Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The Russian connection

Arts feature

Marianne Gray talks to Helen Mirren about her latest film, for which she’s had an Oscar nomination The first time I met Helen Mirren was at the Berlin Film Festival in 1985 when she was playing a Russian cosmonaut called Tanya Kirbuk in Peter Hyams’s space epic 2010. She laughed about having to learn Russian

An actor from the age of elegance

Features

I don’t think I have ever been so nervous before a telephone call. I had written to Ian Carmichael, via his agent, to ask if I could interview him for an article I was writing on the late Dennis Price, who had played Jeeves to Carmichael’s Bertie Wooster in the 1960s BBC series The World

Feasts of colour

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Gillian Ayres at 80 Alan Cristea Gallery, 31 & 34 Cork Street, W1, until 13 March Claude Monet Helly Nahmad Gallery, 2 Cork Street, W1, until 26 February Birthday greetings are in order for Gillian Ayres, who has just celebrated her 80th with an exhibition of new work of undiminished vigour, inventiveness and sheer uplift.

Good year for the obsessive

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This may seem a little late to be talking about albums of the year. You might even ask, which year? and with reason. (I have already read three times that beloved cliché of January album reviews: ‘early contender for album of the year’.) But everything is so cheap at the moment, and Amazon knows we

Family values | 13 February 2010

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Lucia di Lammermoor English National Opera, in rep until 26 February When David Alden’s production of Donizetti’s Lucia di Lammermoor was first staged by ENO two years ago it was so beset by cast illnesses that it was difficult to tell to what extent the director’s intentions were executed. Even so, the musical side of

Past perfect

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Last week I had the pleasure of lunching with Michael Medwin, who is the only surviving member of the cast of The Army Game (ITV, 1957–61). Last week I had the pleasure of lunching with Michael Medwin, who is the only surviving member of the cast of The Army Game (ITV, 1957–61). He is 86

Caveat emptor

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A weekly airdrop of Exchange & Mart was the luxury I used to think I’d choose when the producers of Desert Island Discs realised who they’d been missing all these years. A weekly airdrop of Exchange & Mart was the luxury I used to think I’d choose when the producers of Desert Island Discs realised

‘If he couldn’t paint, he couldn’t live’

Arts feature

Ariane Bankes talks to the widow of Arshile Gorky, whose retrospective is about to open at Tate Mougouch Fielding opens the door to me looking a little gaunt but as beautiful as ever, though I have not seen her for a couple of years. She is in her late eighties, but no less stylish now

Game without frontiers

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Invictus, 12A Nationwide Gosh, Clint Eastwood will keep thinking of new ways to impress us, the cheeky little monkey. First it was the Dirty Harry and the spaghetti western characters and then he shifted to the director’s chair and ever since it’s been one different thing after another: Unforgiven; Mystic River; Million Dollar Baby; Flags

Island inspiration

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Chris Ofili Tate Britain, until 16 May There’s always something temporary-looking about an installation of Chris Ofili’s early paintings. These works are not hanging on the wall, but lean against it, propped up on feet of elephant dung — the best-known ingredient of this Turner Prize-winning artist’s work. As a consequence, the exhibition looks as

Lloyd Evans

Blunt instrument

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Enron Noël Coward Fool for Love Riverside With Enron, the playwright Lucy Prebble has picked an almighty task. The Texas fuel giant collapsed in 2000 with $30 billion worth of debt, which at the time was the largest bankruptcy in the history of money. The firm’s bosses flipped through the almanac of bent accountancy and

Anything goes | 6 February 2010

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God and the editor willing, next month’s column will be the 100th ‘Olden but golden’. God and the editor willing, next month’s column will be the 100th ‘Olden but golden’. For those who write in The Spectator every week, this would doubtless seem small beer. For a monthly column it feels like a landmark and

Displaced families

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Imagine, if you will, that it’s 1922 and you’re living in a small mountain village thousands of miles from Istanbul above the shores of the Black Sea. Imagine, if you will, that it’s 1922 and you’re living in a small mountain village thousands of miles from Istanbul above the shores of the Black Sea. You’re

James Delingpole

Broken Britain

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I’ve got another brilliant idea for a TV series. I’ve got another brilliant idea for a TV series. It’s called MPs Walled Up in Scorpion-Filled, Ebola-Ridden, Plague-Rat-Infested, Acid-Drenched, Radioactive Tower Block of Slow Hellish Screaming Death. All right, so the title does give away the premise, slightly, but I’d still watch it, wouldn’t you? 24/7.

