Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The Orwell of Notting Hill

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Roy Kerridge is conservative in attitude, he loves the works of Kipling and he enjoys the company of those whom he describes as of the African diaspora but would rather not call blacks. His affection for that race may have originated with his West African stepfather; he has certainly spent much of his time in

Driving on a dark night

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Ken Nott is the most annoying man in England. It’s his job (he’s a shock jock, a prime-time talk-radio DJ), and also his hobby (he’s unfaithful to his girlfriend, has bedded his best mate’s wife, and, worst of all, likes to take his controversial opinions into the pub with him). And then, just when you

Putting it all in

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Not for nothing has Jeffrey Eugenides, on the strength of just one novel published seven years ago, been cropping up again and again in magazine lists of the top 10 or 25 young novelists in America. He has spent all these years in seclusion in Berlin cooking up a very cunning solution to the notorious

A poet under strict controls

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This vast work has the distinction of being both unreadable and unputdownable. It consists of nearly half a million words, a mountain of unsifted facts – who was whose cousin and what otherwise irrelevant uncle died in South Africa – which make you clutch your brow, tempt you to skip and thereby to run the

The organisation man

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In 1743, 393 livings within the gift of the Archbishop of York were occupied by clergymen who did not live within that diocese and another 335 incumbents held plural livings. One bishop of Winchester distributed 30 incumbencies among his family. The Church of England was corrupt and slumbered. The facts of John Wesley’s life and

Tales of the expected unexpected

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‘Bold, glamorous, sexy, unrepentant,’ promises the jacket. The heroines of Fay Weldon’s short stories ‘offer a quite unique view of the world as they face their trials without fear or trepidation’. It’s not the done thing to start a review by quoting the blurb, but this one unwittingly helps to establish why these stories ought

Third time unlucky

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£14.99 for individual volumes The single problem facing any translator of Proust is that there is, really, no equivalent of his style in English. He is at once classical and idiosyncratic; the rhythms and proportions of classical French style are followed faithfully in every sentence, and over the whole book. The end result looks so

Our man in the thick of it

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There he is on the cover, our handsome 57-year-old Boys’ Own adventurer, probably doing a piece to camera, cheered on by the locals who have come along to revel in the BBC’s long-awaited liberation of Kabul last November. Why couldn’t he have arrived a few years earlier, they’re probably wondering. It could all have been

Too much and too late

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By the criteria of the day before yesterday, the late William Whitelaw, a much loved Tory politician who served as Mrs Thatcher’s deputy leader, must have seemed a good circulation bet for a successful biography. Most people, after all, would have heard of him, if only because of Mrs Thatcher’s memorable remark that ‘every prime

Gentleman and player

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During my brief stint as a showbiz scribe – which unfortunately came to an end when I expressed a preference for profiling Gerald Harper rather than Jean-Claude Van Damme – I had the privilege of interviewing George Baker (celebrated as Chief Inspector Wexford in ITV’s The Ruth Rendell Mysteries), whom I had admired since his

Past glories prove elusive

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Despite many allusions to Virgil and a diligent summary of various interpretations of Poussin’s ‘Les Bergers d’Arcadie’, Ben Okri’s main sense of Arcadia, with its ‘star-dust magic’, seems to be derived from pop music lite. ‘We are stardust, golden’, sang Eva Cassidy in Woodstock, ‘and we’ve got to get ourselves back to the garden.’ Anyone

The Margot and Henry show

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The publicity material likens this book to The Forsyte Saga, but in fact it’s far more gripping than fiction: the true story of a larger-than-life political dynasty. The diaries of Margot Asquith form the core of the book. For too long Margot’s voluminous diaries have been unavailable, and Colin Clifford is the first biographer to

No petticoat long unlifted

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Few admirers of Faber’s recent spate of tales and novellas – the spacious and admirably unadorned The Courage Consort and The Hundred and Ninety-Nine Steps, for instance – will be prepared for the solid and all-inclusive recreation of (an echo here of Iain Sinclair’s White Chappell, Scarlet Tracings) The Crimson Petal and the White. Twenty

