Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

James Delingpole

Religious conversion

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The other week Simon Hoggart had a go at Rev — the new comedy about an inner city vicar played by Tom Hollander (BBC2, Monday) — and I don’t blame him. The other week Simon Hoggart had a go at Rev — the new comedy about an inner city vicar played by Tom Hollander (BBC2,

Mary Wakefield

Silencing the voices

Arts feature

The ‘seriously handsome’ Toby Stephens talks to Mary Wakefield about the magic of acting With some people, their prep school selves seem barely submerged beneath the adult surface. They talk away like grown-ups but one shrug, a grin, and you can see their inner schoolchild. Toby Stephens, sitting opposite me in a boxy room high

Rod Liddle

A bit odd, this

This link was sent to me by my friend Belette. I am not sure if it makes it more or even less appropriate that one of the dancers is a survivor of Auschwitz. More, I suppose. Though I’ll bet it wasn’t his idea. Anyway, apologies if it causes offence; my own view is that it

Game for a laugh | 17 July 2010

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Rude Britannia: British Comic Art Tate Britain, until 5 September If each age gets the art it deserves, it might also be said that each age gets the exhibitions it deserves. The robust tradition of British Comic Art has never looked so unfunny and anaemic as it does in this current overworked examination at Tate

Lloyd Evans

Pick-and-mix fantasy

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Welcome to Thebes Olivier, in rep until 18 August La Bête Comedy, booking to 4 September My mind didn’t just boggle. My whole body did. Every sensory organ joined in the process — ears, eyes, nose, teeth, tongue. All boggled. Even my left shoulder started boggling at one point, although this turned out to be

Elusive Mozart

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Don Giovanni Glyndebourne, until 27 August Rigoletto Welsh National Opera, on tour Glyndebourne’s new production, by Jonathan Kent, of Don Giovanni is a wretched failure, not gross like its last one, in which the characters waded around in shit and Don Giovanni disembowelled a dead horse to eat its innards, but as irrelevant to the

Labour of love

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Toy Story 3 U, Nationwide The third and final film in a franchise isn’t usually up to much, but not so with Toy Story 3. It may even be cinema’s first must-see sequel to a sequel. It is wondrous and a delight and because those deliriously talented people at Pixar obviously love these characters to

In deep water

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What a strange organisation the BBC is! Imagine the meeting at which they discussed the cancellation of Hole in the Wall, the world’s most mindless game show. What a strange organisation the BBC is! Imagine the meeting at which they discussed the cancellation of Hole in the Wall, the world’s most mindless game show. It

Male fix

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The hotly tipped new Men’s Hour programme on Radio 5 Live sounds so 21st century. The hotly tipped new Men’s Hour programme on Radio 5 Live sounds so 21st century. Its presenter Tim Samuels promises a potent mix of emotional candour (inspired by Tony Soprano’s sessions on the couch) combined with, and I quote, ‘the

Fraser Nelson

Balls clutches at straws

Many CoffeeHousers will have heard Ed Balls’ preposterous performance on the Today programme this morning. We have transcribed it below, to put it on the record. Three things jump out at me. The way that Balls is the last purveyor of Brownies, still talking about new jobs when all of the new jobs can be

Going for a song

Arts feature

It’s Proms time again. Peter Phillips is struck by the imbalance between singers and players What with all the talk of cuts, and the Proms being a showcase for the BBC house ensembles, I imagine this year’s season might be a time for each to put their best foot forward. I imagine, in fact, that

Hugo Rifkind

Mel Gibson may be a mad racist — but he’s a genius

Columns

You’ve got to hand it to Mel Gibson. When it comes to potentially career-ending outbursts of vile bigotry, there really is nobody better. As somebody posted on Twitter this week (there is increasingly little point in even trying to formulate this stuff yourself), ‘You’re a pretty hard-core ass when drunkenly yelling about Jews running banks

Pursuit of love

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Leaving 15, Key Cities London River 12A, Key Cities Leaving is a French film while London River is kind of French and although I don’t really know what this has got to do with anything I do know the following: they’ll both put you through the wringer. One (London River) will put you through it

Caving in

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We should be worried. The announcement that BBC 6 Music is going to be saved from the cost-cutter’s axe may sound like a victory for Everyman, as opposed to the mindlessness of the Jobsworths in Finance. We should be worried. The announcement that BBC 6 Music is going to be saved from the cost-cutter’s axe

Mapping the land

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Familiar Visions: Eric & James Ravilious, Father & Son Towner, Eastbourne, until 5 September Ravilious Woodcuts Charleston Farmhouse, until 30 August Everyone, but everyone, has heard of Charleston, the East Sussex farmhouse with the beautiful walled garden transformed by the decorative geniuses of Vanessa Bell and Duncan Grant into a bijou Bloomsbury-on-the-Downs. But few people

Passion killers

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Beauty & Power: Renaissance and Baroque Bronzes Wallace Collection, Manchester Square, W1, until 25 July Caravaggio’s Friends & Foes Whitfield Fine Art, 23 Dering Street, W1, until 23 July William Crozier: Early Work Pyms Gallery, 9 Mount Street, W1, until 20 July The temporary exhibition galleries of the Wallace Collection are in the basement, next

Lloyd Evans

Act of disturbance

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The Tempest Old Vic, until 21 August Sucker Punch Royal Court, until 31 July Last week when I trotted over to the Old Vic to see The Tempest I had no idea I was about to experience one of the strangest performances of my life. About 20 minutes into the show a heavily built man

James Delingpole

Twisted brilliance

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What am I doing reviewing a documentary about the baroque? I hate the baroque — have done for as long as I can remember — and I expect it’s probably the same with you. What am I doing reviewing a documentary about the baroque? I hate the baroque — have done for as long as

Guiding principles

Arts feature

What are the ingredients of a good audio guide? Henrietta Bredin investigates These days you’re more than likely, at any museum, gallery, exhibition or public building of interest, to be offered an audio (or even a multimedia) guide with which to ‘enhance your visitor experience’. There will probably be a small cost involved and you

Fighting addiction

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As was so often the case with Bertie Wooster when he faced an interview with his fearsome Aunt Agatha, I feel a sense of impending doom as I write this on a beautiful morning in late June. The roses smell sweet, the sun is shining, and a light breeze is blowing through my study window.

Relative values | 3 July 2010

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The Wyeth Family: Three Generations of American Art Dulwich Picture Gallery, until 22 August There have been a number of painting dynasties in the history of art — families such as the Bruegels, the Bellinis and the Tiepolos — but fewer in recent years, British art having favoured the older brother syndrome (Paul Nash and

Awe and gratitude

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Die Meistersinger Welsh National Opera, Cardiff and touring Welsh National Opera’s new staging of Die Meistersinger von Nürnberg is a triumph. Not an unqualified one — I doubt whether there has ever been such a thing — but enough to leave the audience feeling that mixture of glowing wellbeing and sadness that this work alone

True blues

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Talk of blues music and you’re likely to think of Muddy Waters, B.B. King and Howlin’ Wolf, but most of these guys actually learnt their craft from women like Memphis Minnie, Sister Rosetta Tharpe and Precious Bryant. Talk of blues music and you’re likely to think of Muddy Waters, B.B. King and Howlin’ Wolf, but

Character building

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Years ago, not long after Tony Blair’s first landslide, I was asked by London Weekend Television to co-write a sitcom. Years ago, not long after Tony Blair’s first landslide, I was asked by London Weekend Television to co-write a sitcom. The idea was to satirise New Labour, and it was cunningly set, not in the