The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
W.S. Gilbert’s parody of Oscar Wilde, Reginald Bunthorne, wanted to make a minor scandal with his belief that ‘art stopped short in the cultivated court of the Empress Josephine’. In 1881 he was prophetic, although taste took at least 50 years to catch up. The English equivalent of Empire, the Regency period, has exerted a
Andrew Roberts on Feliks Topolski’s dramatic work of art, which is in desperate need of repair Adjacent to the Royal Festival Hall on the South Bank under Hungerford Bridge are some Victorian railway arches which house one of the strangest, largest, most dramatic and most moving works of art in London, a painting that is
From her earliest years, one attribute dominated Bernice Rubens’s life: passion. It fuelled her impressive books, her personal relationships and her reactions to the world around her. It expressed her innate generosity of spirit, but could also deprive her of the ability to consider any viewpoint contrary to her own. Of such passion there is
By a fortunate coincidence these books treat the same subject: old age at the mercy of time, the ‘blind rider’ of Goytisolo’s title. Ageing is a matter of temporary victories and final defeats. At 75, you can succeed in getting on your horse by using a mounting block and shortening your nearside stirrup leather; at
Going to Italy for his latest book, Jamie’s Italy, Jamie Oliver is, in a sense, coming home. Though he learnt to cook in his parents’ pub in Essex, all his early professional experience was in restaurants serving good, authentic Italian food. He worked for Gennaro Contaldi, Antonio Carluccio and, of course, at the River Café,
Early one morning in August 1826 two men stood facing each other 12 paces apart in a sodden field a few miles outside Kirkcaldy in Fife. One man was a linen merchant named David Landale, the other was George Morgan, his banker. At the words ‘Gentlemen are you ready? — Fire!’ two pistol shots went
James Burnham and the Managerial Revolution (1946)by George Orwell Managerial revolution? What next? The Seven Habits of Highly Effective Polem- icists? Luckily, no. This is the cover of a rare pamphlet by Orwell on the American political theorist James Burnham, who in 1940 wrote The Managerial Revolution, in which he speculated that the heirs to
A light moment in the preliminary stages of learning Turkish is to discover that the word in that tongue for ‘talking nonsense’ is fart. Later on one finds that the Turkish for ‘violin bow’ is arse, though these facts alone are not always enough to carry the student chortling on to complete mastery of the
The Stranger House by Reginald Hill (HarperCollins, £12.99) is not a Dalziel and Pascoe detective novel but a highly enjoyable gothic confection. Two strangers are brought reluctantly together in the village of Illthwaite in Cumbria. Sam Flood, a small, red-headed Australian woman of 24, is about to take up a post at Cambridge as a
Twenty years ago, gardening books never made it to the coffee table. The reader had to supply the glamorous illustrations. It was a bit like the difference between listening to the wireless and watching telly. I remember Mark Boxer, who was a publisher then, saying, ‘Once garden books start using pictures, they will sell in
Robert Salisbury It is difficult to look beyond three biographies this year: Jung Chang and Jon Halliday’s Mao (Cape, £25), William Hague’s Pitt the Younger (HarperCollins, £8.99) and Max Egremont’s Siegfried Sassoon (Picador, £25). Mao is a standing indictment not only of Mao himself but also of the self-hating Left of the Sixties and Seventies
In my view, and I think that of a fair proportion of opera goers, Madam Butterfly occupies a unique position in Puccini’s oeuvre. None of his other operas can seriously be entertained for tragic status, but Butterfly can and should be. Because its idiom is instantly recognisable, it is easy to assimilate it to the
If there’s one exhibition Tate Modern has mounted which needed the attentions of a sympathetic designer it’s this one. Never have such vibrant paintings begun to seem so dull, displayed to disadvantage on the drab, no-colour walls of the unsympathetic boxes of the temporary exhibition galleries on Level 4. There’s something intrinsically disheartening about the
Simeon Solomon ‘has his place, not far from Burne-Jones, in any record of the painting of the 19th century. Had circumstances been kinder to him, or had he been other than himself, he would have been a formidable rival,’ wrote Arthur Symons in 1925. This Birmingham exhibition is the most comprehensive assessment yet of Solomon’s