Big little man

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‘What a swankpot!’ Sir Norman Wisdom pseudo-modestly pseudo-rebukes himself after listing some of the trophies in a display cabinet at home on the Isle of Man. ‘But why not?’ he asks, almost disarmingly. ‘I did get ’em, didn’t I?’ This is ventriloquial star-speak by William Hall, an expert writer-with, whose credits include biographies of Michael

PROPERTY SPECIAL:Literary London

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Until recently, a lively sub-genre of English literature was that devoted to London’s creepier, darker back streets. Peter Ackroyd took us on a grim tour of early 1980s (and early 1700s) Shoreditch and Limehouse in Hawksmoor; Iain Sinclair angrily traversed the weed-sprouting, rubbish-strewn streets of Hackney and Tilbury and what he called the ‘sumplands’ of

Pedalling into politics

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Perhaps it is not a good idea to call Dervla Murphy ‘redoubtable’. She is a strident anti-militarist and might not enjoy being given the sort of name that could so easily belong to an old dreadnought or hunter-killer submarine. But the 71-year-old cycling grandmother can hardly be thought of as anything less. While half the

Boots, boots, boots, boots

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KEANE: THE AUTOBIOGRAPHYby Roy KeanePenguin/Michael Joseph, £17.99, pp. 294, ISBN 07181455 One could imagine an American visitor to Hatchards being mildly puzzled by a joint biography of the Kennedys which sports a picture of two duelling footballers on its cover, but no, Jack and Bobby turns out to be a chronicle of the Charlton brothers.

Out of the bottom drawer?

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Two years ago in The Spectator I praised Ha Jin’s earlier novel, Waiting. It was about a kindly, ineffectual army doctor who waits and waits for a divorce from his peasant wife so that he can marry a nurse, his lover without sex for 13 years. Ha, who teaches English at Boston University after learning

The way to the tomb

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This queer, black novel is mainly concerned with the special funeral train service which once plied between Waterloo Station and Brookwood Cemetery in Surrey. Its hero is an intensely innocent young railway apprentice, who dreams of becoming an engine driver ‘of the better sort’, and its villains – or so it seems – are a

A world of drivers and passengers

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VJ night, the war in the Pacific is finally over, and in William Kennedy’s Albany the war of senatorial election is about to begin. The candidates stand up to be counted and the consequences of their election are considered. Small crooks fresh out of crook school and the army rise into the lower reaches of

Nature versus Nurture: the state of play

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The Blank Slate, more readily recognised in its original Latin as tabula rasa, is the soubriquet for the view that in the eternal Nature-Nurture debate the scales tip heavily in favour of the environment: when it comes to the human mind, nothing is left to the caprice of genes. Steven Pinker, well known for The

A bleak kind of optimism

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After several acclaimed novels, including last year’s Pulitzer prize-winning Empire Falls, Richard Russo has now produced a volume of short stories. However, the qualities which endear the novels to their readers – a wry sense of humour, vivid characterisation and the sense of lives being lived over time – are less apparent here; the shorter

Deceiving only those who want to believe

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Forgery ranked with murder as a capital crime well into the 19th century. Faked texts and signatures could falsify wills and violate the sanctity of property, until photolithography, then typing, devalued the uniqueness of the handwritten text. But a modern forger can still make a decent profit by turning out the fake-historical or fake-literary stuff

How the master of landscape was transformed

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In 1760s Bath, the promenade from the Pump Room to the tree-lined Walks of Orange Grove passed a row of luxury shops and a sign reading ‘Mr Gainsborough, Painter’. The artist’s showroom shared the ground floor of a handsome town house with his sister’s millinery shop, and the smell of the perfumes on sale mingled

Raw skin over bone

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At the Edinburgh Book Festival this year, Dr David Starkey, the television historian and iconoclast, pronounced that history was elitist – it was about kings and queens and power-brokers rather than the marginal or the dispossessed. He liked big and important subjects. He was uninterested in peasants. Neal Ascherson, by contrast, is deeply interested in