The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Watching the Berlin Philharmonic going into conclave to choose a successor to Simon Rattle — after countless hours of secret discussion they have chosen Kirill Petrenko — reminds one of little less than the election of a pope. In both cases the expectation is the same: the organisations are so iconic that they must continue
Mud, timber, junk, fires, splinters, rust, daubed paint… Suddenly people are talking about adventure playgrounds again. With the Turner Prize-nominated collective Assemble constructing a new adventure playground in Glasgow, and their exhibition The Brutalist Playground at Riba, we’re being asked to think again about these ugly but lovable spaces. It was the landscape architect Lady
Charles Dickens’s description of Cobham Park, Kent, in The Pickwick Papers makes it seem a perfect English landscape. Among its ‘long vistas of stately oaks and elms’, he wrote, ‘occasionally a startled hare’ ran with ‘the speed of the shadows thrown by the light clouds’. It was there on the morning of 29 August 1843
Saul Hudson, more commonly known by his childhood nickname ‘Slash’, turns 50 today. It is safe to say that the next 50 years of his life are unlikely to be quite as hectic as the first. The heroin-addicted lead guitarist of Guns ‘n’ Roses has settled into a routine of philanthropy and Angry Birds. He is always mentioned in magazines as one
He was checked in under the name Immortality, Mr Immortality — but on the vanity were the little capsules of mouthwash and shampoo, a packet with needle and thread, and letters from his father, who was dead. (And books to write, and letters of instruction, to have read.) He’s a valued guest at the Clarion,
Richard Bean, the country’s most bankable playwright, knocks out a new script every four months. Thanks to the success of One Man, Two Guvnors, he’s not short of houses ready to stage his work. And the hunt for treasure in his back-catalogue continues. The Mentalists, from 2002, stars Stephen Merchant (co-writer of The Office) and
Magical transformations are a commonplace of opera. We see our heroes turned into animals, trees, statues; witness wild beasts turned suddenly gentle and even the dead brought back to life, with scarcely a raised eyebrow. But opera’s greatest metamorphosis — and one still less remarked upon — is the annual British phenomenon of country house
The Legend of Barney Thomson is the directorial debut of actor Robert Carlyle, and it’s one of those black comedies about a serial killer in which, as the bodies pile up, plausibility edges closer and closer to the window until it flies out completely. (No. Wait. Come back! I’ll massage your feet!) This wouldn’t, in
The idea that Radio 2 should be sold off by the BBC to a commercial rival is as nonsensical as BBC1 losing Strictly Come Dancing, or Heinz giving up on baked beans. The station, in its former incarnation as the Light Programme, was a core product of the corporation, the home of the Palm Court
Compilation schompilation. Having been in music for as long as I have you would think I had a good idea how record companies work. I’ve made two compilations before. But it’s a whole new big thing now in the music world. Ministry of Sound have offices of people whose full-time jobs are about clearing tracks
Some revelations, it seems, are capable of being endlessly repeated while still remaining revelations. Think of all the books, articles and TV programmes over the years which have ‘revealed’ that the Victorians weren’t, after all, mad sexual repressives who had a fit of the vapours at the sight of an uncovered table-leg; or that the
When I didn’t recognise the number and saw the text with kisses, but no name — ‘Thinking of you: they’re playing Native New Yorker’, I racked my brain and was filled with shame. Was this the divorced father and one-night stand, or was this someone who had heard me sing in hospital when I was
Bill Turnbull has achieved online fame after he mispronounced a word on the BBC Breakfast sofa earlier today. During the programme, the presenter mistook the word ‘client’ for the word ‘c–t’ when reading aloud a message from a viewer:
The opening bars of Ralph Vaughan Williams’s A London Symphony (1914) are scooped out from the gloopy bedrock of the city. Vaughan Williams was dredging through the same mud, silt, slime and ooze as those scene-setting paragraphs of Our Mutual Friend (1865), where Charles Dickens shows that the real glue binding his book together will
