The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
‘Comedy is like music,’ said Edwin Apps, one of the characters in Wednesday afternoon’s Radio 4 play, All Mouth and Trousers (directed by David Blount). ‘The words are the notes and they have to be in exactly the right place. And every line has to pull its weight, add something to the situation.’ Apps was
BBC Proms 2016 is about as exciting as my sock drawer. But it’s unclear who exactly is to blame. The new head David Pickard claims only half the stalest socks are his — the rest inherited. The festival enjoys an incredibly privileged position. Some might even say it’s dangerously spoilt. Free from commercial pressures, free
Down and Out in Paris and London is a brilliant specimen from a disreputable branch of writing: the chav safari, the underclass minibreak, the sojourn on the scrapheap that inspires a literary monument. Orwell’s first book was turned down by Faber boss T.S. Eliot, who received the script under its original title, Confessions of a
I saw Prince play once. I was bored rigid but couldn’t mention this to the girls I’d gone with: as far as they were concerned, watching the purple sex dwarf (he was 5ft 2in) masturbating with and fellating his guitar and generally getting off on his sublime pixieness was like experiencing the second coming. Me,
Captain America: Civil War is the 897th instalment — or something like it — in the Marvel comic franchise. This time round, the superheroes take sides, with the marketing asking if you’re #TeamCap or #TeamIronMan but not if you’re #TeamNeither, as would be most useful in my case. I swear this is the last Marvel
Janacek’s Jenufa, his first great opera, had a one-night stand at the Royal Festival Hall last Monday, courtesy of the wonderful Czech Philharmonic Orchestra conducted by Jiri Belohlavek, the Czech Philharmonic Choir Brno, a large body that had all of five minutes’ singing, and a mainly excellent cast, with Karita Mattila making her transition from
This is only interesting, well a bit interesting, because the poor man died last Thursday and for a few short days almost anything with the word Prince in it stands a chance of getting some traction. So forgive me if this feels a bit rushed. And opportunist. And exploitative. And attention-seeking. It’s all of those
So: Game of Thrones. Finally — season six — the TV series has overtaken the books on which it is based and the big worry for all us fans is: will it live up to the warped, convoluted, sinister genius of George R.R. Martin’s original material? As regulars will know, the great thing about Martin
Over the next five weeks, visitors to East London’s Chisenhale Gallery will find the metal doors closed and a notice outside, in museum-style text, stating that the exhibition by Maria Eichhorn entitled 5 Weeks, 25 Days, 175 Hours consists of the staff not working and the gallery being shut. It then states that the exhibition
In this much-heralded Shakespeare anniversary year, one might expect a certain respect for the works to prevail. In Holland it’s different. Under the tutelage of a Belgian, Ivo van Hove, a huge slice of Shakespeare’s history theatre has been filleted for the stage into something that might sit nicely on HBO alongside Game of Thrones.
Art Spiegelman, the American cartoonist behind Maus, the celebrated Holocaust cartoon, dreamt up a good definition of graphic novels: comics you need a bookmark for. This jolly show about the British graphic novel takes an even broader approach. It begins with Hogarth’s 1731 series, ‘A Harlot’s Progress’, the tale of an ingénue in London who
Five Star Babies: Inside the Portland Hospital won’t, I suspect, have been a hard sell to BBC2’s commissioning editors. Childbirth and rich people are both reliably popular subjects for TV documentaries. So why not combine them into one handy package by showing us life at the UK’s only private maternity hospital? And yet, however artificial
Sue Armstrong’s programme on Radio 4 All in the Womb (produced by Ruth Evans) should be required listening for anyone dealing directly with the refugee crisis, with those who have fled from intense fear and terrible violence in their home countries. Armstrong has been investigating recent developments in our understanding of the impact of severe
Corbyn the Musical feels like it comes from the heart. Did the writers live through the 1970s when the hard-left was full of hope and confidence? Socialists then genuinely believed they could see off capitalism (which seemed in its death throes anyway) and replace it with a happier and more equal world. The show takes
Jane Got a Gun is being sold as a rousing feminist Western although the truth is that it’s about as rousing and feminist as my cat, Daphne, who is 17, and now barely moves but who, back in the day, made herself available to every passing Tom. So you don’t look at Daphne and think
