The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
The premise of John Sutherland’s new book is that many people wrongly think of reading as an all-or-nothing ability, like, say, tying one’s shoes: either you can do it or you can’t. Such people would no doubt consider a book about how to read a novel as irrelevant as one titled How to Eat Crisps
The arc and light and breadth and nothing kempt,Flat shining fields of sand, the shallow-carvingTigris and Euphrates of the beach streamsWhere individual flying grains are seen,The wet compactions out of which grew keepsI slopped moat water on at the end of the day,Playing decay and knowing I was loved,Coves where my face would drop past
Sir John Soane is London’s lost architect. You can visit his museum in Lincoln’s Inn Fields, and the picture gallery he designed at Dulwich. But since his death in 1837 his greatest masterpieces have gone. The Victorians demolished the law courts at Westminster, and the glittering royal entrance to the House of Lords. The RAC
Cry Shame (1950) by Katherine Everard Cry Shame! is the torrid tale of a 13-year- old girl who leaves home to become a dancer: in her brief career she learns things she is too young to know, runs off with a man four times her age, assiduously breaks the seventh commandment, has an affair with
The Grade I listed Queen Anne townhouse in North Pallant in the city of Chichester, for the past 20 years the home of Walter Hussey’s collection of modern British art, has been closed while undergoing a major extension project. I have been following the fortunes of Pallant House since the late-1970s, when I lived locally.
In a change to the scheduled programme, I will not be reviewing Lady in the Water (PG) this week because it simply doesn’t deserve 800 words of either praise or damnation. Actually, I will just give it a little review: it’s ridiculous and awful. Mr M. Night Shyamalan, you should be ashamed of yourself. There.
Anyone interested in the history of Germany, of nationalism or of dynasties will be gripped by this book. Born at the start of the 20th century, heirs of an ancient German dynasty, Princes Philipp and Christopher of Hesse-Kassel were good-looking, modern young men. English was their second language, Queen Victoria’s liberal daughter the Empress Frederick
On an autumn Saturday in 1944 Private Robert Prentice, an 18-year-old rifleman trainee, makes a long journey from his camp in Virginia to New York City, to see his mother. He is soon to be sent abroad, France most likely, and there he’ll see action, which will at least be a change from tedious, thankless
Kate Atkinson’s previous novel, Case Histories, was a successful experiment in crime fiction. One Good Turn is its sequel. In the first book, which was set in Cambridge, Brodie Jackson was a standard-issue private eye — ex-army, ex-police, with a broken marriage and a penchant for country music. Now, thanks to a £2 million inheritance
‘Nothing was over. Nothing is ever over.’ Thus muses Humphrey Clark as he travels towards the small windswept northern port of Finsterness, scene of formative childhood holidays. Humphrey, a reclusive marine biologist, is on his way to collect an honorary degree. Much more significantly, at Finsterness he will re-encounter Ailsa Kelman, his childhood companion and
Before the fire, before the ash, before theBodies tumbling solitary through space, oneThin skin of glass and metal met another….Two man-made behemoths joined in a fatal kiss. Although this poetic and deeply philosophical expression of the author’s love (no other word will suffice) for the Empire State Building ostensibly celebrates the 75th anniversary of the
In one of P. G. Wodehouse’s stories the attempts made by Oliver Sipperley, editor of the Mayfair Gazette, to inject some pep into the mag are hampered by poor old Sippy’s inability to ward off unwelcome contributions from his formidable prep school headmaster on recondite classical topics. I experienced not dissimilar difficulties when editing the
Early in January 2000 the art historian T. J. Clark arrived in Los Angeles for a six-month stint at the Getty Research Institute. He was fortunate to see, in the Getty Museum, two great pictures by Poussin, the Getty’s ‘Landscape with a Calm’ and the National Gallery’s ‘Landscape with a Man Killed by a Snake’,
When Prince Harry stirred up a fuss by wearing Nazi uniform to a fancy-dress party he found a gallant defender in Paul Johnson who wrote that ‘in treating Nazi insignia as a party joke’ the young prince ‘reflects the instincts of his generation’. ‘The Nazis,’ he added, ‘do have an undoubted fascination for many young
