The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.
Beauty & Power: Renaissance and Baroque Bronzes Wallace Collection, Manchester Square, W1, until 25 July Caravaggio’s Friends & Foes Whitfield Fine Art, 23 Dering Street, W1, until 23 July William Crozier: Early Work Pyms Gallery, 9 Mount Street, W1, until 20 July The temporary exhibition galleries of the Wallace Collection are in the basement, next
The Tempest Old Vic, until 21 August Sucker Punch Royal Court, until 31 July Last week when I trotted over to the Old Vic to see The Tempest I had no idea I was about to experience one of the strangest performances of my life. About 20 minutes into the show a heavily built man
What am I doing reviewing a documentary about the baroque? I hate the baroque — have done for as long as I can remember — and I expect it’s probably the same with you. What am I doing reviewing a documentary about the baroque? I hate the baroque — have done for as long as
What are the ingredients of a good audio guide? Henrietta Bredin investigates These days you’re more than likely, at any museum, gallery, exhibition or public building of interest, to be offered an audio (or even a multimedia) guide with which to ‘enhance your visitor experience’. There will probably be a small cost involved and you
Readers familiar with Idomeneo might have shared my pleasure (and bemusement) at a performance of Mozart’s early opera at the Coliseum in London last week. The English National Opera production, which staged most of the action in what appeared to be a top-quality modern hotel, was ludicrous (I found the waiters distracting, but then I
As was so often the case with Bertie Wooster when he faced an interview with his fearsome Aunt Agatha, I feel a sense of impending doom as I write this on a beautiful morning in late June. The roses smell sweet, the sun is shining, and a light breeze is blowing through my study window.
The Wyeth Family: Three Generations of American Art Dulwich Picture Gallery, until 22 August There have been a number of painting dynasties in the history of art — families such as the Bruegels, the Bellinis and the Tiepolos — but fewer in recent years, British art having favoured the older brother syndrome (Paul Nash and
Die Meistersinger Welsh National Opera, Cardiff and touring Welsh National Opera’s new staging of Die Meistersinger von Nürnberg is a triumph. Not an unqualified one — I doubt whether there has ever been such a thing — but enough to leave the audience feeling that mixture of glowing wellbeing and sadness that this work alone
Talk of blues music and you’re likely to think of Muddy Waters, B.B. King and Howlin’ Wolf, but most of these guys actually learnt their craft from women like Memphis Minnie, Sister Rosetta Tharpe and Precious Bryant. Talk of blues music and you’re likely to think of Muddy Waters, B.B. King and Howlin’ Wolf, but
Years ago, not long after Tony Blair’s first landslide, I was asked by London Weekend Television to co-write a sitcom. Years ago, not long after Tony Blair’s first landslide, I was asked by London Weekend Television to co-write a sitcom. The idea was to satirise New Labour, and it was cunningly set, not in the
Philip Glass doesn’t approve of intervals. Last week, at Yale University’s Sprague Memorial Hall, the prolific composer gave a preview of what audiences in Dublin, Edinburgh and Cork could expect from his piano performances a few days later. He starts by declaring that pauses in performance “damage the concentration” – and he ended it in
Marianne Gray talks to the down-to-earth Oscar nominee Brenda Blethyn about her latest film Brenda Blethyn doesn’t really understand why people continually ask her why she plays dowdy, often downtrodden characters, like Cynthia, the despairing mother in Secrets & Lies, or James McAvoy’s heartbroken mother in Atonement, or Mrs Bennet in Pride and Prejudice, who
Occasionally, people complain that this series isn’t contemporary enough and that it ignores the good country music that is still being produced in spite of the commercial interests of Nashville-pap. That’s a fair criticism. So here’s an acoustic version of Josh Ritter’s Folk Bloodbath – a hymn to the murder ballad which is, as Radley
The Summer Exhibition Royal Academy of Arts, until 22 August The Weston Room is packed with prints as usual, but also features five display cases of artists’ books, including work by such masters of the genre as Ron King, Ken Campbell and Ian Tyson. Among the prints I particularly liked Bronwen Sleigh’s hand-coloured etching, Terry
Idomeneo ENO, in rep until 9 July Lohengrin City of Birmingham Symphony Orchestra Mozart’s Idomeneo remains, despite the best efforts of its proselytisers, a connoisseur’s piece. For all its beauties and its emotional power, it is a predominantly static work, and one in which one can’t really care all that much about what happens to