Tamara Rojo programmed three female choreographers for her English National Ballet spring bill because, she said, she had never danced a ballet by a woman, and wanted to see what women would produce. Just the two begged questions here. First, that female choreographers are being stifled by institutionalised sexism in the ballet establishment. Second, that
Disguises and mistaken identities are a staple of opera, but usually as part of the onstage, not the offstage, action. So what are we to make this week of a Handel opera that isn’t by Handel at all, and a Mozart opera that was largely composed in 1990? As usual in the opera house, there
The feeding frenzy over the 400th anniversary of William Shakespeare’s death has reached its peak. Recently we’ve had Shakespeare’s complete works performed through the puppetry of kitchenware. On books pages, you can read about everything from Edward Wilson-Lee’s Shakespeare in Swahililand (surprisingly beguiling) to Simon Andrew Stirling’s Shakespeare’s Bastard: A Life of Sir William Davenant
[audioplayer src=”http://feeds.soundcloud.com/stream/260046943-the-spectator-podcast-obamas-eu-intervention-the-pms.mp3″ title=”Lloyd Evans and Dr Daniel Swift discuss how Shakespeare died” startat=1008] Listen [/audioplayer]How did the Bard kick the bucket? The 400th anniversary of Shakespeare’s death reignites interest in a great literary mystery. All we know for sure is that he was buried on 25 April 1616 in Holy Trinity Church, Stratford, and it’s
There’s an absolute zinger of a joke currently circulating around the London jazz scene. Miles Davis is being celebrated with a new biopic! And anything that spreads the message about jazz is undoubtedly a good thing. But – and now the punch-line – what a pity the film bogs itself down; all that sober analysis
Glasgow International Glasgow, until 25 April 2016 Kelvin Hall is a semi-derelict monument to the fag-end of Glasgow’s great art deco adventure. Built during the city’s industrial prime as an exhibition hall, it is now a building site, undergoing refurbishment. This has not stopped the Glasgow International art festival, the loose theme of which is the
Ape Forgets Medication: Treyfs and Artknacks Londonewcastle Project (28 Redchurch Street, E2), until 23 April Process, means, method: it was these rather than the results which initially fascinated me. There was an unmistakable exhilaration in discovering that I was not merely learning a new language but that I was creating a language peculiar to myself. Given that
The musical biopic is a staple of the Hollywood economy. Like an Airfix model kit it comes with the necessary parts presupplied: sex, drugs and a soundtrack. All the director need do is glue them together. Actors are keen too, as portraying musicians is like prospecting for Oscars: in recent years the lives of Edith
The V&A is selling £35 Agent Provocateur pants. This is, of course, a business deal because Agent Provocateur — along with Revlon — is sponsoring the museum’s new exhibition Undressed or, as I would have called it, if I were a curator with a gun to my head: Important Artefacts from the Ancient Kingdom of
At the tail end of last year, an artist called Peter Goodfellow mounted an exhibition of paintings titled Treason of the Scholars. The works were a garish parody of the signature styles of blue-chip artists including Jeff Koons, Damien Hirst and Joseph Beuys — not so much satire as aggravated assault. In terms of nuance,
This Jungle Book is Disney’s remake of its animated classic of 1967, as beloved by all generations thereafter. Warner Bros also has a remake in the pipeline, directed by Andy Serkis, and due for release in 2018, so it looks as though we’ve reached peak Jungle Book remake, although I personally won’t be happy until
‘Our findings will shock many people,’ promised Trevor Phillips at the beginning of What British Muslims Really Think (Channel 4, Wednesday). But the depressing thing is that I doubt they will, actually. I think the general British public have known for some time what Phillips’s documentary professed to find surprising: that large numbers of Muslims
All this week Radio Five Live has been giving us an insight into what it is like not just to confront death every day but also to know that a minor error on your part might end a person’s life. In Junior Doctors’ Diaries on Sunday night, Habiba, Andrew and Jeremy took us inside their
Lucia di Lammermoor is one of the two or three Donizetti operas that have never fallen out of the repertoire, and the more of his operas it’s possible to see, or at least to hear on CD, the less explicable that becomes. The late and rightly venerated Rodney Milnes called Lucia ‘a blazing masterpiece’, but