It has often been related how, towards the end of his long life, a critical barb got under J.M.W. Turner’s skin. ‘Soapsuds and whitewash!’ Turner apparently snorted, repeatedly, to himself. However, until now no one has traced the perpetrator of this memorably tart comment. Now we know. It was the scandalous, super-rich patron and novelist
This Saturday is National Busking Day, a series of events across the country proving that Britain’s arts establishment just don’t get it. The whole point of busking is that it’s free-spirited, independent, individualistic – exactly the sort of enterprise that doesn’t need or want a national day. ‘Let’s take something that lots of people do
For keen students of China, this week’s television provided yet more proof that Deng Xiaoping’s decision to open the country to the West has had consequences that he’s unlikely to have foreseen. He probably couldn’t have predicted, for example, that one day a former Bond girl would travel the country finding almost everything ‘thrilling’. Or
Make no mistake: the Proms, whose 2015 season was launched last night, would not, could not, exist without the BBC, or the licence fee. Just under half the cost of putting on such an ambitious nightly series of concerts throughout the summer, drawing on orchestras from across the globe, commissioning new work, pulling together programmes
Easy playwright to get on with, Ben Jonson. His world is simple, his tastes endearing. He likes golden-hearted swindlers and unscrupulous servants who outwit their bungling masters. Volpone, the ‘sly fox’ played by Henry Goodman, is a rich Venice merchant without a family who persuades three wealthy rivals that they stand a chance of inheriting
These are nervous times at the opera. When should we expect the gratuitous rape scene? Will the director relocate the action to a Croydon laundrette? Who might be booed, and for how long? With Opera Holland Park’s Lakmé, however, almost any of these diversions might actually be welcome — anything to save us from the
True Story is based on the book True Story, which is itself based on a true story, so there is a lot of truth knocking about, I guess you could say, but absolutely none of it is at all interesting. It sounds as if it will be fascinating, as it’s about the disgraced New York
Lucas Debargue, a 24-year-old French pianist, came fourth in the finale of the Tchaikovsky competition in Moscow on 30 June, yet he’s the only competitor anyone is talking about. Why? The main reason is that they’re riveted by his backstory. Have you noticed how we all say ‘backstory’ these days, instead of boring old ‘background’?
What could induce a grown-up, rational, childless person to go to see the ballet of Cinderella? You’ll expect to cringe at the panto comedy; on the other hand, you do not want to see verismo child-abuse and uglies-baiting. So what’s left for modern eyes? Two things: the Prokofiev score — as magical a charmer as
This morning, as I commuted through Hendon Central, I remembered you telling me you saw that day’s newspaper there on a board, announcing the king had died, how life stalled for a moment. This evening I got the call I’d long dreaded, telling me you were dead. ‘We are not a grandchild,’ Thatcher might have
Brace yourself, reader. This is an account of a conversation with the director of the yucky trailer-trash comedy Pink Flamingos. Perhaps you won’t recall the final scene in which the overweight transvestite Divine munches on an actual dog turd. No, it wasn’t faked — this was in 1972 and there was no budget for trickery.
Art is not jewellery. Its value does not reside in the price of the materials from which it is made. After all, the cost of the pigment, oil and cloth that made up a Rembrandt was negligible. It’s what he did with them that counts. On the other hand, spectacular works of art can be
Popular culture is all about the shock factor, especially when it involves female popstars. The late Eighties set a precedent for women making statements in their music videos. In 1989 Madonna broke taboos with an interracial love story, complete with burning crosses and a crying saint. A year later Sinead O’Connor was the first woman
Of course the bride’s dog came to the wedding and was allotted a chair at the top table at which he sat with a gloomy expression and a chewed satin bow. The groom fed him morsels of pheasant — laughing rather theatrically when his finger was nipped and the blood dyed his table napkin a
This year the Proms are to stage 21 world premières and 11 European, UK or London premières. It is good to see the corporation continuing its mission to encourage new music, though some think they overdo it. I heard one of our leading keyboard players say that when he was asked to première a piece