of a good biography is a painful process. I feel very sorry for anyone who read Brian McGuinness’s excellent Young Ludwig (part one of the life of Wittgenstein) when it was published in 1988. The philosopher’s exciting story broke off in 1921 and fans have been left dangling ever since
Forgery in painting has enjoyed a long history of scandal and from time to time spills more ink than paint, in part because we all enjoy reading about an art expert or moneyed person getting taken in by a fake. Our pleasure derives from that cocky-smug common-sense feeling that no painting is worth the prices
Since 2003, the National Gallery has been organising a series of annual exhibitions in partnership with Bristol’s City Museum and Art Gallery and the Laing Art Gallery in Newcastle. (Readers will perhaps recall previous themed shows: Paradise, Making Faces and last year The Stuff of Life.) This initiative has proved so successful that the programme
The story so far of the RSC’s Complete Works marathon has been largely that of performances, some wonderfully rich and strange, coming in from abroad. Unable to spend an entire summer camped out in Stratford, I have still to catch up with some of the reputedly stronger offerings by the home team. But even the
It is a curious thing to watch Christian Bale now, having seen him all those years ago in Empire of the Sun play that fierce, hurt boy Jim Graham, whom no amount of deprivation seemed outwardly to wound, but who bled on the inside like the Spartan boy with his fox. The qualities of that
Only if you have spent the last few months living in a remote corner of Chad will you not have noticed that this year marks the centenary of Sir John Betjeman’s birth. We have already seen telly programmes, church restoration appeals, commemorative CDs of his readings, Cornish cliff walks and special outings on West Country
‘I am entirely against the promotion of a sense of humour as a philosophy of life,’ wrote Kate O’Brien, with just that chilling aloofness that marks out her two heroines in The Land of Spices. Mère Marie-Hélène, Reverend Mother of the convent school of La Compagnie de la Sainte Famille in Mellick (a fictionalised Limerick),
I wonder how much my enthusiasm for Alexander McCall Smith’s stories about Precious Ramotswe, the founder of The Ladies No. 1 Detective Agency, came from reading them while in a French hospital recovering from an emergency operation? Grateful to be transported from my hospital bed to Botswana and find myself in her company I wouldn’t have
The front cover shows a mature English beauty in an Oriental doorway, elegant in a turban, with twinset and pearls. On the back is a Country Life portrait of a radiant English rose. Both are Ann Allestree, who for 30 years supped at the high table of grand society, travelled, and set down her impressions.
Professor Kennedy is a decent liberal who hopes for the victory of the brotherhood of man. He begins this study of the UN, its history, successes, failings and prospects for reform by quoting Tennyson’s ‘Locksley Hall’: Till the war-drum throbb’d no longer, and the battle-flags were furl’dIn the Parliament of man, the Federation of the
In 1961, when he was 62, Ernest Hemingway shot himself. Almost half a century later, this bombastic, vainglorious, paranoid man, whose writing captured the minds not only of his own generation but of all subsequent ones, still exercises a powerful attraction for biographers. Though no one has yet written a better account of Hemingway’s unhappy