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Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Lloyd Evans

All change at Hampstead

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As Ed Hall takes over the Hampstead Theatre, Lloyd Evans offers some advice on how to run this prestigious venue Congratulations, mate. You’ve landed a plum job. And a bloody tough one, too. Paradoxically, it’s harder to run a single venue than to run a group of theatres. The focus is tighter. There’s less opportunity

Extremes of joy and suffering

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The Real Van Gogh: The Artist and His Letters Royal Academy, until 18 April Sponsored by BNY Mellon From time to time we need to remind ourselves of the astonishing fact that Vincent van Gogh (1853–90) produced more than 800 paintings and 1,200 drawings in a mere ten-year career. He also wrote letters, of a

In sight of the <em>Ring</em>

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Anniversary-consciousness is no doubt primarily commercially driven, certainly in the music world, where the fact that a scarcely remembered composer has been dead for exactly 300 years is a reason for featuring him as This Week’s Composer on Radio Three, but more importantly for many record companies to persuade us that it is time to

Fab four

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The last of 2009’s remarkable concatenation of musical anniversaries was celebrated — if that is the word — by Radio Three on New Year’s Eve with a chat show in which each of the four great composers was allotted a defence by a noteworthy music lover, backed up by live phone calls for a brief,

Lloyd Evans

Dealing and drifting

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Six Degrees of Separation Old Vic, until 3 April The Little Dog Laughed Garrick, booking to 10 April Even those who’ve never entered a theatre know the title. John Guare’s 1990 play, Six Degrees of Separation, tells of a penniless black hustler, Paul, who inveigles his way into New York’s upper-class society by claiming to

Sound check

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Thank heavens for Chekhov! Master of the mundane, the boring monotony of daily life, the meaningless passage of time, he actually makes the random chaos, the pointless repetitions of day-to-day survival seem somehow rather beautiful. Or at least he helps us to realise that we’re all enduring the same feelings that life is useless and

Perfect pitch

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Our attitude to the past of our own youth is like our feelings towards an old grandfather: we love him, admire him for what he’s done, but, goodness, we don’t half patronise him. Our attitude to the past of our own youth is like our feelings towards an old grandfather: we love him, admire him

Alex Massie

Hayek vs Keynes

This is superb. Friedrich August vs John Maynard. Rapping. Needless to say, if we were to have a real discussion and a real debate between FAH and JMK this election season then we’d have an election to look forward to. As it is no-one of any sense can be anything but terrified by the nonsense

Do the locomotion

Arts feature

On the Move: Visualising Action Estorick Collection, 39a Canonbury Square, London N1, until 18 April The Estorick Collection, which specialises in modern Italian art, has mounted a series of rewarding exhibitions in recent years, all of which bear some essential relationship to its permanent holdings. Futurism remains the best known and most widely celebrated modern

Mary Wakefield

Keeper of the treasure

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It’s lovely here in the Art Fund director’s office, both elegant and cosy. Windows sweep from floor to ceiling, an Iznik bowl on a low table reflects the glow from a gas fire. But, even so, Stephen Deuchar doesn’t seem quite settled. It’s the way he moves warily across the room; turns to stare at

Shifting power

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A Prophet 18, Nationwide A Prophet is an astounding, wholly gripping French film which is both a prison drama and a gangster thriller, and my guess is that, when it comes to the best foreign film category at this year’s Oscars, it’ll be between this and Michael Haneke’s White Ribbon. Obviously, I cannot say which

Ocean of ugliness

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Elektra Barbican La bohème Opera North In his little-read but wonderful book Daybreak, Nietzsche writes: Our composers have made a great discovery: interesting ugliness too is possible in their art! And so they throw themselves into this open ocean of ugliness as if drunk, and it has never been so easy to compose…But you will

Confessions of a Cog

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There’s something about Chris. There’s something about Chris. Don’t know what it is. But his Radio Two breakfast show is so bright, so bouncy, so full of bonhomie, it’s irresistible. I just can’t turn it off — even though I know Evan and Jim are waiting patiently on the other side. By the weekend I