, Oskar Kokoschka (1886–1980) was born in Pochlarn, Bohemia, studied in Vienna, enlisted in a smart cavalry regiment at the outbreak of the first world war, got shot in the head and bayoneted, went back into action after a spell in hospital in 1916 and suffered shellshock. He had a stormy affair with Mahler’s widow
The German painter Albert Oehlen (born in Krefeld in 1954) is of the same generation as the infamous Martin Kippenberger (1953–97), recently celebrated so lavishly at Tate Modern. They were good friends and collaborated on various projects, including jokey mottoes on ‘I Love…’ stickers and poems. Both were of that group of German artists who
The Bolshoi Opera’s production of Boris Godunov, which they brought to Covent Garden last week, is in almost all respects in a time warp, though it turned out to be a most agreeable one. For the first time in many years, we were able to hear Rimsky-Korsakov’s version of the opera, which has been so
I’m such a dunderhead. Everyone told me that Miami Vice would be rubbish, and I kept replying, ‘No, no it won’t; you see, it’s directed by Michael Mann and he’s brilliant. He made Manhunter, Heat, The Insider and Collateral…it’s going to be great.’ People said, ‘But it’ll be naff and embarrassing, with spivvy hairdos and
It must be a nightmare when you spend weeks making a current-affairs programme only to find that days before it’s broadcast the subject you’ve been exploring is turned upside-down. That’s what happened to Radio Four’s Inside Money, the sister programme to the excellent Money Box, almost a fortnight ago (Saturday, repeated Monday last week). The
ZABIBA AND THE KING (2000) by Saddam Hussein The first of several novels by the world’s bestselling war criminal, Zabiba and the King is a clunking allegory in which the king represents Saddam, Zabiba (a beautiful maiden) represents the Iraqi people, and Zabiba’s abusive husband represents the USA. Most of the book is presented in
Something is eating away at Father David Anderton, the narrator of Be Near Me, a novel as beautiful and perfectly pitched as its title. An English priest working in the Scottish parish of Dalgarnock, he is afflicted by ‘a large private sense of wanting to depart from the person I had always been’. Not his
Scholars who want to accuse others of ignorant obscurantism have long taunted them with the phrase lucus a non lucendo. This is supposed to exemplify the stupidest kind of concocted etymology, and here it is in Book XVII of Isidore’s stout old compilation: ‘A “sacred grove” (lucus) is a dense thicket of trees that lets
Born in 1965, Howard Sounes was scarcely out of short trousers by the time that Margaret Thatcher took power and kicked us out of the mire of complacent consensus and began to crush the tyranny of the unions. Perhaps his vivacious and enjoyable new book about the culture of the Seventies does romanticise ‘a low
First and most importantly, Hugh Thomson is a good thing. It takes a rare combination of scholarly focus and Boys’ Own derring-do to write books about adventuring in Peru (this is his third) which consistently rise above the level of backpackers’ companions, and convey not only Thomson’s great knowledge of the ancient civilisations of the
You know the famous story about Freud and Einstein? Freud writes to Einstein, sending him one of his books and asking for his opinion of it. Einstein writes back, saying he enjoyed the book very much, that he thought it was outstanding, exemplary even, but that, alas, he was in no position to judge its
Europe thinks ‘that to achieve peace no price is too high: not appeasement, not massacres on its own soil, not even surrender to terrorists… Europe is impotent. A foul wind is blowing through [it]… the idea that we can afford to be lenient even with people who threaten us… This same wind blew through Munich
Craig Murray, formerly Our Man in Tashkent, was not your average ambassador. He put the wind up the Uzbeks with his uncompromising position on President Islam Karimov’s unspeakably grisly human rights record. This is the country that infamously boiled a dissident to death and then sentenced his mother to six years of hard labour when
Novels narrated in the first person by dysfunctional adolescent boys are no rare thing. Nor is there a yawning gap in the market for novels detailing the squalor and eccentricity and thwarted dreams of life in 20th-century Ireland. I opened Carry Me Down, therefore, with a sense of weariness in advance. But I found that
It was Peter Fleming who noted a principal difficulty for the traveller in the 20th century. There were no journeys to be made, he said, that had not been made already, and he knew that in anything he chose to do, ‘other, better, men’ would have gone before. Under such circumstances, ‘only the born tourist