Books and arts – 25 May 2017
Culture
The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
PWR BTTM: Pageant
More from ArtsHow about some queercore garage punk? PWR BTTM — the name means something empowering to do with buggery — are a young, gay, two-piece band from New York State who live apparently hectic lives. Their new album, Pageant, was released last week and a couple of days later they were kicked off their record label
Death wish
OperaAnyone who thinks they have experienced absolute boredom, or even doubts that such a state can exist, should go to Glyndebourne’s first offering of the season, Cavalli’s Hipermestra. The first two acts, played without any break, last for 130 minutes, the third for a mere hour. The audience broke into its normal rapturous applause at
Sado-erotic review
TheatreThe Olivier describes Salomé by Yaël Farber as a ‘new’ play. Not quite. It premièred in Washington a couple of years ago. And I bet Farber was thrilled at the chance to direct this revival at the National’s biggest and best equipped stage. She approaches the Olivier’s effects department like a pyromaniac in a firework
When will I ever learn?
CinemaOh, Pirates of the Caribbean, I have given you every chance down the years. Every chance. I am always hopeful. This may be the one that has a proper story I can follow, I have told myself. This may be the one in which Johnny Depp even bothers to act, I have told myself. This
Around the horn
MusicThe concert began with a flourish and a honk. Well, of course it did. Telemann wrote his last Ouverture-Suite in F major for the Landgrave of Darmstadt. The Landgrave loved hunting, and in the 18th century hunting meant horns. And horns mean honks. If you’ve ever played the horn — applied 12 feet of coiled
Crime and punishment | 25 May 2017
Radio‘Hell is better than what I personally witnessed,’ says Ben Ferencz, who was one of the American troops sent in to the Nazi death camps to collect vital evidence. ‘Dead bodies mingled with those alive. Piles of bones waiting to be buried. The smell of burning flesh. Those who were still alive pleading with their
Period drama
MusicHarpsichordists are supposed to make love, not war: Sir Thomas Beecham famously compared the sound they make to ‘two skeletons copulating on a tin roof’. But now two masters of the instrument, the Iranian-American Mahan Esfahani and the German Andreas Staier, are locked in mortal combat. For connoisseurs of finely tuned insults, it’s riveting stuff.
The great rock’n’roll swindles
TelevisionBirds have been giving me a lot of grief of late. There’s Tappy — the blue tit who has built his nest just underneath my bedroom window and makes rat-like scuffling noises that bother me at night and wake me early in the morning. And Hoppy, a mistle thrush fledgling who can’t quite fly yet,
23 May 2017
Impeccable filmmaking from Michael Haneke: Happy End reviewed
The title is ironic. The end is not happy for Michael Haneke’s bourgeois French family, whose hamper of festering secrets the Austrian director unpacks with glee. His twelfth feature, which is vying for an unprecedented third Palme d’Or at this year’s Cannes Film Festival, features an acting masterclass from French veteran Jean-Louis Trintignant as Georges Laurent, a dotty
22 May 2017
Amusing, waspish take-down of Jean-Luc Godard: Redoubtable reviewed
Jean-Luc Godard’s famous dictum was: ‘all you need for a movie is a girl and a gun’. In Redoubtable, French director Michel Hazanavicius’s jaunty biopic of Godard, set during the student insurrection of 1968, which premièred yesterday at Cannes Film Festival, there is plenty of the first and none of the latter. The girl is Anne
Coffee, mist and brilliance: Sky Atlantic’s new series of Twin Peaks reviewed
So much coffee. Just like in the original, the characters in the new series of Twin Peaks get through so much coffee. Major characters huddle around it in diners. Background characters raise mugs to their lips. Entire scenes revolve around the stuff. There’s just so much coffee. And, I’m proud to say, I played my
18 May 2017
League of nations
Exhibitions‘Are you enjoying the Biennale?’ is a question one is often asked while patrolling the winding paths of the Giardini and the endless rooms of the Arsenale. It is not easy to answer. The whole affair is so huge, so diverse and yet — in many ways — so monotonous. Like the EU, an organisation
A method to his madness
More from ArtsI first came across the extraordinary creations of the artist and illustrator William Heath Robinson at least 60 years ago. I loved them, even though I may not have understood every nuance. When I look once more at old favourites such as the machine for conveying peas to the mouth I often spot in the