Now obviously in the light of last week’s column I did try to find a subject this week which had to do with something other than war. But then I looked in the schedules and saw that there was one documentary on about the Somme and another about the city of Benares, and that was
It’s five o’clock on a November evening, and I’m leaning over a balcony watching a pipe band parading in the concourse below. But it’s not the chill of a Scottish autumn I’m feeling, rather the mildness of autumn in Japan — and the pipers are not Scots, but Japanese members of the Tokyo Piping Society
Public visits to the sewers of Vienna are rare: the clammy atmosphere can cause breathing problems. Nevertheless in 1994 I visited them with a local Graham Greene enthusiast, Brigitte Timmer- mann. Greene’s darkest entertainment, The Third Man, ends with a shoot-out in the Vienna sewers and the death of the penicillin racketeer Harry Lime. With
As far as love affairs go, the relationship between British travel writers and Islam has been both intense and long-lasting. From Orientalists such as Richard Burton and Edward Lane installed à la turque in 19th-century Cairo and Damascus to Wilfred Thesiger in the Empty Quarter, Bruce Chatwin in Sudan, Colin Thubron in Syria, Jan Morris
The people in Rose Tremain’s brisk short stories tend to be hooked on highly symbolic artefacts. Thus the East German border guard of ‘The Beauty of the Dawn Shift’, cycling off to illusory salvation in Russia, takes with him a solitary lemon, ‘a precious possession’ turned up in an otherwise fruit-free grocery store. A middle-aged
The Amazon can drive you mad. In Werner Herzog’s cult movie Aguirre: Wrath of God, Klaus Kinski affected a crazed stare that bordered on self-caricature. But the real-life explorer he portrayed was a first-class, unquestionable, copper-bottomed maniac, who systematically murdered his companions, as they drifted downriver in torrid, febrile paranoia in 1560. He recast himself
Without the existence of ‘apparently [my italics] sophisticated circles’, which the great historian and poet Robert Conquest also calls ‘an intellectually semi-educated class’ (soon abbreviated into just ‘cerebral jellies’) his latest book would never have been written. For its express purpose, he avers, is to tease ‘these misinformed strata’ — yet another description — into
Because the Times is, or was, a newspaper like no other, it has enjoyed the distinction of successive volumes of official history. The last, written by John Grigg, covered the years 1966 to 1981, when the Times was bought by Rupert Murdoch. Volume seven, entitled ‘The Murdoch Years’, takes us up almost to the present
In his old age John Ruskin lamented, ‘I have made a great mistake. I have wasted my life with mineralogy, which has led to nothing. Had I devoted myself to birds, their life and plumage, I might have produced something worth doing.’ Here are two bird books which have been eminently worth doing. Both are
In the mid-1930s, the poet Ogden Nash visited a rodeo, where the star attraction was a handsome cowboy parading with his wife and son. ‘This is Monty Montana,’ the announcer declared, ‘who is a great example to American young men and young women. He has never smoked a cigarette, he has never touched liquor.’ Nash’s
A selection of the best and worst books of the year, chosen by some of our regular contributors Jonathan Sumption Niall Ferguson’s Empire: How Britain Made the Modern World (Allen Lane, £25) is a marvel of objective iconoclasm, much better than the associated TV series, which presents one of the world’s great liberal empires without
Michael Tippett’s first opera The Midsummer Marriage is so great that one can afford to admit that it isn’t perfect. He tries to do too many things in it, and so despite its considerable length — three full hours of music in the Royal Opera’s revival of the 1996 production — there is a sense
Since taking on this job four years ago, I’ve reviewed 289 plays of which, perhaps, 50 have been worth seeing. Of these, only about ten have been truly outstanding and, of these, only five as close to perfection as it’s possible to get in the theatre. Pillars of the Community, a full-scale production of one
Some dance works age, some don’t. Yet it is difficult to pinpoint the factors that bestow immortality on something as ephemeral as ballet. In the case of Kenneth MacMillan’s Manon, however, timelessness stems mainly, though not exclusively, from a masterly woven dramatic layout; it is through the possibility of diverse interpretative readings that the ballet