Through a Glass Darkly Almeida, until 31 July After the Dance Lyttelton, in rep until 11 August Ingmar Bergman wrote his first film aged 24. It was called Torment and he continued to entertain audiences in similar vein for the rest of his career. That an artist is easy to satirise is no proof of
Apart from Punishment Day, Beating Day, and Kill-One-Of-The-Pets-To-Teach-’Em-That-Life-Is-Harsh-Random-And-Unfair Day, I’m generally not one of those fathers who goes in for cruelty and neglect of his children. I’m too busy working my arse off to feed, clothe and educate the ungrateful sods, that’s probably why. Apart from Punishment Day, Beating Day, and Kill-One-Of-The-Pets-To-Teach-’Em-That-Life-Is-Harsh-Random-And-Unfair Day, I’m generally
It was such a shock. At first I couldn’t understand what was going on. Why were they all talking about Sid as if he was in the past? It was such a shock. At first I couldn’t understand what was going on. Why were they all talking about Sid as if he was in the
Andrew Lambirth talks to John Richardson, biographer and friend of the artist John Richardson has spent a lifetime in the company of great art and artists, and is justly celebrated for his ability to evoke, explain and evaluate their work in beautiful prose. Best known as the biographer of Picasso, he has written about many
The comedian Stephen Fry has apparently “outraged” millions of people by describing Dr Who as a “kid’s show”. What do these outraged people think it is, then? Wittgenstein’s bleedin’ Tractatus? I suppose there should be no law against adults wallowing in such cheery sub-teen confections (Fry was slightly wrong – it’s a YOUNG kids show.
Matthew Warchus tells Henrietta Bredin why he is directing an American play inspired by Molière Rehearsing is an extraordinarily intensive, exploratory, deeply engaging business and director Matthew Warchus, emerging from a long day’s work on his new production of La Bête, by David Hirson, takes a while to change gear, blinking slightly dazedly as we
Maria Stuarda; Rusalka Opera North, in Leeds and on tour until July Carmen Royal Opera House, until 26 June Donizetti’s Maria Stuarda is most celebrated for the apocryphal meeting of Mary Queen of Scots and Elizabeth, in which Mary descends to some coarse insults, backed up, in Antony McDonald’s new production for Opera North, by
The idea that one can take guns and syringes out of the hands of disaffected youths and replace them with musical instruments, which they then delight to play, is so utopian that most people’s reaction was to laugh it off. The idea that one can take guns and syringes out of the hands of disaffected
‘Do you remember listening to the radio for the very first time?’ asked David Hendy at the beginning of his thought-provoking series of late-night essays on Radio 3 (which you should still be able to catch on Listen Again). ‘Do you remember listening to the radio for the very first time?’ asked David Hendy at
In spite of the hype, I enjoy the World Cup. But I don’t enjoy the omnipresent James Corden, who played the clingy, footie-loving, curry-scoffing, lager-glugging, belly-baring, deeply annoying best friend in Gavin and Stacey. In spite of the hype, I enjoy the World Cup. But I don’t enjoy the omnipresent James Corden, who played the
Lloyd Evans talks to Michael Attenborough, whose star at the Almeida is the theatre itself The back office of the Almeida Theatre in Islington could do with a major refit. Dowdy, open-plan and scattered with Free-cycled furniture, it looks like the chill-out room of a student bar or the therapy suite of some underfunded weight-watch
Europe’s biggest musical festival is now just a massive authoritarian pigpen, says Brendan O’Neill. No wonder the young are staying away Most people, when they hear the word Glastonbury, think of mud, drugs, drunkenness, moshing, free love, the lighting up of spliffs, and generally harmless experimentation in a field. Well, they’re right about the mud.
Another Country: London Painters in Dialogue with Modern Italian Art Estorick Collection, 39a Canonbury Square, London N1, until 20 June In recent years there has been something of a vogue for encouraging contemporary artists to respond to particular works by artists of the past, and to make paintings as part of that response. The prime
All My Sons Apollo, booking to 2 October Shrunk Cock Tavern, until 12 June It starts softly, in a dream of American contentment. A country house nestles in the lap of its lush and blossoming garden. The sun shines. Birds sing. Green foliage drips with the rain from last night’s storm and Joe Keller, a