The play’s the thing | 18 May 2017
More from ArtsDonald Winnicott once told a colleague that Tolstoy had been perversely wrong to write that happy families were all alike while every unhappy family was unhappy in its own way. It is illness, Winnicott said, that could be dull and repetitive, while in health there is infinite variety. Winnicott was reared in an environment of
Books and arts – 18 May 2017
No laughing matter | 18 May 2017
CinemaWe love Amy Schumer. Fact. And we love Goldie Hawn. Fact. But can we love Snatched? Not so much, if at all. Perhaps the addition of ‘if at all’ is unnecessary, and rather mean. But it’s done now. There are a couple of decent jokes, it’s true, but they are 1) all in the trailer
Killing time | 18 May 2017
TheatreJez Butterworth’s new play The Ferryman is set in Armagh in 1981. Quinn, a former terrorist, has swapped the armed struggle for a farming career and now lives with his sick wife, their countless kids, his sister-in-law and her only son. But the IRA, who murdered his brother as punishment for his disloyalty, are due
Police force
TelevisionI’ve often thought that a good idea for an authentic TV cop show would be to portray the police as neither dazzlingly brilliant (the traditional approach) nor horrifically corrupt (the traditionally subversive one) — but just a bit hopeless at solving crimes. There is, though, one thing that prevents the idea from being as original
False start
OperaWhen a composer begins an opera, they create a world. You don’t need a full-scale overture: the tear-stained violins that Verdi drapes over the opening bars of La traviata do the job perfectly. The orgasmic upswing that launches Der Rosenkavalier, the cosmic hum that sets the Ring on its course — those very first notes
Moment of truth | 18 May 2017
RadioTwo extremes of the listening experience were available on Monday on Radio 4. The day began conventionally enough with Start the Week, chaired by the deceptively genial Amol Rajan (now in charge of The Media Show), whose warm, inviting voice fronts a keen, intense intelligence. He guided his guests through a conversation about our post-truth
An artist of the quickening world
More from ArtsWhat is it about Yorkshire, particularly Leeds, that it has bred or trained such a succession of famous modern sculptors? Moore, Hepworth, Armitage and, although it stretches the point, Hirst. All attended Leeds art schools and Armitage was born there on 18 July 1916. Everyone knows Moore, Hepworth, Hirst. But Armitage? How many under 60
Roving eye
More from ArtsPhotography has many genres, even more than painting, and most photographers achieve fame by focusing on one of them. There are technical reasons for this. Armed only with a bunch of brushes and a palette of colours, a painter can achieve a variety of effects — close-up, distance, soft or sharp focus, motion — for
11 May 2017
Animal magnetism
Arts feature‘I frequently went to bullfights with Picasso,’ Sir John Richardson remarked, quite casually, as he showed me around the exhibition Picasso: Minotaurs and Matadors, which he was installing at the Gagosian Gallery, Grosvenor Hill. He mentioned this by way of explaining why a large and splendid linocut was inscribed to him by the artist: ‘à
Blondie: Pollinator
More from ArtsAh, Blondie. Those happy days of glorious power pop, chilly disco and rich, fruity vocals — Debbie Harry yearning away like a very bad alleycat on heat. ‘X Offender’, ‘In the Flesh’, ‘Picture This’ and that one where she’s in the phone booth, apparently gagging for it. People knock it, but the late 1970s wasn’t
Bingeing on Bach
MusicCoined in 1944, ‘completism’ is a modern term for a modern-day obsession. What began as a phenomenon of possession — whether of comic books, records or stamps — has evolved in the age of Spotify, Netflix and cloud computing. No activity defines current cultural trends better than binge-watching, completism taken to its logical extreme: art
Sins of the flesh | 11 May 2017
TheatreObsession at the Barbican has a complicated provenance. The experimental Belgian director Ivo van Hove adapted the show from a Visconti film based on the novel The Postman Always Rings Twice. This version originated in Amsterdam and was rendered into English by a London playwright. The story mixes surrealism with torrid carnality. Sexy Hannah is
Mild things
OperaEnglish Touring Opera is playing safe this spring, with Tosca and Patience, and was rewarded, in Cambridge at least, with full houses. Its Tosca has been moderately reviewed, and that is about what it deserves. There is only one set, designed primarily with the tableau of chorus and soloists at the end of Act One