James Delingpole

Glorious send-up

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Bellamy’s People (BBC2, Thursday) began life in 2006 as a spoof Radio Four phone-in show called Down the Line presented by ‘award-winning’ Gary Bellamy (Rhys Thomas) with the Fast Show’s Charlie Higson and Paul Whitehouse playing the various callers. Bellamy’s People (BBC2, Thursday) began life in 2006 as a spoof Radio Four phone-in show called

Go west

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The gardening press in England is often criticised for being parochial. The Scots I meet never miss an opportunity to remind me of this but you could argue that Irish gardens and gardeners are more at the margins of our consciousness. Geographical distance is a major factor, of course, but against that must be set

Mahler’s mass following

Arts feature

It is 150 years since the composer’s birth. Michael Kennedy on his remarkable popularity Approaching 60 years of writing music criticism, I have been wondering what I would nominate as the most remarkable changes on the British musical scene since I started. I decided there were three: the emergence of Mahler as a popular composer

Talk show

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The Conversation Piece The Queen’s Gallery, Buckingham Palace, until 14 February A visit to the Queen’s Gallery is always a civilised, enjoyable experience. Apart, that is, from the airport-style security to which the visitor is subjected — a saddening sign of the retrograde times we live in. The treasures of the Royal Collection are worth

Lloyd Evans

Living dangerously

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Rope Almeida Generous Finborough Oh dear, not this again. I’ve seen Hitchcock’s wonderfully creepy film Rope several times and I had little appetite for the Patrick Hamilton play on which it’s based. Big surprise. The film script was radically customised to accommodate the timid tastes of 1940s film-goers. The original, from 1929, is more daring,

Magicking away misogyny

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Arabian Nights Courtyard Theatre, Stratford-upon-Avon The RSC’s Christmas show is a welcome revival by Dominic Cooke of his adaptation of Arabian Nights, first staged with great success at the Young Vic in 1998. This is also the first ‘family show’ in the Courtyard, and it was good there were so many children there to enjoy

Golden olden

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La bohème Royal Opera House Thanks to the cautiousness of the major opera companies over the festive season, I saw Puccini’s La bohème twice in five days, with another couple of productions to go. The most fascinating aspect, for me, of seeing the Royal Opera’s 577th performance of this masterpiece, in John Copley’s production from

Family values

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What’s your favourite Simpsons joke? This is mine: Lisa and Bart are having a row and Homer tries to stop them. ‘Oh, dad,’ one of them says, ‘we were arguing about which one of us loves you more.’ What’s your favourite Simpsons joke? This is mine: Lisa and Bart are having a row and Homer

Telling our story

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Back in the Sixties or Seventies it was TV that made the cultural running, showing off its photogenic qualities to make series that were supposed to change the way we thought about ourselves. Huge amounts of dosh were pumped into Kenneth Clark’s Civilisation and Jacob Bronowski’s The Ascent of Man as Clark swanned around the

Alex Massie

Sunday Evening Country: Waylon again

Been a whole lotta time since Waylon was seen around here. Time to rectify that so here’s the great man singing A Good Hearted Woman which is what every outlaw needs though since all mommas also know they really shouldn’t let their babies grow up to be cowboys you’d think that means they’d be doubly

Wry, clever and cool

Arts feature

A driven George Clooney tells Marianne Gray how important it is not to get typecast George Clooney arrived on British screens more or less a fully formed star. He had spent years trapped in American sitcom hell and by the time we got him he was in his mid-thirties playing the debonair Dr Doug Ross

Fine line

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Drawing Attention Dulwich Picture Gallery, until 17 January Last chance to see a really excellent selection of works on paper from the Art Gallery of Ontario in Canada. It’s a relatively new collection, begun in 1969, but despite that it includes many of the great names of Western art. From the Italian Renaissance to 18th-century