Alex Massie

The Problem with Mo

David enjoyed the Mo Mowlam biopic Channel 4 showed on Sunday; I wish I could say the same but am not surprised that I can’t. (You can watch it here, incidentally.) Yes, Julie Walters was just as excellent as one imagined her to be and, yes, it’s carping to complain about what wasn’t in the

Alex Massie

Monday Night Country: Gillian Welch & David Rawlings

Bryan Curtis has an excellent piece at the Daily Beast on the current state of country music. Well, the state of commercially successful, Grammy-nominated country music anyway. As you might expect, it’s depressing stuff. Basically, you have a choice between Carrie Underwood and Taylor Swift and perhaps the best that may be said of this

The first Romantic

Arts feature

Peter Phillips on the life and times of Chopin, who was born 200 years ago The year 1810 may seem a little late to look for the beginning of the Romantic movement in music, but with the births of Chopin, Schumann and S.S. Wesley one could make a case. Think of the difference in the

Welcome to the age of Gaga

Features

Unpredictable, spectacular, bold and contentious — Lady Gaga is the perfect pop star for the 21st century, says Luke Coppen In 1903, Rainer Maria Rilke wrote a letter to a young man who yearned to be a great artist. ‘In the deepest hour of the night,’ the German poet advised, ‘confess to yourself that you

Lloyd Evans

All change at Hampstead

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As Ed Hall takes over the Hampstead Theatre, Lloyd Evans offers some advice on how to run this prestigious venue Congratulations, mate. You’ve landed a plum job. And a bloody tough one, too. Paradoxically, it’s harder to run a single venue than to run a group of theatres. The focus is tighter. There’s less opportunity

Extremes of joy and suffering

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The Real Van Gogh: The Artist and His Letters Royal Academy, until 18 April Sponsored by BNY Mellon From time to time we need to remind ourselves of the astonishing fact that Vincent van Gogh (1853–90) produced more than 800 paintings and 1,200 drawings in a mere ten-year career. He also wrote letters, of a

Fab four

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The last of 2009’s remarkable concatenation of musical anniversaries was celebrated — if that is the word — by Radio Three on New Year’s Eve with a chat show in which each of the four great composers was allotted a defence by a noteworthy music lover, backed up by live phone calls for a brief,

Mixed blessings | 30 January 2010

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Precious 15, Nationwide Claireece ‘Precious’ Jones is a 21-stone, illiterate, black, 16-year-old girl with a father who rapes her — not every day, but still — and a mother so insanely abusive that she throws televisions at her and force-feeds her hairy pig’s feet. (Not every meal, but still.) Precious has already had one child

Lloyd Evans

Dealing and drifting

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Six Degrees of Separation Old Vic, until 3 April The Little Dog Laughed Garrick, booking to 10 April Even those who’ve never entered a theatre know the title. John Guare’s 1990 play, Six Degrees of Separation, tells of a penniless black hustler, Paul, who inveigles his way into New York’s upper-class society by claiming to

Sound check

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Thank heavens for Chekhov! Master of the mundane, the boring monotony of daily life, the meaningless passage of time, he actually makes the random chaos, the pointless repetitions of day-to-day survival seem somehow rather beautiful. Or at least he helps us to realise that we’re all enduring the same feelings that life is useless and

Perfect pitch

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Our attitude to the past of our own youth is like our feelings towards an old grandfather: we love him, admire him for what he’s done, but, goodness, we don’t half patronise him. Our attitude to the past of our own youth is like our feelings towards an old grandfather: we love him, admire him